The film in not about auto-parts workers in suburban Buenos Aires, but about workers of a ceramic floors factory in Neuquen, several hundred miles southward, in Argentinian Patagonia.

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Cast

Credited cast:
Matilde Adorno ...
Herself - Worker
Michel Camadessus ...
Himself
...
Himself (archive footage)
Gustavo Cordera ...
Himself (singer) (as Bersuit)
Freddy Espinoza ...
Himself (president of La Forja)
Raul Godoy ...
Himself
Néstor Kirchner ...
Himself
...
Herself (also narrator)
...
Himself (also narrator)
Celia Martinez ...
Herself
Carlos Saúl Menem ...
Himself (as Carlos Menem)
Lalo Paret ...
Himself (activist)
Juan Domingo Perón ...
Himself (archive footage)
Jorge Rimondi ...
Himself (Judge)
Anoop Singh ...
Himself (Director of the IMF's Western Hemisphere Department)
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Storyline

In suburban Buenos Aires, thirty unemployed auto-parts workers walk into their idle factory, roll out sleeping mats and refuse to leave. All they want is to re-start the silent machines. But this simple act - the take - has the power to turn the globalization debate on its head. Armed only with slingshots and an abiding faith in shop-floor democracy, the workers face off against the bosses, bankers and a whole system that sees their beloved factories as nothing more than scrap metal for sale. With The Take, director Avi Lewis, one of Canada's most outspoken journalists, and writer Naomi Klein, author of the international bestseller No Logo, champion a radical economic manifesto for the 21st century Written by Anonymous

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Taglines:

Occupy. Resist. Produce.

Genres:

Documentary

Certificate:

Unrated | See all certifications »
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Details

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Release Date:

18 March 2005 (Italy)  »

Also Known As:

Die Übernahme  »

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(archive footage)|
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User Reviews

 
an above-average doc on a great subject
4 April 2005 | by (Vancouver, Canada) – See all my reviews

I saw this on television (CBC) yesterday night and thought it was a good documentary. I had heard of the film and its topic before and was deeply intrigued. Having also read Klein's "No Logo", you could say I had more interest in this than most. Lewis and Klein move swiftly in telling their tale of Argentinian workers' plight for dignity and labour. A balanced interplay of rhetoric that appeals to the intellect and the emotions will win over many of the viewers. The length is such that the film does not become boring or drawn-out and good editing judgment focuses on relevant segments. Regardless of their take on these events in Argentina, I think everyone has something to learn from this film. A project like this gives me faith in our country's National Film Board ... also thanks to CBC Newsworld for not fearing to air this several times (even though late at night).


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