7.7/10
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Sophie Scholl: The Final Days (2005)

Sophie Scholl - Die letzten Tage (original title)
A dramatization of the final days of Sophie Scholl, one of the most famous members of the German World War II anti-Nazi resistance movement, The White Rose.

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Cast

Cast overview, first billed only:
...
Sophie Scholl
Alexander Held ...
Fabian Hinrichs ...
...
...
...
Maximilian Brückner ...
...
Lilli Jung ...
Klaus Händl ...
Lohner
Petra Kelling ...
Jörg Hube ...
Franz Staber ...
Maria Hofstätter ...
Wärterin
Wolfgang Pregler ...
Jakob Schmid
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Storyline

The Final Days is the true story of Germany's most famous anti-Nazi heroine brought to life. Sophie Scholl is the fearless activist of the underground student resistance group, The White Rose. Using historical records of her incarceration, the film re-creates the last six days of Sophie Scholl's life: a journey from arrest to interrogation, trial and sentence in 1943 Munich. Unwavering in her convictions and loyalty to her comrades, her cross-examination by the Gestapo quickly escalates into a searing test of wills as Scholl delivers a passionate call to freedom and personal responsibility that is both haunting and timeless. Written by Diaboyos

Plot Summary | Plot Synopsis

Taglines:

The true story of a young woman who did what few in Nazi Germany dared even think! See more »


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Details

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Release Date:

24 February 2005 (Germany)  »

Also Known As:

Sophie Scholl: The Final Days  »

Filming Locations:

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Box Office

Opening Weekend:

$701,656 (Germany) (4 March 2005)

Gross:

$676,167 (USA) (11 August 2006)
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Company Credits

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Technical Specs

Runtime:

Sound Mix:

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Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

In January 2014, the guillotine which was used to behead Sophie Scholl and other opponents of the regime, was rediscovered in the basement of the Bavaria National Museum in Munich. It had been locked away due to its gruesome nature and could be identified without a doubt. The last remaining member of the White Rose group, Franz Josef Müller, 89 years old at the time of the discovery, is against public exhibition of the guillotine, which he thinks to be entertainment. See more »

Goofs

While being locked up in a Munich Gestapo prison cell the night from February 20 to 21 1943, Sophie Scholl and her cell-mate Else witness an allied air raid with flashlight, howling sirens and bursting bombs. In reality no bombs fell on Munich the time between the British attacks of December 22, 1942, and March 8, 1943. See more »

Quotes

Richter Dr. Roland Freisler: In the name of the German people, in the criminal case against Hans Fritz Scholl from Munich, Sophia Magdalena Scholl from Munich, and Christoph Hermann Probst from Aldrans, the people's court has reached a verdict following court proceedings on 22 February, 1943: The defendants published leaflets at a time of war, calling for people to sabotage armaments, and to overthrow our people's National Socialist way of life. They propagated defeatist ideas and visciously insulted the Fuhrer. By so ...
[...]
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Connections

Referenced in The Making of 'Sophie Scholl - Die letzten Tage' (2005) See more »

Soundtracks

I'm Making Believe
Written by Mack Gordon and James V. Monaco
Performed by Ella Fitzgerald
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User Reviews

 
How would YOU make Sophie Scholl?
23 October 2005 | by (Russia) – See all my reviews

As a person who spent many years 'making art', I could not be more amazed reading some of the comments. I've just been to a preview of Sophie Scholl in Manchester, England; and I am not only glad that this movie has been made, but also that it is done at the time when young people are happier to do 'whatever' rather than have any principles.

There is no point debating historical accuracy. As it followed from the Q&A session with Marc Rothemund following the preview, not only the filming took place at the original locations that are still there, but the crew went at great length doing things 'right', including getting the weather reports for February 1943. Yes, there is this strange feeling of looking at the film's title, which sounds like the title for a documentary. But then I didn't gather the impression that Rothemund's goal was to poeticise the story of Sophie Scholl. I think it is quite enough that in Germany she is perceived as a martyr. What Sophie Scholl

  • Die Letzten Tage does successfully is it shows a person behind the


image, a young girl (younger than myself), who was prepared to die for her idea, but desperately loved life.

I read critical comments, and mine was in part sparked by them. Far from trying to debate their correctness, I'll do exactly what I always do on these occasions. Guys, those of you who decide to write next dismissive drag, instead tell us how you would direct in Rothemund's place. Or how would you act in place of Julia Jentsch? If you have really valid suggestions, we'll all be happy to hear.


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