In this third installment of the 'Pusher' trilogy, we follow Milo (Zlatko Buric), the drug lord from the two first films. He is aging, he is planning his daughter's 25th birthday and his ... See full summary »
In this third installment of the 'Pusher' trilogy, we follow Milo (Zlatko Buric), the drug lord from the two first films. He is aging, he is planning his daughter's 25th birthday and his shipment of heroin turns out to be 10.000 pills of ecstasy. When Milo tries to sell the pills anyway, all Hell breaks loose and his only chance is to ask for help from his ex-henchman and old friend Radovan (Slavko Labovic). Written by
When Milo and Radovan are taking care of the first body, Radovan slits the man's throat as he hangs upside down from the ceiling. A bucket that has been placed beneath him fills with the man's blood, and Radovan instructs Milo to empty it and bring it back. When he picks up the bucket, the plastic underneath it is covered with blood. However, when he brings the empty bucket back and replaces it beneath the man, the plastic covering is clean. After Radovan eviscerates the man, and Milo once again removes the bucket, the plastic is again covered in blood. See more »
If you wan't to survive, you have to depend on the new generation.
New generation? And who might that be?
Me! Who else? That's me! The King of Copenhagen!
King Kong of Copenhagen?
That's right. So what are you gonna do? We outnumber you.
Well, well. Do you know anything about ecstasy?
Yeah sure. Why?
I'm trying out new markets. You know? New generations, new markets.
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'The third part of Nicolas Winding Refn's Pusher trilogy is clearly the best. With each part, Refn's approach becomes more daring and complex. However talented his debut from 1996 was, and however innovative the second part, this third part has a charged emotionalism that is difficult to beat, along with tension and courage. I'm the Angel of Death - Pusher III focuses on the Serbian drugs baron Milo. In earlier parts, he was an extra, a feared power lurking in the background. He is not some grand godfather, and as a middle-ranking boss he has also been on the decline for some time, yet he should not be underestimated as an adversary. At first, he seems to allow himself to be trifled with. His spoiled daughter is very demanding in everything on her birthday. His gangster sidekicks have been put out of action by food poisoning - as a result of Milo's cooking. Albanian crooks cheekily try to take over his dealing turf. He obediently attends meetings of Addicts Anonymous, afraid of returning to his old ways. But don't trifle with Milo. Or you will come to a bloody end. With his trilogy, and certainly with this last part, Refn has not only succeeded in renewing the gangster genre, but also providing it with a new geography. The American mean streets have been convincingly replaced by the multi-ethnic pavements of a Europe that has not yet been given the profile it deserves.'
quoted from: film festival Rotterdam (2006), GJZ
I couldn't agree more. Go see this film. Sharing 'downfall' as the central theme, it's better than Scarface and even more realistic about non-Hollywood gangster life than the Sopranos.
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