At the hospital, a doctor gives Donnelly the bad news: his wife of many years has died. He visits her body, placing a photograph of their pet rabbit on her hands. Then, in the early morning light, he leaves and catches a train back home toward Dublin. He sits across from a young talkative man who seems to have a loose screw, making coarse observations, starting an argument with a couple in the next seats who are clearly tense with each other. Over the next few miles, Donnelly learns that all four have lost someone that night, and, in a strange turn of events, the kid bequeaths to Donnelly a gift that may ease his pain. There's a strange bond in grief. Written by
Once described as 'Ken Loach meets Quentin Tarantino'. See more »
Don't you be getting ratty with me.
Yeah, well, don't you be getting ratty with me.
How was I getting ratty with you?
Your general face was ratty.
Your general manner was ratty.
Well, would you like to work on a train?
Well, is it my fault that you have a shite job?
I didn't say I had a shite job. I was saying it wasn't all I'd hoped for meself.
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St. James Infirmary Blues
Traditional, sometimes credited as written by Irving Mills (as Joe Primrose)
Published by EMI Music Publishing Ltd
Performed by The White Stripes
Usage courtesy of XL Recording/Beggars Banquet See more »
Finally saw this online and wondering what all the fuss is about. Almost whimsical, I couldn't quite believe the darkness at the centre of the story. There are a couple of good lines and the performances are solid Rory Conroy being the best. Martin McDonagh is a very talented playwright, but on this evidence his directing is a little flat. Film looks and sounds flat too. What struck me about it was the superficiality of it all, the cynicism. However it does have some funny moments and moves along at a brisk pace. I'm not surprised it was looked on so favourably by the academy, picking up an Oscar for Best Short Film it has hip written all over it. And it is one of the better short Irish films I've seen, complete with twists and double twists and a lot of flippant dialogue. McDonagh is planning a gangster film with Colin Farrell and Brendan Gleeson. I'll pay money to see that. He obviously wants to be the Celtic Scorsese. High point a cow explodes. Low point rather tasteless plot line about a baby's death. Brendan Gleeson is in this film.
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