Exceptional London cop Nicholas Angel is involuntarily transferred to a quaint English village and paired with a witless new partner. While on the beat, Nicholas suspects a sinister conspiracy is afoot with the residents.
A man decides to turn his moribund life around by winning back his ex-girlfriend, reconciling his relationship with his mother, and dealing with an entire community that has returned from the dead to eat the living.
Dennis is a clueless and slightly overweight guy, who left his pregnant fiancée five years earlier. Every day, Dennis tries to persuade the woman he loves to accept him back into his life, but everyday he fails. When he discovers that Libby has found a partner in the form of American Whit, frustration grows, and Dennis vows, that for once in his life, he will finish something. This something ends up being a Nike River-run in London. With his friends Gordon and Mr. Ghoshdashtidar by his side, Dennis begins training for the marathon he must finish. Written by
The amount of lager in Dennis' pint after he leaves the party. See more »
[during the race]
Isn't it enough?
You got the girl, all right? Isn't it enough?
I just think it's high time you realized that it's over, sir! Otherwise, it's gonna be very tough for you when we move to Chicago!
[off their pace, trying to discourage Dennis]
You'd better slow down there, chief! You've got a long way to go!
Yeah, well - so have you!
[Dennis accelerates past Whit]
Oh, yeah! Yes, I like it! Run, fatboy, run!
[...] See more »
Closing credits shown in (hard to read) foot-prints, as in a marathon runner running. See more »
RFR hits all the right rom-com targets - I laughed, I teared up, I cheered for the little guy and boo-ed the buff villain. Pegg has some laugh-out-loud lines, especially in tandem with Moran as his Irish mate Gordon. Moran holds his own in the comedic moments - perhaps the funniest moment is when he appears in the dressing gown after some love drama, and asks, "What did I miss?". The fight between the two layabout friends is hilarious, the staging somehow reminiscent of a Friends episode (didn't Ross and Chandler once fight this way?). That's a compliment - Schwimmer has strong comedy pedigree and uses it to full effect. Also, good to see a US director move seamlessly through a UK film setting.
If you are in the mood for light, entertaining fare, Friday-night date stuff, then RFR won't disappoint.
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