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Block Party (2005)

7.2
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Ratings: 7.2/10 from 7,057 users   Metascore: 84/100
Reviews: 70 user | 113 critic | 30 from Metacritic.com

A mix of Dave Chappelle's sketch comedy and musical interludes, inspired in part by the 1973 documentary Wattstax.

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Title: Block Party (2005)

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Cast

Credited cast:
...
Himself - Host
Rest of cast listed alphabetically:
...
Herself
...
Isaac ben Ayala
Bilal ...
Himself (as Bilal Oliver)
Lil' Cease ...
Himself - Bed-Stuy
Cody ChesnuTT ...
Himself
...
Herself
...
Himself
...
Himself
Jerry 'Wonder' Duplessis ...
Himself - The Fugees (as Jerry 'Wonda' Duplessis)
Fugees ...
Themselves
Alice Goguen ...
Herself - Ohio
James 'Kamal' Gray ...
Himself - The Roots
Fred Hampton Jr. ...
Himself (as Chairman Fred Hampton Jr.)
Kool Herc ...
Himself
Edit

Storyline

Dave Chappelle presents a Brooklyn neighborhood with its very own once-in-a-lifetime free block party. In addition to Chappelle, the roster of artists includes Kanye West, Mos Def, Talib Kweli, Common, Dead Prez, Erykah Badu, Jill Scott, the Roots, Cody ChesnuTT, Big Daddy Kane, and - reunited for their first performance in over seven years - the Fugees. Includes private rehearsals footage and Chappelle in the small Ohio town he calls home, where he wanders through town handing out golden tickets to invite several dozen citizens to join the party, providing transportation and lodging for their visit to Brooklyn. Ohio's Central State University marching band makes the trip and kicks off the festivities at the intersection of Quincy and Downing Streets. A diverse crowd and Chappelle's freestyle wit guides them (and us) through a celebration of music and comedy, history and community. Written by Focus Features

Plot Summary | Add Synopsis

Taglines:

The world's hottest comedian invites you to the party of the decade See more »


Motion Picture Rating (MPAA)

Rated R for language | See all certifications »
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Details

Official Sites:

Country:

Language:

Release Date:

3 March 2006 (USA)  »

Also Known As:

Dave Chappelle's Block Party  »

Box Office

Budget:

$3,000,000 (estimated)

Opening Weekend:

$6,214,723 (USA) (3 March 2006)

Gross:

$11,694,528 (USA) (31 March 2006)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

|

Sound Mix:

|

Color:

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

This was the first time Fugees (Wyclef Jean, Lauryn Hill, Pras) performed together in seven years. See more »

Goofs

Dave Chappelle's main reason for holding the block party in the Bedford-Stuyvesant section of Brooklyn was because, he says, that hip-hop originated there. However, hip-hop really originated in the South Bronx and spread to the other sections of New York soon afterward. See more »

Quotes

Dave Chappelle: Did you hear the one about the industrious prostitute?
Mos Def: No, Dave.
Dave Chappelle: She had a vagina implanted on her hip.
Mos Def: Why, Dave?
Dave Chappelle: So she could make some money on the side!
Dave Chappelle: BAM!
See more »

Connections

Spoofs A Time to Kill (1996) See more »

Soundtracks

Boom
Written by Melvin Lewis, Karl Jenkins, Domonic Reed, Jr., Tariq Trotter
Performed by The Roots with Big Daddy Kane and Kool G. Rap
This composition embodies portions of "Poison", produced by Marlon Williams, written by Big Daddy Kane (as Antonio Hardy) and Kool G. Rap (as Nathaniel Wilson)
The Roots appear courtesy of Geffen Records
See more »

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User Reviews

 
misleading (thought not disappointing) if you're looking for a Chappelle comedy movie...
10 March 2006 | by (United States) – See all my reviews

...However as a rap-concert movie, it's one of the better ones I've seen in quite a while. It works for a few reasons, though for some it may not work as well as for others. Basically, if you're coming into this expecting Chappelle doing more of his stand-up &/or sketches, you'll wonder how you could've been misled (not that his moments on screen don't elicit enough laughs for satisfaction, at least for a Chappelle admirer like myself)- in fact many white audience members going into the film walked out of screenings. If this is due to the film-making style or something wrong on the end of director Michel Gondry, or just not caring for the rap and hip-hop, is up for debate. But considering the kind of mix of better-than-usual rap music, solid cinema verier style camera-work by Gondry and his small crew, and the fine bits of interview footage, it's actually not a bad film if you go into it knowing what you'll get. For some it may be one of the film events of the season &/or year.

One reason it worked is that- and this is of course a subjective part of seeing Block Party- the musical acts are better than most of the rap and hip-hop currently heard on radio and seen on the music channels. Led by an actual band playing music as opposed to all beat machines, the groups (of which are Chappelle's own favorites, and some of which already appeared on the hit or miss musical segments of his show) bring out solid beats, and the rappers or singers are not off-putting or ridiculous. The highlights for me were with Kanye West (with a cool, powerful mix of himself and a school band for 'Jesus Walks'), The Roots, and the Fugee's 'Killing Me Softly'. There are also some cool, loose moments with Chappelle and some people backstage where he jams and riffs and jokes (funny jokes too, albeit for the musician's expense more than for the audience). For someone like myself losing interest in more of the ultra-violent, idiotic and over-indulgent rap music of the day, it was not unpleasant at all to get dropped back into it with acts that were fresh and interesting (not that there aren't some mis-steps, Dead Prez and Common not being some of the highlights for me).

The other thing that made the film work though is Gondry's natural eye with his lens, as he just stands by getting down the attitudes, the emotions and little bits of life in the midst of this huge spectacle. There isn't anything outstanding in his style like with the Maysles brothers or DA Pennebaker in terms of capturing the music in action, and sometimes his focus strays to people on camera who take up a little too much time. But for the most part (with some exceptions of little moments that just don't work) his attention to the rhythm of a film, and the rhythm of film led by music- he is one of the most artistically dominant forces in music videos of the past ten or so years- is focused just right. This style also compliments Chappelle, who has a laid back kind of way of talking to people, but with a sense of humor that cuts the chase. Some of the best parts though of his moments on screen aren't expected, improvised, like the James Brown bit on stage, or his obscure ability to play two specific jazz songs on piano, or even his more juvenile jokes in jamming.

In short, it's a side of Chappelle you might not usually see at times, or with Gondry, and it all gels together for the sake of the audience that showed up for the show. Nothing too pretentious, and entertaining enough to keep those interested in their seats.


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