|Index||6 reviews in total|
There are people claiming this is another "bad language" ultra violence
Mexican movie. They are right, but more than that this film is a call
to create awareness of what we have become. The awful truth hurts, or
bores when you already have accepted the paradigm of living the third
world as the only possible goal. One of the most important things of
"Cero y van cuatro" is the open invitation to profound reflexion over
our current identity. Is that what we all are? Is that all that we want
to be? I am abroad and I realized how spoiled is the Mexican society
when the Tlahuac Incident came to light. I still cannot understand
viewers witnessing a mass broadcasted murder. I nearly puked when I saw
some of the images. It was not Irak or Rwanda, just a tiny village near
Mexico City when rampage was carried out with the indulgence of media
and government. The recreation of a similar situation in this film
shocked me deeply. The other stories were good portraying other
situations of corruption, dishonesty, betrayal and violence, but I
consider "Tamales de Chivo" the best one.
The movie is deeper than some "cabrón" and "pendejo" screams. Those are meaningless compared with the actions of the people. With a few exceptions they are all perfect examples of human rubbish. Just like in real life honesty is becoming more the exception than the rule in our country. Moreover, honesty is only rewarded miraculously.
Even, still a lot of people leave in peace, nobody ignore this situation This is a real good film that goes from, corruption, betray,infidelity, extreme misery, nothing we do not see daily on the top news,from the tears and pain mixed with hilarious and blaspheme,from the tycoons to the ones don't even have money to buy a minimum medicine for a very sick daughter, of course you may go to this city, and don't notice a thing, but the story could be perfectly real, cruel but good film, acting from regular to good, rhitmen enough to keep audience awake, if you don't have chicken hart, must see this new Mexican movie (just in case...English is not my language)
This movie, even though is about one of the most favorite topics of
Mexican producers producers: the extreme life in our cities, has a
funny way to put it on the screen.
Four of the more important Mexican directors, of the last times, approach histories of our city framed in diverse literary sorts as it can be the farce or the satire, which gives us a film with a over exposed topic in our country, but narrated in a very different way which gives a freshness tone him.
With actors little known, but that interprets of excellent way their paper, each one of the directors reflect in the stories the capacity by we have been identified anywhere in the world, that capacity of laugh the pains and to make celebration of the sadness. Perhaps to many people in our country the film not have pleased, but I consider that people of other countries could find attractive and share the surrealism of the Mexican.
*** This review may contain spoilers ***
I can give you four reasons to see this movie:
1. Four of the best filmmakers in the contemporary Mexican cinema.
2. Four good stories, related into a big scheme.
3. A surprisingly good cast.
4. A bitter reflexion about the biggest trouble in this country (and many others).
Alejandro Gamboa opens this movie with a good story in a comedic mood about the authority practicing the extortion against regular people and still expecting to be appreciated by its efforts.
Then Antonio Serrano gets more dramatic in the second piece with a story heir to the Italian neorealism with a "Peter and the wolf"-like anecdote.
In the third story, the one that seems more independent from this series even in the context, Carlos Carrera tells us the story of a man being at the wrong place in the wrong moment. But after the recent lynching at Tlahuac and the tradition in this awful matter at the State of Mexico, this story couldn't be more updated.
And at the end, Fernando Sariñana returns to the dark humor in the "grand finale" in which he puts together the most of the characters from the past sequences in one of the better comedy pieces ever filmed. Reprising the center scene from one of his previous films "Todo el poder", Sariñana gives the final lesson of the theme. And by the way, give us the scene that steals the movie with Anna Ciochetti making a brief striptease.
Once the movie has ended, you get a bittersweet feeling about having looked at a good movie (and maybe enjoyed it) with a very painful subject. They say that in Mexico people laugh at their own disgrace and this is the best example. This film is a testimony of how Mexicans have learn to live in the middle of a crime state(and perhaps accepted it), between two fires: The criminals and the so-called authorities full of corruption. Even this movie is a wishful thinking because almost all the good people have been a victim of crime and they don't get this unhurt. If you had an assault without a scratch then you're lucky. Meanwhile, don't lose the chance to see this movie, highly recommended.
And it's a beautiful life in Mexico...
*** This review may contain spoilers ***
I was on France, around March 05, and I love to go to this Film
Festivals. I knew about this Cinémas d'Amérique Latine de Toulouse, but
I've never went to it. I decided to go and then I caught Cero y van 4.
The film is stunning. It doesn't caused the impact on me like with the Mexican users, because it was french-subtitled but it's still shocking.
This film is a satire about urban violence, about kidnapping and crime on the streets in Mexico. It is a crude portrait of the city. Of a Metropolis. Secuestro Express, with a stunning Mia Maestro, which was also a satire of kidnapping, almost, but with a more serious tone has, and I think so, some kinda connection with Cero y van 4. A, sort of, redemption story and that how much is too much? Man on Fire, that was stunningly strong, was also, not a satire, but a crude portrait into the streets of Mexico. Or it is like The Brave One. A film that shocks and hits you in the guts very hard. This is like The Usual Suspects, it has some plot twists and turns, but that makes it even more believable. Verdict: A film that shocks and makes you believe that there's no security on the streets anymore. Stunning dialogue, impressive direction and astonishing performances. Cero y van 4 is a film that you won't forget soon. Leaves you shaking and stunned.
It's not just that this is a bad movie; it's not only that four of the
"best" Mexican movie makers are in this film; and it's not only that
the script is terrible. It's just that...this movie sucks...big time.
This people are wasting money in terrible scripts. It's supposed to
make a criticism about Mexican society but we're fed up with this kind
of films. Is bad language supposed to be funny? I don't get it. Mexican
cinema is in big trouble if this kind of movies are going to continue
playing (and being written and produced).
Please, don't think this kind of movies are well received in Mexico: We hate them and they don't reflect us.
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