THREE BILLBOARDS OUTSIDE EBBING, MISSOURI is a darkly comic drama from Academy Award winner Martin McDonagh (In Bruges). After months have passed without a culprit in her daughter's murder ... See full summary »
Set against the dramatic landscape of contemporary Afghanistan and the National sport of Buzkashi - a brutal game of horse polo played with a dead goat - Buzkashi Boys tells the coming of ... See full summary »
At the hospital, a doctor gives Donnelly the bad news: his wife of many years has died. He visits her body, placing a photograph of their pet rabbit on her hands. Then, in the early morning light, he leaves and catches a train back home toward Dublin. He sits across from a young talkative man who seems to have a loose screw, making coarse observations, starting an argument with a couple in the next seats who are clearly tense with each other. Over the next few miles, Donnelly learns that all four have lost someone that night, and, in a strange turn of events, the kid bequeaths to Donnelly a gift that may ease his pain. There's a strange bond in grief. Written by
The word 'fuck' and its derivatives are said 34 times in this 28-minute film, an average of 1.21 'fucks' per minute. See more »
Don't you be getting ratty with me.
Yeah, well, don't you be getting ratty with me.
How was I getting ratty with you?
Your general face was ratty.
Your general manner was ratty.
Well, would you like to work on a train?
Well, is it my fault that you have a shite job?
I didn't say I had a shite job. I was saying it wasn't all I'd hoped for meself.
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They showed this on RTE television recently and I watched out of curiosity, it turned out to be much better than expected... Fantastic acting, superb casting and a fabulously brilliant and disturbing story. It's great to see the quality of Irish short films returning to something worthy of an Oscar nomination compared to some of the nonsense perpetrated throughout the past couple of years. Martin Mc Donagh is a quality playwright and this first foray into the world of movie making is a wonderful success to say the least. It's also fantastic to see the raw talent of Ruaidhri Conroy back on screen and with none other than Brendan Gleeson, the master! It's entirely deserving of it's Oscar nomination, fingers crossed for the lads. Thoroughly recommended!!!!
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