At the hospital, a doctor gives Donnelly the bad news: his wife of many years has died. He visits her body, placing a photograph of their pet rabbit on her hands. Then, in the early morning light, he leaves and catches a train back home toward Dublin. He sits across from a young talkative man who seems to have a loose screw, making coarse observations, starting an argument with a couple in the next seats who are clearly tense with each other. Over the next few miles, Donnelly learns that all four have lost someone that night, and, in a strange turn of events, the kid bequeaths to Donnelly a gift that may ease his pain. There's a strange bond in grief. Written by
Once described as 'Ken Loach meets Quentin Tarantino'. See more »
Don't you be getting ratty with me.
Yeah, well, don't you be getting ratty with me.
How was I getting ratty with you?
Your general face was ratty.
Your general manner was ratty.
Well, would you like to work on a train?
Well, is it my fault that you have a shite job?
I didn't say I had a shite job. I was saying it wasn't all I'd hoped for meself.
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An Engrossing but Macabre Portrait of Lots of Death in the Pretty Irish Countryside
"Six Shooter" is the debut written/directed film by playwright Martin McDonagh and now I want to see more of his work.
This film is suffused with death, human and animal; we see or hear about intentional deaths - murder and suicide--, natural deaths --by illness or mysterious causes, accidental deaths, and maybe a few I missed in passing.
Each character deals with death in a different way, from the psychotic to tearful grief to quiet suffering to violent reactions, and the actors portray each fully.
While Brendan Gleeson is the central widower trying to make sense of all these observations of death for his own coping mechanisms, the film is stolen by a motormouth Rúaidhrí Conroy as the most annoying guy to ever be on public transport. He non-stop goes from cheerful to entertaining to manipulative to scary and beyond.
While it does go a bit over the top, the cinematography and settings always ground it in grim reality, with a brief excursion into magic realism.
The Irish scenery outside the railway car windows does look very pretty, in contrast to what's going on inside.
I viewed this film as part of a commercial screening of Oscar nominated shorts.
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