14-year-old György's life is torn apart in World War II Hungary as he is sent to a concentration camp where he is forced to become a man, and learns to find happiness in the midst of hatred, and what it really means to be Jewish.
In 2054, Paris is a labyrinth where all movement is monitored and recorded. Casting a shadow over everything is the city's largest company, Avalon, which insinuates itself into every aspect of contemporary life to sell its primary export -- youth and beauty. In this world of stark contrasts and rigid laws the populace is kept in line and accounted for.
Agnes MacDonnell (Greta Scacchi), a strong and self-confident Englishwoman in her forties, owns a large estate on an island off the coast of Northern Ireland. When she begins a passionate ... See full summary »
Two men become entangled in a torrid love affair with the same woman. Pierre is Miriam's longtime lover. John is desperately searching for clues about his past when he and Miriam have a ... See full summary »
Guy Crouchback,heir to a declining English Roman Catholic family returns to England from Italy at the start of World War Two and joins the Royal Corps of Halberdiers,along with various ... See full summary »
Bo Durant, a volatile, working-class gearhead, sees himself trapped in a world with few possibilities but when he falls off his stepdaughter's bike, suffers a concussion, stops eating, and ... See full summary »
The Hotel Splendide is on a remote and cold island, accessible only by a once-a-month ferry. It's a dark and dreary spa created by the late Dame Blanche, whose grown children now run the ... See full summary »
A man signs up as a driver for a group of criminals on a dangerous job. On the way to the hit the man hears the lottery numbers and realises he's got the winning ticket on him. However the ... See full summary »
Set in contemporary Moscow and the frozen northern town of Archangel, the drama revisits the stark landscape of Communist Russia and takes place over four days in the life of academic Fluke Kelso. His fateful meeting with a former Stalinist bodyguard leads to the uncovering of one of the world's most dangerous and best kept secrets. He is led unwittingly through murder and intrigue towards his own personal "Holy Grail" - Joseph Stalin's secret legacy - a legacy that could change the face of Russian history forever. Written by
Icon Productions originally held the film rights to the novel, with intentions to develop it as a Mel Gibson vehicle for the big screen. See more »
After Kelso is released from the police station he is given a ride by the Russian intelligence. You can clearly see that he is getting into black BMW 5 series (e-39) but in the next shot he is getting out from a black BMW 7 series (e-38). See more »
Mr Kelso... I'm totally sick of people like you throwing past in our faces. And I'm sick of people like Mamontov trying to make Gods out of monsters.
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Surely the novel can't be as ridiculously simplistic as this?
Robert Harris writes surprisingly good popular upmarket airport bestsellers aimed at Sunday Times and Guardian readers that once upon a time would have been made into self-important overproduced movie potboilers but now (Enigma aside) get made in to misfiring TV series instead (Fatherland, Selling Hitler). Latest failure is Archangel, a historical/political conspiracy thriller set in modern-day Russia where the Maguffin is (initially at least) a hunt for Stalin's notebook before turning into something infinitely sillier. Unfortunately the end result is so flat in almost every single way that you're left with little to do but notice the many plot holes and increasing absurdities in the pared down script that hits plot points but never makes you buy into the story or the clichéd characters in any way and seemingly goes out of its way to avoid dealing with any interesting issue that might threaten to crop up en route.
The trick to plots this absurd on the printed page is to surround them with big themes (the ongoing malign influence of Stalin and Russia's communist past, the commercial and political exploitation of history) and a lot of recycled historical research and local color to make people think you know what you're talking about. The trick to this kind of nonsense on screen, however, is to keep it moving and put enough of a spin on the stock situations so that the audience doesn't stop to think, but screenwriters Dick Clement and Ian La Fresnais come up empty every time: when you see Beria having a soldier bury secret documents IN HIS OWN BACK GARDEN in a hole no more than 18 inches deep, you know that no-one's even making an effort here.
Professionally made and watchable if you've nothing better to do, but it has that tired and uninspired factory feel to it. And who on Earth thought that Daniel Craig was perfect casting for a middle-aged American history professor? He's a fine actor, but he can't bring anything to the table against those kind of odds not even an American accent. But even he isn't faced with the kind of ridiculous casting that Konstantin Lavronenko fails to conquer as a character who is supposed to be at least 50 years old but looks no older than 30 (although he's actually 45), rendering the final twist even more unbelievable on the screen than it is on the page.
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