| Phillip Vaden | ... | Andy Venable | |
| Marnette Patterson | ... | Brady Rossman | |
| Julie Hagerty | ... | Kristina Venable | |
| Stephen Tobolowsky | ... | Carl Venable | |
| Noel Fisher | ... | Pete | |
| rest of cast listed alphabetically: | |||
| Samantha Anderson | ... | Heather | |
| Casey Barclay | ... | Eric | |
| Jordan Belfi | ... | Lucas Bowman | |
| Naleah Dey | ... | Juanita Steinberg | |
| Michael Edwin | ... | Case Officer | |
| Chris Foreman | ... | Zane | |
| Sarah Foret | ... | Hannah | |
| Rif Hutton | ... | Riff Malloy (as Riff Hutton) | |
| Barbara Lettieri | ... | Italian Phone Operator (voice) | |
| Steve Loh | ... | Paramedic | |
| Albert-James Motil | ... | Priest | |
| Mandy Musgrave | ... | Virginia Venable | |
| Larisa Oleynik | ... | Maggie Venable | |
| Curtis Porterfield | ... | Customer | |
| David Shatraw | ... | Joel Rossman | |
| Rex Smith | ... | Don Merchant | |
| Robert Stio | ... | Store Clerk | |
| Stuart Stone | ... | Fox | |
| Karen Zumsteg | ... | Janet Venable | |
Directed by | |||
| Patrick Hogan | |||
Writing credits(in alphabetical order) | ||
| Patrick Hogan | ||
Produced by | |||
| Steve Loh | .... | executive producer | |
| Steve Loh | .... | producer | |
| Ryan Mintz | .... | line producer | |
| Curtis Porterfield | .... | associate producer | |
Original Music by | |||
| Joel J. Richard | |||
Cinematography by | |||
| John Ealer | |||
Film Editing by | |||
| Mae Edwards | |||
Casting by | |||
| Carey DiPietro | |||
Production Design by | |||
| Nicolas Plotquin | |||
Art Direction by | |||
| Chris Minkel | |||
Set Decoration by | |||
| Kristina Fuangkasae | |||
Costume Design by | |||
| Carol H. Beule | |||
Makeup Department | |||
| Donna Cohen | .... | assistant makeup artist | |
| Kristy Gomes | .... | assistant makeup artist | |
| Kiera Hansen | .... | key makeup artist | |
| Hanako Izuoka | .... | makeup artist | |
Second Unit Director or Assistant Director | |||
| Ted Campbell | .... | first assistant director | |
| Adriana Cebadamora | .... | second assistant director | |
| Reagan Hartman | .... | second second assistant director | |
| Keith Jones | .... | additional second second assistant director (as Keith C.A. Jones) | |
| Steve Loh | .... | second unit director | |
Art Department | |||
| Leo Rodriguez | .... | leadman | |
| Peggy Wang | .... | set dresser | |
Sound Department | |||
| Dicken Berglund | .... | adr mixer | |
| Joey Bilger | .... | sound assistant | |
| Tom Bognar | .... | assistant sound editor | |
| Kenneth R. Burton | .... | sound re-recording mixer | |
| Mark Cookson | .... | sound effects editor | |
| Nathan Hankins | .... | assistant sound editor | |
| Brian Hawlk | .... | sound mixer | |
| Mark Kaim | .... | stage recordist | |
| Jason Krane | .... | adr editor | |
| Jason Krane | .... | dialogue editor | |
| Jimmy Kuehn | .... | sound recordist | |
| Stuart Martin | .... | sound effects editor | |
| Gus Medina | .... | foley mixer | |
| Todd Murakami | .... | sound effects editor | |
| Andre Perreault | .... | sound re-recording mixer | |
| Dale W. Perry | .... | foley artist (as Dale Perry) | |
| Robert Ramirez | .... | sound effects editor | |
Camera and Electrical Department | |||
| Eduardo Barraza | .... | grip | |
| Chris Burgon | .... | gaffer | |
| Brett Carleton | .... | best boy electric | |
| Shannon Davis | .... | electrician (as Shannon Phillip Davis) | |
| Ryan DeGrazzio | .... | second assistant camera | |
| Michael Desmond | .... | still photographer | |
| Craig Gleason | .... | grip | |
| Kevin M. Graves | .... | camera operator: "b" camera | |
| Kevin M. Graves | .... | director of photography: second unit | |
| Craig Jennette | .... | first assistant camera | |
| Nicolas Martin | .... | Steadicam operator | |
| Kris Michael | .... | electrician | |
| Yen P. Nguyen | .... | first assistant camera | |
| Jon Peter | .... | second assistant camera | |
| Rafael Ramirez | .... | additional second assistant camera | |
| Rocky Rodriguez | .... | grip | |
| Eric Rohde | .... | still photographer | |
Costume and Wardrobe Department | |||
| Brittany Trusler | .... | assistant costume designer | |
| Brittany Trusler | .... | set costumer | |
Editorial Department | |||
| Joe Cook | .... | colorist | |
| Arika Yanaka | .... | assistant editor | |
Other crew | |||
| Debbie Gonzalez | .... | production assistant | |
| Sherry Gunderman | .... | script supervisor | |
| Kimberly James | .... | production assistant | |
| Jaehi Jung | .... | title designer | |
| Mark Litwak | .... | producer's representative | |
| Callie Miller | .... | key set production assistant | |
| Christopher Pizzo | .... | sales agent | |
| Edward Shen | .... | production assistant | |
| Joni Smith | .... | production assistant | |
| Victoria Wong | .... | production coordinator | |
| Robert C. Yu | .... | acquisitions executive | |
| Recent Posts (updated daily) | User |
|---|---|
| how did it end | cara_buchanan2002 |
| A title change could help | SidCurtis |
| Mandy Musgrave is in Pope Dreams | Bergerarise |
| The Fylmz Festival and Pope Dreams | david60xyz |
|
|
|
|
|
| Magnolia | The Science of Sleep | The Man from Elysian Fields | Goal! The Dream Begins | Mahler |
|
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
was lucky enough to see this film at the Newport Beach Film Festival, and I have to say that it was one of the best films I saw there this year. A good 'coming-of-age' film is hard to write, I think, because the conventions of storytelling lend themselves to practices which aren't reflected in our own life experiences. For example, it's tempting as a writer to tell a story where everything works out okay in the end, where all the loose ends are tied up in the places we would expect, or want, them to be. I think one of the things I liked the most about this movie was the fact that it didn't try to reconcile the irreconcilable, instead it gave us characters and situations we could actually care about because they reflect, at least a little, some part of ourselves. The resolutions in this film run the gamut from heartbreaking to happy, but none of them felt contrived or insincere.
I'm a very tough critic of films, especially independent ones, because I've seen so many. I've been to too many film festivals, and more often than not I find myself distracted by the technical shortcomings of low-to-no-budget film-making. I'll be frank and say that this film was not technically flawless in retrospect there were a few things that I felt took away from the film. Having said that, the aspects of the movie that were good were good enough to make me look past the film's shortcomings. It got the right things right: characters I liked and believed, a story that was satisfying, and an underlying message that didn't feel trite.
If I could change anything about the movie, I would change the title. Based on the title "Pope Dreams" alone I would (and did!) make any number of assumptions about the film that aren't true. The title doesn't reflect the seriousness or gravity of the film, and it doesn't do justice to the comedy or humor either. This movie is better than its title suggests. The themes of the movie are powerful, and the title should reflect them. Ultimately the title of the film doesn't really make it better or worse, but it does do a great deal in terms of making the movie more accessible and marketable. I wouldn't be making a suggestion like this unless I really felt it would help bring more people to the audience, because I'd love to see more people check this movie out.
Congratulations to the filmmakers, you've done a wonderful job and I was thoroughly entertained. A focus on story and character is what independent film-making is all about I'm glad to see that someone remembered that.