A case of mistaken identity lands Slevin into the middle of a war being plotted by two of the city's most rival crime bosses: The Rabbi and The Boss. Slevin is under constant surveillance by relentless Detective Brikowski as well as the infamous assassin Goodkat and finds himself having to hatch his own ingenious plot to get them before they get him.
Nick is a struggling dentist in Canada. A new neighbor moves in, and he discovers that it is Jimmy "The Tulip" Teduski. His wife convinces him to go to Chicago and inform the mob boss who wants Jimmy dead.
In London, a real-estate scam puts millions of pounds up for grabs, attracting some of the city's scrappiest tough guys and its more established underworld types, all of whom are looking to get rich quick. While the city's seasoned criminals vie for the cash, an unexpected player -- a drugged out rock 'n' roller presumed to be dead but very much alive -- has a multi-million dollar prize fall into... See full summary »
A botched card game in London triggers four friends, thugs, weed-growers, hard gangsters, loan sharks and debt collectors to collide with each other in a series of unexpected events, all for the sake of weed, cash and two antique shotguns.
In an airport waiting room, a man in a wheelchair tells a stranger a story about a fixed horse race in 1979 that resulted in a family's deaths. In Manhattan, two bookies and the son of a Mob boss die. A young man just out of the shower answers the door to a neighbor woman and explains that he's visiting, has had a bad week, including being mugged, and doesn't know where his pal, who lives there, is. The neighbor is chatty; she's a coroner. Two thugs arrive and, believing the visitor to be the guy who lives there, take him to see the boss with the dead son, who tells him to kill the son of his Mob rival. Mistaken identity? What connects the threads? Cops are watching. Written by
On promotional material for the film, Ben Kingsley's credit included his knighthood. At first, the actor was singled out for some criticism as such things are usually omitted from professional credits. It transpired that this was a mistake by a studio executive, who was unfamiliar with the British honours system. See more »
When Max and his son are sitting in the car at the racetrack, the vehicles are parked too close together. There is only about eight or ten feet between rows of cars. There is no way a driver would be able to maneuver a car out of a parking spot. See more »
I've never been motivated to leave a review here based on reading others, but the slamming of LNS is beyond accepting. The movie has a style that may, if fact, be borrowed from many other sources, but when it's on the screen, it feels complete as its' own. While the connections are not as surprising as some may say, they are certainly not spelled out for the viewer.
The dialog is a bit kitchy, but there in lies the movies' charm. Reviewers stuck on the believability factor of such dialog seem to be limiting themselves to one cine-style that we'd be limiting ourselves to only 5% (I'm making up that number) of accessible films.
LNS is a fun thinking mans' thriller that is witty, fast fasted, stylishly interesting and ENTERTAINING!!! That's what I want out of a movie, entertainment.... for those who are looking for reality, read the papers, watch CNN, take a walk in somebody else's' neighborhood. For those who like slick mysteries with interesting dialog rent or buy Lucky Number Sleven
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