| Videos (see all 3) |
| Edward Furlong | ... | Jimmy | |
| Rachael Bella | ... | Judy | |
| William Sadler | ... | Uncle Rodney | |
| James Eckhouse | ... | Jimmy's Dad | |
| Gay Storm | ... | Jimmy's Mom | |
| Chaney Kley | ... | Dinko | |
| A.J. Buckley | ... | Buddy | |
| Jane Leigh Connelly | ... | Hazel | |
| Nicole Randall Johnson | ... | Prostitute | |
| Patrick Bristow | ... | Dr. Walters | |
| Lindsay Beamish | ... | Connie | |
| Denver Jade | ... | Billy Rensing | |
| Crystal Wilson | ... | Megan Cleary | |
| Rob Wilds | ... | Grocery Store Manager | |
| Michael Friedman | ... | Police Officer | |
| Darrell Francis | ... | Sheriff | |
| Randy Little | ... | News Reporter | |
| Randall Rubin | ... | Elvis Impersonator (as Randall K. Rubin) | |
| Kathy Carlotta | ... | Herself | |
| Tracey Gilkerson | ... | Uncle Rodney's Cowboy | |
| Mitch Wilson | ... | Sam | |
| Heather Hastings | ... | Sally / Singing Sister | |
| Aaron Rohn | ... | Enforcer | |
| Megan Hastings | ... | Singing Sister | |
| Hope Hastings | ... | Singing Sister | |
| Heidi Hastings | ... | Singing Sister | |
| Emily Hastings | ... | Singing Sister | |
| rest of cast listed alphabetically: | |||
| Shana Rae | ... | Naked girl | |
| Gregory Patrick Agnew | ... | Judy's Father (uncredited) | |
| Bobbi Burton | ... | Mrs. Ambrose (uncredited) | |
| Tammy Hopkins | ... | Judy's Mom (uncredited) | |
| Colleen Mooney Wright | ... | Extra (uncredited) | |
| Chas Pangburn | ... | Extra (uncredited) | |
Directed by | |||
| Randall Rubin | (as Randall K. Rubin) | ||
| Jon Schroder | |||
Writing credits(in alphabetical order) | ||
| Randall Rubin | (as Randall K. Rubin) | |
| Jon Schroder | ||
Produced by | |||
| Marc Ambrose | .... | co-producer | |
| Marc Ambrose | .... | line producer | |
| Amy Angelastro | .... | co-producer | |
| Andre James Champagne | .... | co-producer | |
| Frank Gonzales | .... | co-producer | |
| Randall Rubin | .... | producer (as Randall K. Rubin) | |
| Ed Sanders | .... | producer | |
| Gregory Scanlan | .... | producer | |
| Jon Schroder | .... | producer | |
| Robin Schroder | .... | associate producer | |
Original Music by | |||
| Benoit Grey | |||
Cinematography by | |||
| Ben Kufrin | (director of photography) | ||
Film Editing by | |||
| Theodore Kent | |||
Casting by | |||
| Marisa Ross | |||
| Matthew Skrobalak | |||
Production Design by | |||
| Will Benson | |||
Set Decoration by | |||
| Tara Borejka | |||
Costume Design by | |||
| Stacy Stagnaro | (as Stacey Stagnaro) | ||
Makeup Department | |||
| Melissa Blanchette | .... | hair stylist | |
| Melissa Blanchette | .... | makeup artist | |
| Melissa Blanchette | .... | special makeup effects artist | |
| Aaron Rohn | .... | tattoo artist | |
Production Management | |||
| Alan Forbes | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Aaron Rohn | .... | second assistant director | |
| T.K. Shom | .... | first assistant director | |
Art Department | |||
| Tara Borejka | .... | props | |
| John Kaufman | .... | art department production assistant | |
| Matty Koenig | .... | graphic designer | |
Sound Department | |||
| Robert Appere | .... | sound re-recording mixer: pre-mix | |
| David Barbee | .... | sound effects editor: pre-mix | |
| Ed Carr | .... | sound re-recording mixer: pre-mix | |
| Gonzalo Espinoza | .... | adr mixer | |
| Aaron Grice | .... | boom operator | |
| David Kitchens | .... | sound supervisor | |
| Phil Lee | .... | sound re-recording recordist: pre-mix | |
| Chris McDonough | .... | foley artist | |
| Chris McDonough | .... | sound mixer | |
| Mickey McMullen | .... | sound mixer | |
| Glenn T. Morgan | .... | sound supervisor: pre-mix | |
| Margit Pfeiffer | .... | dialogue editor: pre-mix | |
| Eric Reuveni | .... | adr mixer | |
| Eric Reuveni | .... | sound re-recording mixer | |
| Peter Staubli | .... | sound effects editor: pre-mix | |
| Ben Zarai | .... | sound re-recording mixer | |
| Jeff Merritt | .... | post-audio assistant (uncredited) | |
Special Effects by | |||
| Richard Fike | .... | special effects squib: Stunt Predator | |
Camera and Electrical Department | |||
| Eric Forand | .... | gaffer | |
| Heidi Hastings | .... | camera production assistant | |
| Dan Kanes | .... | key grip | |
| Rob Muthamia | .... | first assistant camera (as Robert Muthamia) | |
| Howard Newstate | .... | first assistant camera | |
Casting Department | |||
| Cindy Schroeder | .... | extras casting | |
Costume and Wardrobe Department | |||
| Robin Fields | .... | wardrobe (as Robin K. Fields) | |
Editorial Department | |||
| Theresa Bunke | .... | assistant editor (as Theresa E. Bunke) | |
| Steven Kemper | .... | editing consultant | |
Music Department | |||
| Ted Forbes | .... | guitar coach | |
| Roger Pott | .... | live music coordinator | |
| Brian Ross | .... | music supervisor | |
Other crew | |||
| Jamie Azpetia | .... | festival publicist | |
| Chad Ball | .... | gun wrangler | |
| Edward DiLorenzo | .... | script consultant | |
| Lindsay Drucker | .... | travel coordinator | |
| Kathy Ferrara | .... | office production assistant (as Kathleen Ferrara) | |
| Thomas Gaebel | .... | web designer: Images Everything | |
| Ruth Garbutt-Lewis | .... | representative: Screen Actors Guild (as Ruth Garbutt Lewis) | |
| Rebecca Harpring | .... | script supervisor | |
| Darren Harris | .... | security | |
| Heather Hastings | .... | set production assistant | |
| Megan Hastings | .... | set production assistant | |
| Megan Jones | .... | myspace designer (as Megan McGregor) | |
| Jonellen R. McGee | .... | production coordinator (as Jonellen McGee) | |
| Nikki Nime | .... | set production assistant | |
| Brandon Perry | .... | set production assistant: Morocco | |
| David Peters | .... | office production assistant | |
| Rhonda | .... | cast payroll: PES | |
| Matt Stachel | .... | key set production assistant | |
| Jason Swartz | .... | helicopter pilot | |
| John H. Brister | .... | consultant (uncredited) | |
Thanks | |||
| Megan Jones | .... | special thanks (as Megan McGregor) | |
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| City of God | The Best of Youth | Freeway | The Basketball Diaries | Head-On |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Crime section | IMDb USA section |
I really enjoyed this film. I don't think I'll be giving away any spoilers here. First off, this film is shot entirely from a first person perspective, ala Blair Witch, but seriously, do NOT let that scare you away.
The titular characters are played by Edward Furlong and Rachael Bella (both of whom attended the premiere in SF tonight). You'll remember Eddie Furlong as the whiny little saves-the-future brat from Terminator II, though you'd do much better to remember his performances in American History X and Pecker, as he's long since shrugged off the child-actor label in these latter parts. Rachael Bella you may recall as the "crazy chick" who witnesses the bizarre death of her teenage friend in the beginning of The Ring (boy, I really hope I didn't give anything away there).
The story unfolds exclusively from the perspective of Jimmy's video camera. He's a video junkie (not unlike the neighbor character in American Beauty) and feels the need to "document" every important event in his life on tape (including certain aspects of his parents' relationship, and there's no way in hell I'm giving up *that* spoiler!).
Jimmy's been in love with Judy all of his life, their parents having apparently been friends for quite some time, but that love has been unrequited until now. He's a social misfit and outcast in all aspects of his life. He finally approaches Judy to show her how he's taken revenge on those that have wronged her in school (herself also being a social outcast, apparently) causing her to instantly fall in love with him.
The remainder of the film is a high tension tale of the love between the two star-crossed lovers and the misadventures they become entangled in as they explore a life of crime and independence. No, this is not a retelling of such "on the lamb" films as Natural Born Killers, True Romance, or The Devil's Rejects. They are not crazed teens on a killing spree, out to kill everyone who gets in their way. They do come across in many respects as honest social outcasts who simply end up in the situations they end up in out of circumstance and their purest desire to remain together and not be torn apart. You can, however, feel the influence of the aforementioned films as the story progresses.
I don't want to go into too much detail so as not to be blamed for submitting any spoilers. Suffice to say, the style in which the film is shot is actually somewhat secondary to the story. It does offer a unique perspective, though, on the relationship that is formed by the young couple and how they grow to bond so strongly. This really is a true perspective, incidentally. Not until the very end of the film (mild spoiler here, but not really) are you treated at all to a third person perspective of the action.
According to the Q&A following the premiere, the film was shot with practically no budget and within 15 days in the Kentucky countryside. The casting of Eddie Furlong was a very very fortunate accident when one of the future crewmembers of the production briefly met him at a party and suggested to the writing/directing team that they send him a copy of the script which he fell in love with. Rachael Bella is also very well cast and is beautiful (to say the least) which will appeal to those seeking the voyeuristic nudity and sex which I'm sure will likely be at the heart of some other reviews. Honestly, there really isn't anything explicit here. Jimmy is a first or second year college student suspended from school due to an incident involving his videotaping craze (at least partly to blame for his severe emotional scarring) and Judy is a high school junior or senior and their relationship is typical of that of late teenage/early twenties relationships when it comes to the sexual element (at least from my own personal perspective), so I'm sure you can figure out roughly what to expect.
The film is a love story... with complications. Honestly, what good story ever came out of an uncomplicated love affair? It's the honest portrayals and realistic style in which the movie is filmed that is it's true driving force. I hesitate to say phrases like "edge of my seat", but it is quite definitely apropos for much of this film. I think I'd prefer to just come out and say that this flick grabbed me by the balls and at no time did it really let go. It's a very fast-moving story once things really get to happening and I soon found myself totally engrossed.
I'm running out of words here, sadly, and I doubt I'm doing the film quite the justice it is deserved. I suppose my rush to try and provide this very first review of the movie (on IMDb at any rate). All I really do have to say, in the end, is that I truly hope that this film gets picked up for distribution (I believe it was mentioned that this has already happened, or is definitely in the works) and if you get any chance to see it, I highly recommend that you do. Hence my "10" here on IMDb... and my "6" on the festival ballot (which only went to "5" = Brilliant!,
see this flick.
pt...