Trapped in an isolated gas station by a voracious Splinter parasite that transforms its still living victims into deadly hosts, a young couple and an escaped convict must find a way to work together to survive this primal terror.
The survivors are saved by the mysterious prophet, Short Bus Gus, who seemingly has the ability to control the beasts. He leads them into the sewers as they travel to the big city. Along ... See full summary »
Carl Anthony Payne II
A search and recovery team heads into the haunted swamp to pick up the pieces and Marybeth learns the secret to ending the voodoo curse that has left Victor Crowley haunting and terrorizing Honey Island Swamp for decades.
In a remote bar, a newcomer advises the customers to seal the place up, as hungry monsters will soon attack them. The customers must quickly organize a strategy to defend themselves from the deadly creatures. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
The original script for the film included a lot more action spots, but producers decided they had to be cut to fit the budget. See more »
The payphone gets shot off the wall and the guy goes to hang up the receiver but, obviously, it falls as there is no longer a payphone there but a hole. In the next scene the receiver is hung up in the wall. See more »
[Locked in bedroom as monster is coming through window]
Okay! I'm ready to come out now!
[Bartender fumbles outside with key; it breaks in the lock]
[Panicking, rattling doorknob]
OH? WHAT DO YOU MEAN, "OH"?
[Relatively calmly. i.e. oh, shit]
Cheese and crackers.
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After the credits start rolling we see what happens to Grandma. See more »
I had a chance to catch a screening of "Feast" at the Chicago Film Festival. I hadn't caught the latest installment of Project Greenlight and hadn't even heard of the movie until a week ago, so I came in without any expectations.
At the least, it's got cult classic written all over it: --campy, smart writing --quirky characters that are developed enough to give them dimension without plummeting the depths of their personalities (it is a horror flick) --a movie that doesn't take itself too seriously --outrageously funny (more than you can say of other cult classics that have somehow survived)...I haven't laughed out loud that much since Meet the Parents (the original!) --totally scared the crap out of me numerous times --a plot that defies predictability, but doesn't collapse as a result of it
And for all those reasons, there's got to be a good chance it's at least going to be a sleeper hit...one that certainly appeals to the horror flick crowd, but is smart enough to draw others (like myself) that are just looking for a great, well-written, well-produced movie. Add the project greenlight junkies to that eclectic mix of audience draw...and, tell me again, why are the studios having trouble releasing it?
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