The survivors are saved by the mysterious prophet, Short Bus Gus, who seemingly has the ability to control the beasts. He leads them into the sewers as they travel to the big city. Along ... See full summary »
Carl Anthony Payne II
Trapped in an isolated gas station by a voracious Splinter parasite that transforms its still living victims into deadly hosts, a young couple and an escaped convict must find a way to work together to survive this primal terror.
A search and recovery team heads into the haunted swamp to pick up the pieces and Marybeth learns the secret to ending the voodoo curse that has left Victor Crowley haunting and terrorizing Honey Island Swamp for decades.
In a remote bar, a newcomer advises the customers to seal the place up, as hungry monsters will soon attack them. The customers must quickly organize a strategy to defend themselves from the deadly creatures. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
One of several films that Harvey and Bob Weinstein took to their new production company, the Weinstein Co., after their separation from Miramax/Dimension Films in early 2005. See more »
Near the end of the film when the monster has crashed through the wall of the bar, the monster rips off his deer skull mask/helmet to show his true face. As soon as he tears the mask/helmet away, look carefully to the right of the screen. For a split second, you can see the black outline of a person standing beside it. This is revealed in the commentary. See more »
[Locked in bedroom as monster is coming through window]
Okay! I'm ready to come out now!
[Bartender fumbles outside with key; it breaks in the lock]
[Panicking, rattling doorknob]
OH? WHAT DO YOU MEAN, "OH"?
[Relatively calmly. i.e. oh, shit]
Cheese and crackers.
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After the credits start rolling we see what happens to Grandma. See more »
First - let's clarify a few things which people seem to be confused about.
* Feast's budget was about $3,000,000.00, not $1 million.
* I am not sure whether the word "independent" should be used for a film which required (I assume) voluntary (donations?) 'production' efforts from Harvey Weinstein, Wes Craven, Matt Damon and Ben Affleck. "Project Green-Light" or not. It's really too bad that their hourly rates don't show up in the reported budgets for projects such as this - would help to clarify a lot of misunderstandings regarding the nature of allegedly independent, supposedly low-budget releases.
* The cast is far from a group of of nobodies. Look them up right here on IMDb. For a supposed low-budget film, Feast relies very heavily on name-recognition and star power.
John Gulager does a very nice job of telling a claustrophobic, absurd, but fun tale of terror and gore in "Feast". It's an old story, but,in this case, it's told very well.
A bar full of archetypal jerks, losers and heroes are startled by a would-be hero's (Eric Dane) violent, blood-soaked entry into the bar with a gun and an attitude. The hero announces that the bar is just about to be attacked by four angry monsters with razor-sharp claws and teeth. The audience is almost immediately introduced to the film's audience participation game. Here are the (unstated, but easily understood) challenges:
* Understand that what is going to happen in this film is obvious and that we've seen it all before.
* The game is to figure out who gets it next
* If you're really good - try guessing how they are going to get it too.
The casting, editing and directing make this film worth watching. The script is fine for what it is, but that isn't saying a whole lot. And the acting is uniformly good - again, for what it is. Watching Henry Rollins ironically playing a self-help con artist with obvious problems of his own, Clu Gallagher comically reprising the roll of the ancient bartender and erstwhile retired gunfighter in a very unlikely isolated desert context, Balthazar Getty as the "Town Jackass", and Navi Rawat as the tough chick mom on a mission is well... just a lot of fun.
The special effects are heavily digitized and there are a number of very noticeable 'digital moments'. I know I am supposed to say that the special effects were brilliant for the cost of the film, but I do not trust the reported budget - I suspect that a lot of very expensive people were employed on a voluntary basis for this film, and it is obvious that their time was not accounted for in the reported budget.
Highly recommended for horror comedy fans and fans of the cast members. Not recommended for those who have difficulties with extremely disgusting gore, and not recommended for those who do not recognize at least one or two of the major cast members.
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