In this third installment of the 'Pusher' trilogy, we follow Milo (Zlatko Buric), the drug lord from the two first films. He is aging, he is planning his daughter's 25th birthday and his ... See full summary »
1000 AD, for years, One Eye, a mute warrior of supernatural strength, has been held prisoner by the Norse chieftain Barde. Aided by Are, a boy slave, One Eye slays his captor and together ... See full summary »
Nicolas Winding Refn
A young man who was sentenced to seven years in prison for robbing a post office ends up spending three decades in solitary confinement. During this time, his own personality is supplanted by his alter-ego, Charles Bronson.
Julian, a drug-smuggler thriving in Bangkok's criminal underworld, sees his life get even more complicated when his mother compels him to find and kill whoever is responsible for his brother's recent death.
Nicolas Winding Refn
Kristin Scott Thomas,
Leo and Louise are a young couple living together in Copenhagen. Leo often goes out with his friends while Louise usually stays home. But when Louise tells Leo she's pregnant, a spark is ... See full summary »
Nicolas Winding Refn
Rikke Louise Andersson
In this third installment of the 'Pusher' trilogy, we follow Milo (Zlatko Buric), the drug lord from the two first films. He is aging, he is planning his daughter's 25th birthday and his shipment of heroin turns out to be 10.000 pills of ecstasy. When Milo tries to sell the pills anyway, all Hell breaks loose and his only chance is to ask for help from his ex-henchman and old friend Radovan (Slavko Labovic). Written by
Was supposed to have its first sneak preview at the 2005 Roskilde Festival (30 June - 3 July), but it was canceled at the last minute. See more »
When Milo and Radovan are taking care of the first body, Radovan slits the man's throat as he hangs upside down from the ceiling. A bucket that has been placed beneath him fills with the man's blood, and Radovan instructs Milo to empty it and bring it back. When he picks up the bucket, the plastic underneath it is covered with blood. However, when he brings the empty bucket back and replaces it beneath the man, the plastic covering is clean. After Radovan eviscerates the man, and Milo once again removes the bucket, the plastic is again covered in blood. See more »
Don't be so stressed, Milo. It's not healthy for an old man like you to get so stressed.
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Come take a look at the violence and depravity that goes on in ... Copenhagen.
Copenhagen? Yup. But this is pretty effin' far from Hans Christian Anderson and the Little Mermaid.
This movie caps Nicolas Winding Refn's gangster trilogy and veers off in a somewhat different direction from the first two. "Pusher I" and "Pusher II" were tense and violent movies about the Danish drug trade, but both had an element of comedy.
By contrast, Pusher III is one of the darkest movies I've ever seen and it has an extended scene at the end that would never, ever be allowed in a mainstream Hollywood gangster movie.
Pusher III happens in a 24-hour period as we follow along with Milo, a mid-level drug kingpin who is apparently a Serb. Milo has a busy day ahead of him. His daughter's 25th birthday is that evening and he's promised to cook food for 50 people. His product supplier got shipments mixed up and sent Milo 10,000 ecstasy tabs instead of the usual heroin. He's withdrawing from heroin himself and drops in at NA meetings during the day. His crew is getting ornery, giving him lip all the time.
Sigh. It's hard out there for a gangster. You almost feel sorry for the schlub.
Then, when a Polish pimp shows up wanting cash in exchange for a badly frightened 18-year-old girl he has in tow, things start to go bad.
This is in no sense of the word an action movie, although there are murders. No guns, either. It's remarkable how directors from outside the U.S. can take material Americans are completely familiar with and make it look completely different. Take the Korean monster movie "The Host" and the Swedish vampire movie "Let the Right One In." Familiar material. Brand new take.
"Pusher III"is like that. It has stretches where not much happens. But it builds to a horrifying climax all the more horrifying because it plays out utterly matter of fact.
And props to Zlatko Buric, who plays Milo. The camera is on him for the entire movie and we get to know every seam in his weary face.
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