In this sequel to Red Cliff, first minister Cao Cao convinces Emperor Han to initiate a battle against the two Kingdoms of Xu and Wu, who have become allied forces, against all expectations... See full summary »
Tony Chiu Wai Leung,
His country torn asunder by civil war, Zhao Zilong, a common man heeds the call of duty and from the humblest of roots rises through the ranks on wings of courage and cunning to command an ... See full summary »
It's a heroic tale of three blood brothers and their struggle in the midst of war and political upheaval. It is based on "The Assassination of Ma," a Qing Dynasty (1644-1911) story about ... See full summary »
When three close friends escape from Hong Kong to war-time Saigon to start a criminal's life, they all go through a harrowing experience which totally shatters their lives and their friendship forever.
Tony Chiu Wai Leung,
In 208 A.D., in the final days of the Han Dynasty, shrewd Prime Minster Cao Cao convinced the fickle Emperor Han the only way to unite all of China was to declare war on the kingdoms of Xu in the west and East Wu in the south. Thus began a military campaign of unprecedented scale, led by the Prime Minister, himself. Left with no other hope for survival, the kingdoms of Xu and East Wu formed an unlikely alliance. Numerous battles of strength and wit ensued, both on land and on water, eventually culminating in the battle of Red Cliff. During the battle, two thousand ships were burned, and the course of Chinese history was changed forever. Written by
A white dove was released to fly over to Cao Cao's base. See more »
When Zhou Yu is receiving treatment for his arrow wound, his chest is covered in blood. The next shot, the blood is gone, without anyone wiping it away. See more »
The year is 208 AD. After years of civil war, a deathly calm has fallen of northern China. One by one, the rebel warlords have met their end under the sword of Prime Minister Cao Cao. Now, even the Han Emperor bows before his power. Yet from the south, a challenge is heard. Two leaders arise against Cao Cao's tyranny, the aging Liu Bei, and the inexperienced Sun Quan. So Cao Cao petitions the Emperor to brand these men as traitors, and declare a new war against the peaceful ...
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Surprisingly good mega blockbuster from a seasoned Master
Admittedly, I had my doubts about Red Cliff. John Woo in the chair to make a historical war drama? That hasn't happened since... oh wait, it's never happened before. Then again, if Ang Lee could make a great movie about gay cowboys, I'm willing to see what John Woo can do outside his usual territory. That, and the film's steady high profile publicity over the past several years, made Red Cliff a must-see for me.
For Red Cliff, the biggest divergence from Woo's prime time classics such as The Killer is the subdued emotions. Most of Woo's classics were rather in-your-face in terms of melodrama, but not so in Red Cliff. While I loved his melodramas, I believe Red Cliff reveals a matured Woo with improved craftsmanship. Make no mistake: he has incorporated his signature themes of male bonding, loyalty, and sacrifice in Red Cliff--but in a much more subtle and understated manner.
Unquestionable, some viewers have loved Woo for his badass action sequences. But for me, I've always been a fan because of his memorable characters. To this point, I was pleased with Red Cliff's strong characters. The film has focused on making the central figures appealing by either embellishing them with an edgy factor or giving them some depth, and this is successful for the most part.
For me, the low point of the movie was the weak acting from Zhao Wei and Takeshi Kaneshiro -- not just compared to Tony Leung, but on any scale. Kaneshiro is an odd choice to play the historically glorified Zhuge Liang, while Zhao Wei's character seemed totally inconsequential.
The film also features some annoying cartoonish music, which seemed to be oddly misplaced in intense combat scenes.
Other than those few shortcomings, Red Cliff is a solid film that is both a mega blockbuster and quality film-making.
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