A black and bloody Irish comedy about a sad train journey where an older man, whose wife has died that morning, encounters a strange and possibly psychotic young oddball....
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Ben is an art college student in London, whose imagination runs wild as he works the late-night shift at the local supermarket. What do he and his colleagues do to pass the long, endless hours of the night?
Director:
Sean Ellis
Stars:
Sean Biggerstaff,
Emilia Fox,
Stuart Goodwin
On election night we meet Peter, an idealistic young man, who suddenly discovers he has forgotten to vote. On his way to the polls he encounters a variety of taxi drivers, all racist in ... See full summary »
Director:
Anders Thomas Jensen
Stars:
Ulrich Thomsen,
Jens Jørn Spottag,
John Martinus
An office clerk with a hankering to tango enlists the support of a workplace colleague as he prepares for a date. It's Christmas time and the concept of giving assumes fairy tale proportions in this beguiling modern story.
Director:
Guy Thys
Stars:
Dirk van Dijck,
Koen van Impe,
Wannes Cappelle
In a vignette called "Strange to meet you," Roberto sits at a small table in a coffee bar. Five cups of coffee and two ashtrays are in front of him; he drinks and smokes. Steven joins him. ... See full summary »
At the hospital, a doctor gives Donnelly the bad news: his wife of many years has died. He visits her body, placing a photograph of their pet rabbit on her hands. Then, in the early morning light, he leaves and catches a train back home toward Dublin. He sits across from a young talkative man who seems to have a loose screw, making coarse observations, starting an argument with a couple in the next seats who are clearly tense with each other. Over the next few miles, Donnelly learns that all four have lost someone that night, and, in a strange turn of events, the kid bequeaths to Donnelly a gift that may ease his pain. There's a strange bond in grief. Written by
<jhailey@hotmail.com>
The film was shot on a real train. The crew could shoot on it between 8 a.m. and 4 p.m. after which it had to be cleaned for the evening commute. See more »
McDonagh is a brilliant story teller and fully deserves his Tony nominations and his Olivier Award for Best Play (The Pillowman). His critics have questioned his use of casual cruelty as a dramatic device, although he always grounds violence in a social context or connects sadism to particular characters' proclivities. This film is beautifully acted by Brendon Gleeson and especially Rúaidhrí Conroy, sharply photographed, and well directed by McDonagh himself. For technique alone it is Oscar-worthy. But the whole piece strikes me as an absurdist joke with insufficient resonance. This is a mélange of destructions, an indulgence in violence that reduces and parodies McDonagh's better scripts.
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McDonagh is a brilliant story teller and fully deserves his Tony nominations and his Olivier Award for Best Play (The Pillowman). His critics have questioned his use of casual cruelty as a dramatic device, although he always grounds violence in a social context or connects sadism to particular characters' proclivities. This film is beautifully acted by Brendon Gleeson and especially Rúaidhrí Conroy, sharply photographed, and well directed by McDonagh himself. For technique alone it is Oscar-worthy. But the whole piece strikes me as an absurdist joke with insufficient resonance. This is a mélange of destructions, an indulgence in violence that reduces and parodies McDonagh's better scripts.