After a husband is accused of driving his third wife to suicide, his first wife Hedda, a troubled woman who can't hate or hurt others even if they had wronged her, is subpoenaed to testify on his abusive behavior during their marriage.
A young woman, Tara Maguire (Robin Wright) scandalizes her provincial Irish village in the 1950s by having a baby out of wedlock, and refusing to name the father. She has a rare beauty and ... See full summary »
With a PhD in Chemistry, devout and bearded, Syria-born Ashade Mouhana (Abdellatif Kechiche) drives a cab in New York, and must accept financial assistance from friends who attend the Islamic Council of America so that he can pay a lawyer to get his Canadian brother, who is being detained as a '2nd tier suspect', released. He also has to look after his toddler nephew and French-speaking Caucasian sister-in-law, Eloise (Elodie Bouchez), and is fearful that his brother may be tortured in Syria. One night he befriends a passenger, who identifies herself as Phyllis (Robin Wright Penn), claims she is Head of Programming of Q-Dog Television, sympathizes and offers to assist him get his brother released. He gets a shock when she asks him to carry out an act of terrorism as retribution against America. He walks away, and subsequently finds out that she has stolen his money. Shortly thereafter, his cab is confiscated by secret agents, and Eloise is held for questioning. Vengeful, he shaves off... Written by
Here's a film I knew very little, if anything, about going in, found
utterly compelling in the beginning, thoroughly intriguing in the
middle and completely frustrated at the end as the story veered off so
wildly in the third act.
That's not to say "Sorry, Haters" isn't a fascinating movie to see.
The main reason to see this is Robin Wright Penn's mesmerizing
performance as a woman - Phoebe - who just keeps twisting and turning
our expectations of who she is. Watching Phoebe come undone while Penn
keeps her completely rational makes the character that more
Abdel Kechiche - as Ashade, a Syrian chemist working as a New York cab
driver and trying to get his brother out of Gitmo - is so believable in
the role. You don't doubt his anger and frustration at what's going on
and you can understand why he he is who he is.
Writer-director Jeff Stanzler provides an interesting landscape of
post-9/11 America. He also provides one of the scariest
rationalizations a character can provide for that horrible day.
Stanzler doesn't let us get all that comfortable with the story and
throws in a doozy of a twist in the middle. We never see it coming and
it just makes the film that much stronger and powerful.
But then comes the denouement.
It's almost as if Stanzler just had no idea how to end his film given
the circumstances in which he had placed his two leading characters. So
he devises this rather ludicrous change that takes the story completely
off-kilter. He just keeps going and you can sense the story going
off-track. But Stanzler doesn't seem to mind and, ultimately, the film
veers off course and winds up with an utterly preposterous and
unconvincing finale. I was never looking for something happy; I just
wanted something that I could believe.
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