A successful international conductor suddenly interrupts his career and returns alone to his childhood village in Norrland, in the far north of Sweden.It doesn't take long before he is ... See full summary »
A chronicle of country music legend Johnny Cash's life, from his early days on an Arkansas cotton farm to his rise to fame with Sun Records in Memphis, where he recorded alongside Elvis Presley, Jerry Lee Lewis and Carl Perkins.
This is a story of a music prodigy. Lyla is a renowned and beautiful cellist and Louis is a guitar player and vocalist at a club. Lyla and Louis fall in love once they meet each other following the music. Since they have different lives, they have to separate without seeing each other again. However, Lyla has had their baby - Evan, a prodigy born to music. Lyla has an accident and bears the baby but Lyla's father gives the baby to an orphanage without telling her, for fear of affecting her career. After that, both Louis and Lyla give up their music careers. Eleven years later, poor little Evan believes that his parents are waiting for him and goes to New York to find them. In New York, his musical gift leads him to success but also gives him some trouble. A monger uses Evan to make money and prevents him from achieving success. He escapes and runs into a church and people there are surprised by his gift and send him to the best music school, Juilliard. There he receives an education ... Written by
The story is based on the plot of Oliver Twist by Charles Dickens. In addition to the main characters (August/Oliver, Wizard/Fagin, Arthur/The Artful Dodger) it also includes some of the more obscure characters from the book, such as Oliver's friend Dick from the workhouse/August's friend in the orphanage, Hope/Rose Maylie, Rev. James/Mr. Brownlow, and Lyla's Father/Monks. See more »
After 12 years, Lyla and Louis do not look a single day older. See more »
[sees Louis on the projector]
Oh my god! Is that you?
[Louis doesn't answer]
When were you going to tell me you were in a band?
[Cutting in before Louis could answer]
I'm sure there's a lot of things our Louis hasn't told you darling, like who'd did you write the song for?
[turns away from Marshall]
I told you this was a bad idea.
That's it, go on! Walk out on us again!
[Louis turns back to him]
[Walking towards Marshall]
Say what you have to say Marshall!
No man, go on!
[...] See more »
If you don't have a great imagination, you won't like it
If you love it, you'll LOVE it. If not, then the most you'll probably give it is an 'ok'. The movie requires the audience to have a somewhat willful suspension of reality as there are some slightly mystic themes interwoven in the storyline. But as the movie is basically centered on the power of music, the mystic elements make sense. It's completely about belief and faith in the intangible.
Personally, I loved the story. And the music was amazing. I had goosebumps throughout the entire movie. In fact, there was probably so much emphasis on the music that there was less character development than a lot of people would like. I liked this element of the movie, though, as it requires you to read between the lines. Not even the ending is handed to you nicely wrapped and on a platter. There's no wrap-up dialogue or epilogue sequence, just the audience's own inferences. Hence, if you don't have an imagination, you should stay home.
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