During the Second World War, a small group of students at Munich University begin to question the decisions and sanity of Germany's Nazi government. The students form a resistance cell ... See full summary »
In 1942, Friedrich Weimer's boxing skills get him an appointment to a National Political Academy (NaPolA) - high schools that produce Nazi elite. Over his father's objections, Friedrich ... See full summary »
For two weeks, 20 male participants are hired to play prisoners and guards in a prison. The "prisoners" have to follow seemingly mild rules, and the "guards" are told to retain order without using physical violence.
The Final Days is the true story of Germany's most famous anti-Nazi heroine brought to life. Sophie Scholl is the fearless activist of the underground student resistance group, The White Rose. Using historical records of her incarceration, the film re-creates the last six days of Sophie Scholl's life: a journey from arrest to interrogation, trial and sentence in 1943 Munich. Unwavering in her convictions and loyalty to her comrades, her cross-examination by the Gestapo quickly escalates into a searing test of wills as Scholl delivers a passionate call to freedom and personal responsibility that is both haunting and timeless. Written by
The Stadelheim prison in Munich's Giesing district, where the execution of Sophie Scholl and many others (at least 1,035) took place during the Third Reich, is still in use as a prison as of 2014. Adolf Hitler had also been imprisoned here for a month in 1922. See more »
At the very first interrogation, while Sophie is giving her version, the red book on the table keep changing angles. See more »
OK, first of all. This movie is absolutely not like "the Downfall" (Der Untergang). Sophie Scholl is way more demanding and exacting. Now, 3 days after I've seen this movie, I still got a feeling of guilt and concernment in my stomach. In my opinion Sophie Scholl is due to its precision more like a (replayed) documentary movie than a Drama, which makes it even more "shocking". This is for sure no light entertainment, and those, that don't like long conversations or even are not interested in history, should not watch this movie. This is the main reason, why Sophie Scholl won't make the transatlantic heap, because it's too "special". It's a part of German history and requires a willingness to cope with it.
Marc Rothemund does a very good job on directing this movie, and Julia Jentsch is very convincing. While watching this movie you don't have the feeling that the story is 60 years ago and can't touch you. It makes you feel like you're in the thick of it. And that's why I give a 9/10. Great Movie.
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