Rock roadie, Le Donk, has lived, loved and learned. Along the way, he's lost a classy girlfriend but gained a sidekick, Scorz-Ayz-Ee. He sets out to make Scorz a star with a little help from the Artic Monkeys.
A teenage girl, Jessica, befriends a teenage boy called Tom, who is bullied by a local gang. She is abused by Jack, who is both her neighbour and school teacher, and Tom is sexually abused ... See full summary »
Two twelve-year-old boys, Romeo and Gavin, undergo an extraordinary test of character and friendship when Morell, a naive but eccentric and dangerous stranger, comes between them. Morell ... See full summary »
Darren O. Campbell
Morbid biographical story of Sid Vicious, bassist with British punk group the Sex Pistols, and his girlfriend Nancy Spungen. When the Sex Pistols break up after their fateful US tour, ... See full summary »
The story of the famous and influential 1960s rock band and its lead singer and composer, Jim Morrison, from his days as a UCLA film student in Los Angeles, to his untimely death in Paris, France at age 27 in 1971.
A chronicle of John Lennon's first years, focused mainly in his adolescence and his relationship with his stern aunt Mimi, who raised him, and his absentee mother Julia, who re-entered his life at a crucial moment in his young life.
Kristin Scott Thomas,
The algorithmic break-down of images of a stone colonnade creating hallucinatory patterns contrasts with the peaceful dusk among the old hallways and colonnades of Cambodia's Buddhist ... See full summary »
Fact-based story about the drug-addled and sordid life of The Rolling Stones founder Brian Jones. Unfortunately the story moves so quickly into the sensationalized decadence and drug-induced state of Jones, that the unknowing viewer has to wonder why anyone would care. There are only a few framing sequences with members of The Stones, particularly Keith Richards, that show they had a great respect for him and tried to bring him back into the band as he drifted away. Mixed into the destruction of Jones is a common builder, Frank Thorogood, who is given the unenviable task of trying to please Jones by rebuilding his estate and to watch him per Jones' manager's instructions. Thorogood's life is so far removed from all of the sex and drugs that he sees, that he envies and desires the tawdry life as well, but never quite fits in. Unfortunately, at least according to this film and according to a supposed death bed confessional of Thorogood in 1993, it led to Thorogood's murder of Jones in a... Written by
John Sacksteder <email@example.com>
On Frank's first day at Brian's, he goes to the telephone to make a call, but we hear the sound of dialing before his fingers are actually doing so. See more »
Thanks for making a marytr of me. If it wasn't for you I'd still be alive and, no one would care.
You know that isn't true. It was you screwing with Frank's head what did it, because you had nothing better to do. But you did know her...
You just had to go and screw it up, didn't ya? Your problem is, you were never happy - even Frank was happy.
You're wrong you know Tom. I was happy, somewhere in the middle there. The thing with happiness was... It was boring.
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I was looking forward to this one (despite the negative reviews it got) because of its subject matter - the mysterious death of Rolling Stones guitarist, Brian Jones. However, apart from good central performances - Leo Gregory (Brian Jones), Paddy Considine (Frank Thoroghgood) and David Morrissey (Tom Keylock) - and a couple of attractive females, I have to say I was let down by it. There really is little depth to the characterizations: Jones, especially, is portrayed as a pill-popping, egotistical snob who beats up his girl and enjoys needling the meek Thorogood but he is shown to lose interest in his band's activities far too early (in 1966!) which is negated by history given that he still exerted some control over the Stones' musical direction in unusual sounding songs like "Lady Jane" and "Paint It Black". First-time director Stephen Woolley (Neil Jordan's frequent producer) overdirects most of the time and, apart from Jagger and Jones, none of the rest of the Stones look anything like the real people. To add insult to injury, three of the classic songs of the era are only rendered via bland recent cover versions rather the originals which, at least, would have given it an air of authenticity.
5 of 8 people found this review helpful.
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