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Lucky Number Slevin (2006)

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A case of mistaken identity lands Slevin into the middle of a war being plotted by two of the city's most rival crime bosses: The Rabbi and The Boss. Slevin is under constant surveillance by relentless Detective Brikowski as well as the infamous assassin Goodkat and finds himself having to hatch his own ingenious plot to get them before they get him.

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5 wins & 4 nominations. See more awards »

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Cast

Cast overview, first billed only:
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The Rabbi (as Sir Ben Kingsley)
Michael Rubenfeld ...
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Max
Daniel Kash ...
Bodyguard #1
Dmitry Chepovetsky ...
Bodyguard #2
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Storyline

In an airport waiting room, a man in a wheelchair tells a stranger a story about a fixed horse race in 1979 that resulted in a family's deaths. In Manhattan, two bookies and the son of a Mob boss die. A young man just out of the shower answers the door to a neighbor woman and explains that he's visiting, has had a bad week, including being mugged, and doesn't know where his pal, who lives there, is. The neighbor is chatty; she's a coroner. Two thugs arrive and, believing the visitor to be the guy who lives there, take him to see the boss with the dead son, who tells him to kill the son of his Mob rival. Mistaken identity? What connects the threads? Cops are watching. Written by <jhailey@hotmail.com>

Plot Summary | Plot Synopsis

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Your Numbers up, February 06 See more »


Motion Picture Rating (MPAA)

Rated R for strong violence, sexuality and language | See all certifications »

Parents Guide:

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Details

Country:

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Language:

Release Date:

7 April 2006 (USA)  »

Also Known As:

Lucky # Slevin  »

Box Office

Budget:

$27,000,000 (estimated)

Opening Weekend:

£1,074,550 (UK) (24 February 2006)

Gross:

$22,494,487 (USA) (14 July 2006)
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Company Credits

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Technical Specs

Runtime:

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Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

According to Lindsey, Smith stays in room 1009. This is the same room number the Rolling Stones sing about in their song Shine a light. See more »

Goofs

When Slevin is first taken to see "The Boss", as he is exiting the building, someone is taking a picture of him. You see his reflection in the lens of the camera. The reflection should have been reversed, but it was not. See more »

Quotes

[first lines]
Soldier: He's clean.
Benny Begin: So, why are you here? Hm?
See more »

Connections

Featured in Getaway: Episode #15.38 (2006) See more »

Soundtracks

In Dreams, Perhaps
Written by Rob Jenkins (as Jenkins) / Andrew Hulme (as Hulme) / Roger Horberry (as Horberry) / Cliff Martinez (as Martinez)
Performed by O Yuki Conjugate
Published by O Yuki Conjugate 2005
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Slevin vs. Suspects
28 June 2010 | by (United States) – See all my reviews

(one quick thing when watching: don't make the same huge mistake Roger Ebert did and expect Lucky Number Slevin to be a serious movie, the triviality of the characters is meant to be that way)

Almost every thriller is set up so you know there is a twist coming. What makes a thriller stand out is when you forget it's a thriller. Fight Club is just an epic fighting movie. Memento makes you concerned with figuring out what's going on, much like he is trying to do. The Usual Suspects has you guessing at how the boat incident came to be and who Keyser Soze is. All of them make you forget you're watching a thriller, and just leave you concerned with what is happening instead of what will end up happening. Lucky Number Slevin does this brilliantly. With one of the best scripts I've ever heard (the film style and transitions are just as poetic), a very unique and entertaining set up for a story, and a constant introduction of interesting characters, it makes you forget why any of it is related to the opening scenes. Whether or not you love the movie, you must respect what a masterpiece it is, the amount of thought that went into every line and transition is impressive and if you consider yourself a critic in any sense you won't be let down.

Now as far as Lucky Number Slevin being compared to The Usual Suspects, I think Slevin trumps. If any comparison is to be made, it's that Slevin fixed all the problems with Suspects. In the first five minutes I knew who the mastermind was because they showed him and had him talk, one of the most obvious things I've ever seen. Slevin doesn't do that, only one face is shown and that's because he is telling the story. Also, Suspects doesn't have anything really unique to it, the structure isn't that special, and besides a few good quotes it can't compare to Slevin. Slevin and Suspects are completely different, and I would never think judge one from the other. If you want to see a pioneer for thrillers, see Suspects. If you want to experience a script, story, and film style come together virtually flawlessly, see Slevin.


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Recent Posts
Nick Fisher.. any different from Slevin's dad? billayb2
Why did Goodkat do the Kansas City Shuffle to the airport guy? strongindeed
What was the reason for the broken nose? deehan_1888
What I didn´t like cory-latimer
THE ONE ULTIMATE PLOT HOLE kyle287-1
Why are the sets so ugly...is there a reason? MoogieMoo
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