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Sophie Scholl: The Final Days (2005)
"Sophie Scholl - Die letzten Tage" (original title)

7.7
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Ratings: 7.7/10 from 19,791 users   Metascore: 76/100
Reviews: 94 user | 129 critic | 30 from Metacritic.com

A dramatization of the final days of Sophie Scholl, one of the most famous members of the German World War II anti-Nazi resistance movement, The White Rose.

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Cast

Cast overview, first billed only:
...
Alexander Held ...
Fabian Hinrichs ...
Johanna Gastdorf ...
André Hennicke ...
Anne Clausen ...
Traute Lafrenz (voice)
Florian Stetter ...
Maximilian Brückner ...
Johannes Suhm ...
Lilli Jung ...
Klaus Händl ...
Lohner
Petra Kelling ...
Jörg Hube ...
Franz Staber ...
Maria Hofstätter ...
Wärterin
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Storyline

The Final Days is the true story of Germany's most famous anti-Nazi heroine brought to life. Sophie Scholl is the fearless activist of the underground student resistance group, The White Rose. Using historical records of her incarceration, the film re-creates the last six days of Sophie Scholl's life: a journey from arrest to interrogation, trial and sentence in 1943 Munich. Unwavering in her convictions and loyalty to her comrades, her cross-examination by the Gestapo quickly escalates into a searing test of wills as Scholl delivers a passionate call to freedom and personal responsibility that is both haunting and timeless. Written by Diaboyos

Plot Summary | Plot Synopsis

Taglines:

The true story of a young woman who did what few in Nazi Germany dared even think! See more »


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Details

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Release Date:

24 February 2005 (Germany)  »

Also Known As:

Sophie Scholl: The Final Days  »

Filming Locations:

 »

Box Office

Opening Weekend:

$34,560 (Argentina) (10 November 2006)

Gross:

$34,560 (Argentina) (10 November 2006)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

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Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

This film's closing epilogue states: "The so-called People's Court imposed the death sentence on . . . [seven] . . . members of the White Rose . . . Harsh sentences were imposed on . . . [twelve members] . . . Other members of the White Rose suffered draconian punishments." See more »

Goofs

When Sophie goes to the bathroom at the police station, a boom mic is reflected in the mirror above the wash basin See more »

Quotes

Sophie Magdalena Scholl: Trucks came to pick up the children at the mental hospital. The other children asked where they were going. "They're going to heaven," said the nurses. So the children got on the truck singing. You think I wasn't raised right, because I felt pity for them?
See more »

Connections

Referenced in The Making of 'Sophie Scholl - Die letzten Tage' (2005) See more »

Soundtracks

I'm Making Believe
Performed by Ella Fitzgerald
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User Reviews

 
How would YOU make Sophie Scholl?
23 October 2005 | by (Russia) – See all my reviews

As a person who spent many years 'making art', I could not be more amazed reading some of the comments. I've just been to a preview of Sophie Scholl in Manchester, England; and I am not only glad that this movie has been made, but also that it is done at the time when young people are happier to do 'whatever' rather than have any principles.

There is no point debating historical accuracy. As it followed from the Q&A session with Marc Rothemund following the preview, not only the filming took place at the original locations that are still there, but the crew went at great length doing things 'right', including getting the weather reports for February 1943. Yes, there is this strange feeling of looking at the film's title, which sounds like the title for a documentary. But then I didn't gather the impression that Rothemund's goal was to poeticise the story of Sophie Scholl. I think it is quite enough that in Germany she is perceived as a martyr. What Sophie Scholl

  • Die Letzten Tage does successfully is it shows a person behind the


image, a young girl (younger than myself), who was prepared to die for her idea, but desperately loved life.

I read critical comments, and mine was in part sparked by them. Far from trying to debate their correctness, I'll do exactly what I always do on these occasions. Guys, those of you who decide to write next dismissive drag, instead tell us how you would direct in Rothemund's place. Or how would you act in place of Julia Jentsch? If you have really valid suggestions, we'll all be happy to hear.


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