Kate and her actor brother live in N.Y. in the 21st Century. Her ex-boyfriend, Stuart, lives above her apartment. Stuart finds a space near the Brooklyn Bridge where there is a gap in time.... See full summary »
Benjamin Barry is an advertising executive and ladies' man who, to win a big campaign, bets that he can make a woman fall in love with him in 10 days. Andie Anderson covers the "How To" beat for "Composure" magazine and is assigned to write an article on "How to Lose a Guy in 10 days." They meet in a bar shortly after the bet is made.
Elizabeth Masterson, a dedicated doctor in San Francisco, had almost no time for anything. When her sister with two kids set her up on a date, she gets into a tragic car crash and gets in a coma. Meanwhile, a landscape architect named David Abbott moves into San Francisco and coincidentally, into Elizabeth's apartment for rent. While at the apartment, Elizabeth's spirit haunts him. She doesn't remember who she is, who her family is, and what she did - All that she remembered was her apartment and where everything was. To settle the arguments, David agrees to figure out who Elizabeth really is. When they get close to figuring out who she is, they eventually find love with one another and as they finally know who she really is, they learn that fate really has put them both together. Written by
It has been a good season for romantic comedies. Earlier on Diane Lane and John Cusack proved that comedies didn't have to be stupid, as it was properly demonstrated in a recent sex comedy. Stick to the conventions, find people with good chemistry and good looks, and you might strike gold. Witherspoon has shown incredible amounts of charm in previous outings, and this time she is on fire. The amazing surprise is Mr. Ruffalo, as her smitten "friend". He is a pleasure to watch, matching Witherspoon scene by scene and stealing a few on his own. He has fantastic comedic timing and knows how to charm his audience.
The film itself will not break any grounds, instead it pays tribute to a few classics in the past. What it doesn't do is draw too much attention to itself by being too clever, dry, or indulge in the use of four-letter words gratuitous. It recalls comedies of the past, when characters were developed and actors work their magic on the screen.
There are a couple of interesting twists along the way, and some of the romantic scenes are lovingly shot and directed. The supporting cast is very effective, making the experience light and yet very fulfilling. A+
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