| Photos (See all 47 | slideshow) | Videos (see all 12) |
Directed by | |||
| Edgar Wright | |||
Writing credits | ||
| Edgar Wright | (written by) & | |
| Simon Pegg | (written by) | |
Produced by | |||
| Karen Beever | .... | associate producer | |
| Tim Bevan | .... | producer | |
| Eric Fellner | .... | producer | |
| Nira Park | .... | producer | |
| Ronaldo Vasconcellos | .... | line producer | |
| Natascha Wharton | .... | executive producer | |
Original Music by | |||
| David Arnold | |||
Cinematography by | |||
| Jess Hall | (director of photography) | ||
Film Editing by | |||
| Chris Dickens | |||
Casting by | |||
| Nina Gold | |||
Production Design by | |||
| Marcus Rowland | |||
Art Direction by | |||
| Dick Lunn | |||
Set Decoration by | |||
| Liz Griffiths | |||
Costume Design by | |||
| Annie Hardinge | |||
Makeup Department | |||
| Candice Banks | .... | hair stylist | |
| Candice Banks | .... | makeup artist | |
| Tricia Cameron | .... | additional hair stylist (as Trisha Cameron) | |
| Tricia Cameron | .... | additional makeup artist (as Trisha Cameron) | |
| Tony Lilley | .... | hair stylist | |
| Tony Lilley | .... | makeup artist | |
| Darren Long | .... | additional hair stylist | |
| Darren Long | .... | additional makeup artist | |
| Chris Lyons | .... | special effects teeth | |
| Deborah Taylor | .... | additional hair stylist (as Debbie Taylor) | |
| Deborah Taylor | .... | additional makeup artist (as Debbie Taylor) | |
| Kate Thompson | .... | additional hair stylist | |
| Kate Thompson | .... | additional makeup artist | |
| Tristan Versluis | .... | prosthetics supervisor | |
| Jane Walker | .... | hair designer | |
| Jane Walker | .... | makeup designer | |
| Eve Wignall | .... | additional hair stylist | |
| Eve Wignall | .... | additional makeup artist | |
Production Management | |||
| James Biddle | .... | production manager | |
| Tania Blunden | .... | post-production supervisor | |
| John David Gunkle | .... | unit manager | |
| Angela Morrison | .... | chief operating officer: Working Title Films | |
| Michelle Wright | .... | executive in charge of production: Working Title Films | |
Second Unit Director or Assistant Director | |||
| Dan Channing-Williams | .... | third assistant director | |
| Michael Elliott | .... | first assistant director (as Mike Elliott) | |
| Nathan Holmes | .... | additional first assistant director | |
| Charlie Leech | .... | additional first assistant director | |
| Jeremy Lovering | .... | second unit director | |
| Samar Pollitt | .... | additional third assistant director | |
| Jack Ravenscroft | .... | additional first assistant director | |
| Gareth Tandy | .... | additional first assistant director | |
| Anthony Wilcox | .... | second assistant director | |
Art Department | |||
| Rachel Atherton | .... | additional scenic painter | |
| Ed Barker | .... | additional stand-by propman | |
| Jenny Bowers | .... | graphic designer | |
| Jennifer Bowes | .... | prop maker | |
| Jason Brown | .... | storeperson | |
| Guy Cope | .... | additional stand-by rigger | |
| Kevin Day | .... | dressing propman | |
| Brian Dowling | .... | construction manager | |
| Dave Engelman | .... | additional stand-by carpenter | |
| Richard Field | .... | stand-by art director | |
| Segan Friend | .... | stand-by propman | |
| Bryan Griffiths | .... | additional rigger (as Brian Griffiths) | |
| George Hobbs | .... | additional rigger | |
| David Horrill | .... | propmaster (as David 'Springer' Horrill) | |
| Toni Kelly | .... | stand-by rigger | |
| Pat Killeen | .... | additional rigger | |
| Dougie Lankston | .... | dressing prop daily | |
| Shay Leonard | .... | stand-by propman | |
| Syreeta Makan | .... | assistant prop buyer | |
| Jonathan Maris | .... | storyboard artist | |
| Daryn McLaughlan | .... | draughtsman | |
| Helen Morgan | .... | art department trainee: FT2 | |
| Paul Oakman | .... | additional stand-by carpenter | |
| Mark Richards | .... | additional rigger | |
| Michael Smale | .... | assistant art director | |
| Rebecca Thomas | .... | art department trainee: FT2 | |
| Rosy Thomas | .... | prop buyer | |
| Oli van der Vijver | .... | dressing propman (as Oliver Van Der Vijver) | |
| Tom Walker | .... | stand-by carpenter | |
| Danny Webster | .... | additional rigger | |
| Penny White | .... | storeperson | |
| Peter Woods | .... | dressing propman | |
| Oscar Wright | .... | storyboard artist | |
| Thomas Jones | .... | weapons mould maker (uncredited) | |
Sound Department | |||
| Annabel Acquaviva | .... | boom operator | |
| Antony Bayman | .... | adr recordist | |
| Anna Billington | .... | audio post coordinator | |
| Oliver Brierley | .... | assistant sound re-recording mixer | |
| Peter Burgis | .... | foley artist | |
| Craig Butters | .... | sound designer | |
| Andie Derrick | .... | foley artist (as Andi Derrick) | |
| Robert Edwards | .... | adr recordist | |
| Michael Fentum | .... | sound effects editor (as Mike Fentum) | |
| Richard Flynn | .... | sound equipment provider | |
| Richard Flynn | .... | sound recordist | |
| Arthur Graley | .... | foley editor | |
| Charlotte Gray | .... | cable maintenance | |
| Nigel Heath | .... | sound re-recording mixer | |
| Alex Joseph | .... | foley editor | |
| Mitch Low | .... | sound mixer: pick ups | |
| Dan Morgan | .... | adr editor | |
| Dan Morgan | .... | dialogue editor | |
| Jamie Roden | .... | adr mixer | |
| Julian Slater | .... | supervising sound editor | |
| Chris Sturmer | .... | dolby sound consultant | |
| Iain Jamieson | .... | assistant adr recordist (uncredited) | |
| Mark Paterson | .... | sound re-recording mixer (uncredited temp mix) | |
Visual Effects by | |||
| Louie Alexander | .... | retouch and restoration: Framestore CFC | |
| Varga András | .... | compositor: Cube Effects | |
| Szapek Attila | .... | roto artist: Cube Effects | |
| Ben Baker | .... | head of digital lab: Framestore CFC | |
| Judy Barr | .... | digital compositor | |
| Pete Bebb | .... | digital artist: Double Negative | |
| Zoltán Benyó | .... | visual effects producer: Cube Effects | |
| Rodrigo Bernardo | .... | systems engineer | |
| Richard Briscoe | .... | visual effects supervisor | |
| Clare Brody | .... | data operator: Framestore | |
| Jason Burnett | .... | scanning and recording: Framestore CFC | |
| Andy Burrow | .... | scanning and recording manager: Framestore CFC | |
| Andrew Chapman | .... | digital artist: Double Negative | |
| Marco Checa Garcia | .... | digital compositor: Machine FX | |
| Lee Clappison | .... | compositor: LipSync Post | |
| James Clarke | .... | scanning and recording supervisor: LipSync Post | |
| Tom Collier | .... | lead compositor: LipSync Post | |
| Eric D'Souza | .... | digital lab engineer: Framestore CFC | |
| Martin R. Davison | .... | digital compositor: Baseblack | |
| Jerome Dewhurst | .... | digital lab engineer: Framestore CFC | |
| Stefan Drury | .... | head of film effects: LipSync Post | |
| Laura Dubsky | .... | compositor: LipSync Post | |
| Richard Edwards | .... | data operator - framestore | |
| Stephen Elson | .... | visual effects producer: Baseblack | |
| Péter Farkas | .... | lead roto artist/compositor: Cube Effects | |
| Reischig Ferenc | .... | systems admistrator: Cube Effects | |
| Antonella Ferrari | .... | visual effects editorial | |
| James D. Fleming | .... | digital artist: Framestore CFC | |
| Mike Foyle | .... | rotoscope artist: Double Negative | |
| Steve Garrad | .... | visual effects producer: Double Negative | |
| Joe Godfrey | .... | scanning and recording: Framestore CFC | |
| Elysia Greening | .... | digital compositor: Baseblack | |
| Charlie Habanananda | .... | conform editor: Framestore CFC | |
| Pete Hanson | .... | studio manager: Double Negative | |
| Adam Hawkes | .... | retouch and restoration: Framestore CFC | |
| Marcus Hindborg | .... | digital compositor: Double Negative | |
| Joe Hoare | .... | scanning and recording: Framestore CFC | |
| Jan Hogevold | .... | production executive: Framestore-CFC | |
| Pete Howlett | .... | digital compositor: Double Negative (as Peter Howlett) | |
| Vajda István | .... | roto artist: Cube Effects | |
| Matthew Jacques | .... | digital artist | |
| Yan Jennings | .... | film mastering engineer: Framestore CFC | |
| David Johnston | .... | data operator: Framestore CFC | |
| Abraham Kambanopoulos | .... | visual effects | |
| Rafiqur Khan | .... | data operator: Framestore CFC | |
| Pál Klemm | .... | lead digital compositor: Cube Effects | |
| Brian Krijgsman | .... | additional colourist: Framestore CFC | |
| Danius Kvedaras | .... | compositor: LipSync Post | |
| Serena Lam | .... | digital compositor: Double Negative | |
| Matthew Leach | .... | studio assistant | |
| Aaron Lear | .... | retouch and restoration: Framestore CFC | |
| Luke Letkey | .... | digital compositor: Double Negative | |
| David Lloyd | .... | head of film technology: LipSync Post | |
| Andrew Lockley | .... | digital compositor: Double Negative | |
| John Lockwood | .... | visual effects supervisor: Machine | |
| James Long | .... | data operator | |
| Imre Lovász | .... | pipeline technical director: Cube Effects | |
| Kevin Lowery | .... | film mastering engineer: Framestore CFC | |
| Alasdair MacCuish | .... | scanning and recording producer: Lipsync Post | |
| Veronica Marcano | .... | scanning and recording: Framestore CFC | |
| Simon Margetts | .... | visual effects director of photography | |
| Ivan Mena | .... | digital compositor | |
| Steve Mercer | .... | visual effects editor | |
| Károly Mesterházy | .... | digital artist: Cube Effects | |
| Miklós Mesterházy | .... | digital artist: Cube Effects | |
| Sarah Micallef | .... | digital intermediate producer: Framestore CFC | |
| Alberto Montañés | .... | digital compositor | |
| Mike Morrison | .... | production manager: Framestore CFC | |
| Ephraim Mwakandu | .... | digital artist: Framestore CFC | |
| Savneet Nagi | .... | retouch and restoration: Framestore CFC | |
| James Nicholl | .... | digital artist: LipSync Post | |
| Stuart Nippard | .... | conform editor: Framestore CFC | |
| Lara Zoe Northway | .... | visual effects producer: Machine | |
| Sona Pak | .... | visual effects coordinator: Double Negative | |
| Alexandra Papavramides | .... | digital compositor: Baseblack VFX | |
| Dan Perry | .... | scanning and recording: Framestore CFC | |
| Fred Place | .... | digital compositor: Double Negative | |
| Tristan Porter | .... | digital compositor: Baseblack | |
| Scott Pritchard | .... | digital compositor: Double Negative | |
| Ian Redmond | .... | digital lab engineer: Framestore CFC | |
| Dave Robinson | .... | systems engineer | |
| Gavin Round | .... | editorial: Framestore CFC | |
| Iván Sarosácz | .... | digital artist: Cube Effects | |
| Jimmy Saul | .... | scanning and recording | |
| Aatesh Shah | .... | systems engineer: Framestore CFC | |
| Asa Shoul | .... | colourist: Framestore CFC | |
| Ian Simpson | .... | digital artist: Double Negative | |
| Nick Stanley | .... | retouch and restoration: Framestore CFC | |
| Richard Stay | .... | digital compositor: Double Negative | |
| Steve Street | .... | visual effects supervisor: Machine | |
| Mátyás Szabó | .... | digital compositor: Cube Effects | |
| Attila Szalma | .... | digital compositor: Cube Effects | |
| Zoltán Szegedi | .... | digital artist: Cube Effects | |
| Gábor Székely | .... | technical director: Cube Effects | |
| Ria Tamok | .... | digital compositor: Cube Effects | |
| Odean Thompson | .... | retouch and restoration: Framestore CFC | |
| Mark Tremble | .... | digital artist: Double Negative (as Mark Tran-Tramble) | |
| Gábor Tóth | .... | senior digital compositor: Cube Effects | |
| Jenõ Udvardi | .... | visual effects producer: Cube Effects | |
| Gábor Vaszkun | .... | digital artist: Cube Effects | |
| Dan Victoire | .... | conform editor: Framestore CFC | |
| Val Wardlaw | .... | visual effects supervisor: Baseblack | |
| Sharon Warmington | .... | digital compositor: Double Negative | |
| Imery Watson | .... | digital matte painter: Double Negative | |
| Simon Wessely | .... | data operator: Framestore CFC | |
| Sheila Wickens | .... | compositing supervisor: LipSync Post | |
| Stephen Willey | .... | senior systems engineer | |
| Annabel Wright | .... | conform editor: Framestore CFC | |
| Péter Závorszky | .... | visual effects production manager: Cube Effects | |
| Julia Hall | .... | digital compositor (uncredited) | |
| Taz Lodder | .... | technical support: Double Negative (uncredited) | |
Camera and Electrical Department | |||
| Simon Baker | .... | additional camera operator | |
| Tim Battersby | .... | additional focus puller | |
| Jeremy Braben | .... | aerial camera operator | |
| Roy Branch | .... | electrician | |
| Frank Cox | .... | additional electrician | |
| Martin Cox | .... | additional electrician | |
| Chris Dale | .... | clapper loader: "a" camera | |
| Steve Davis | .... | additional electrician | |
| Frank Dawson | .... | additional electrician | |
| Carlos De Carvalho | .... | focus puller: "a" camera | |
| Andy Duncan | .... | gaffer: main unit (as Andrew Duncan) | |
| Martin Duncan | .... | additional electrician | |
| Andy Edridge | .... | grip: "b" camera | |
| Tony Fenner | .... | additional electrician | |
| Peter Field | .... | director of photography: second unit | |
| Steve Foster | .... | gaffer: second unit | |
| John Gamble | .... | additional focus puller | |
| Andy Gardener | .... | additional electrician (as Andy Gardner) | |
| Bill Geddes | .... | additional grip | |
| Stuart Godfrey | .... | additional grip | |
| Tony Goulding | .... | additional electrician | |
| Mikey Ray Harkins | .... | lighting desk operator | |
| Adam Harris | .... | additional electrician | |
| David Harrison | .... | additional electrician | |
| Rawdon Hayne | .... | focus puller: "b" camera | |
| Alex Howe | .... | first assistant camera: vfx unit | |
| Pip Keeling | .... | additional electrician | |
| Nick Kenealy | .... | video assist operator | |
| Stephen Lee | .... | additional video assist operator | |
| Iain Mackay | .... | clapper loader: "b" camera | |
| Chris McAleese | .... | camera trainee: FT2 | |
| Adrian McCarthy | .... | additional grip | |
| Mark Moriarty | .... | director of photography: second unit | |
| Dean Morrish | .... | additional focus puller | |
| Matt Nettheim | .... | still photographer | |
| Jennie Paddon | .... | additional clapper loader | |
| Mike Parsons | .... | electrician | |
| Chris Polden | .... | additional electrician | |
| Bernie Prentice | .... | rigging gaffer | |
| Nick Ray | .... | grip: "a" camera | |
| Peter Robertson | .... | Steadicam operator | |
| Peter Robertson | .... | camera operator: "a" camera | |
| Ashley Rowe | .... | director of photography: additional filming | |
| Garth Sewell | .... | grip | |
| Sky Sharrock | .... | additional clapper loader (as Sky Sharroch) | |
| Paul Slatter | .... | gaffer: second unit | |
| Danny Smith | .... | additional clapper loader | |
| Malcolm Smith | .... | additional grip | |
| Rob Stewart | .... | additional electrician | |
| Dean Thompson | .... | additional focus puller | |
| Oliver Ward | .... | camera technician: Wescam camera | |
| Paul Wheeldon | .... | additional clapper loader | |
| Charlie Whitaker | .... | additional clapper loader | |
| Terry Williams | .... | additional grip | |
| Sophie Wilson | .... | additional clapper loader | |
| Sarah Woodward | .... | additional clapper loader | |
Casting Department | |||
| Stephen Moore | .... | casting assistant | |
| Kate Rudge | .... | extras casting coordinator | |
| Robert Sterne | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Sheena Gunn | .... | wardrobe supervisor | |
| Charlie Knight | .... | costume assistant | |
| Philip Lester | .... | assistant costume designer (as Phil Lester) | |
| Janine Marr | .... | costume assistant | |
| Julie Merritt | .... | costume assistant | |
| Dan Summerville | .... | costume assistant | |
| Aaron Timperley | .... | costume assistant | |
| Sarah Ward | .... | costume assistant | |
Editorial Department | |||
| Jonathan Amos | .... | additional editor | |
| Tom Balogh | .... | look management operator: Kodak | |
| Aisha Bicknell | .... | post-production coordinator | |
| Kathryn Cole | .... | second assistant editor (as Kathryn Morey) | |
| Matt Gauci | .... | avid technical support | |
| Ben Renton | .... | second assistant editor | |
| Catriona Richardson | .... | first assistant editor | |
| Lawrence Howard Williams | .... | post digital media operator | |
| Mark Wright | .... | negative cutter | |
| Trevor Brown | .... | digital intermediate preview colorist (uncredited) | |
Music Department | |||
| Nick Angel | .... | music supervisor | |
| Chris Barrett | .... | assistant score mixer | |
| Chris Barrett | .... | assistant score recordist | |
| Nicholas Cervonaro | .... | assistant score mixer (as Nick Cervonaro) | |
| Nicholas Cervonaro | .... | assistant score recordist (as Nick Cervonaro) | |
| Bobby Collins | .... | music licensing | |
| Chris Cozens | .... | auricle programmer | |
| Nicholas Dodd | .... | conductor | |
| Nicholas Dodd | .... | orchestrator | |
| Dina Eaton | .... | music editor | |
| Geoff Foster | .... | score mixer | |
| Geoff Foster | .... | score recordist | |
| Isobel Griffiths | .... | orchestra contractor | |
| Stephen Hilton | .... | music programmer | |
| Charles Lane | .... | music consultant | |
| Kirsten Lane | .... | music consultant | |
| Stuart Morton | .... | assistant music editor | |
| Kathy Nelson | .... | executive in charge of music: Universal Pictures | |
| Alex Nutton | .... | music programmer | |
| Rob Playford | .... | music programing: score | |
| Rob Playford | .... | music programmer | |
| Michael Price | .... | composer: additional music | |
| Matt Roberts | .... | music programmer | |
| Matt Robertson | .... | music programmer | |
| Robin Whittaker | .... | assistant music editor | |
| Jonathan Williams | .... | musician: cello | |
| Vicki Williams | .... | music coordinator | |
| Robert Rodriguez | .... | composer: additional music ("Avenging Angel" ) (uncredited) | |
Transportation Department | |||
| Martin Alderdice | .... | action vehicles coordinator | |
| Orest Andrijiw | .... | unit driver | |
| Kevin Bradley | .... | unit driver | |
| John D'Arcy | .... | driver: grip truck | |
| Gary Davenport | .... | driver: stand-by props truck | |
| James Evans | .... | utility driver | |
| Colin Giffin | .... | unit driver (as Colin Goffin) | |
| Dave Hockey | .... | driver: minibus | |
| Geoff Holland | .... | unit driver (as Geoffrey Holland) | |
| Paul Hutchinson | .... | action vehicles assistant | |
| Nick Kenyon | .... | unit driver | |
| Gill King | .... | driver: minibus | |
| Jason King | .... | driver: minibus | |
| Dean Macey | .... | driver: grip truck | |
| Andrew McArthur | .... | driver: director | |
| Chris Parker | .... | driver: camera truck (as Chris 'Kiwi' Parker) | |
| Steve Stentaford | .... | driver: minibus | |
| Colin Stephenson | .... | driver: wardrobe truck | |
| Colin Stone | .... | driver: makeup trailer (as Colin 'Bod' Stone) | |
| Brian Tame | .... | driver: props | |
| Dean Tyler | .... | driver: rushes | |
| Barrie Williams | .... | transportation captain | |
| Ian Wotherspoon | .... | unit driver | |
Other crew | |||
| Christina Angeloudes | .... | legal & business affairs manager: Working Title Films | |
| Just Ardalan-Raikes | .... | production assistant | |
| Ruth Atkinson | .... | additional script supervisor | |
| Samantha Barber | .... | script supervisor assistant | |
| Katrina Barton | .... | script supervisor trainee: FT2 | |
| Horace Beckford | .... | catering assistant | |
| David Blank | .... | assistant production accountant | |
| Charles Bodycomb | .... | armourer (as Charlie Bodycomb) | |
| Caroline Bowker | .... | script supervisor trainee: FT2 | |
| Julie Brown | .... | additional script supervisor | |
| Greg Corke | .... | armorer | |
| James Crestani | .... | production runner | |
| Joss Crowley | .... | set runner | |
| Joss Crowley | .... | stand-in | |
| Cuong Dang | .... | assistant production coordinator | |
| Sue Darcey | .... | dog handler | |
| Steve Dent | .... | horse handler | |
| Kay Di Rezze | .... | trainee assistant accountant | |
| Marie Dong | .... | assistant production accountant | |
| Chloe Dorigan | .... | assistant: Tim Bevan, Working Title Films (as Chloé Dorigan) | |
| Cathy Doubleday | .... | additional script supervisor | |
| Nicky Earnshaw | .... | production coordinator | |
| Timothy Easthill | .... | financial director: Working Title Films (as Tim Easthill) | |
| Emily Elgar | .... | assets administrator | |
| Dave Evans | .... | armorer | |
| Ian Evans | .... | aerial helicopter pilot | |
| Hannah Farrell | .... | development coordinator | |
| Eleanor Fazan | .... | choreographer | |
| Sue Field | .... | additional script supervisor | |
| Amy Flanagan | .... | researcher | |
| Jessica Forte | .... | assistant production coordinator: Working Title Films | |
| Phil Gates | .... | location scout (as Phillip Gates) | |
| Maree Gecks | .... | assets administrator | |
| Shefali Ghosh | .... | chief financial officer: Working Title Films | |
| Ben Gladstone | .... | location manager | |
| Flax Glor | .... | publicist | |
| Gaynor Fitzgerald Gould | .... | caterer | |
| Glyn Harper | .... | floor runner: dailies | |
| Tarn Harper | .... | post-production accountant | |
| Dom Harris | .... | daily floor runner | |
| Naomi Harvey | .... | daily runner | |
| Richard Hooper | .... | armorer | |
| Mick Hurrell | .... | health & safety advisor | |
| Aliza James | .... | assistant: Eric Fellner, Working Title Films | |
| Diane Kelly | .... | unit publicist | |
| Roger Kendall | .... | fireman | |
| Ruth Key | .... | production runner | |
| Sally King | .... | children licensing | |
| Ann Koska | .... | children licensing | |
| Bala Lashmi | .... | caterer | |
| Susanna Lenton | .... | script supervisor | |
| Zoe Liang | .... | key set runner | |
| Ann Lynch | .... | executive coordinator: Working Title Films | |
| Gráinne Mckenna | .... | vice president of legal and business affairs: Working Title Films (as Gráinne McKenna) | |
| Nora Meyer | .... | researcher | |
| Ben Morris | .... | business and legal affairs assistant: Working Title Films | |
| Dan Mudford | .... | documentarian: behind the scenes/blogs | |
| David Z. Obadiah | .... | titles producer | |
| Becky Page | .... | production intern | |
| Scott Penrose | .... | magic consultant | |
| Roger Phillips | .... | titles | |
| Rachel Plose | .... | production accountant | |
| Caroline Pope | .... | choreographer | |
| Rachael Prior | .... | development executive: Working Title Films | |
| Alex Pritchard | .... | production runner | |
| Kevin Proctor | .... | junior assistant: Nira Park and Edgar Wright, Big Talk Productions | |
| Denzel Robbins | .... | caterer | |
| Sascha Robey | .... | armorer | |
| Liam Roper | .... | set runner (as William 'Liam' Roper) | |
| Liam Roper | .... | stand-in (as William 'Liam' Roper) | |
| Sheeraz Shah | .... | head of legal/business affairs: Working Title Films | |
| Asha Sharma | .... | location assistant | |
| Ian Smith | .... | pilot | |
| Andy 'Cheffy' Southey | .... | caterer | |
| Mario Spanna | .... | head technician: Libra | |
| Tom Stourton | .... | assistant location manager | |
| Neil Swain | .... | dialogue coach | |
| Christopher Sweet | .... | studio assistant: Double Negative | |
| Amie Tridgell | .... | location scout | |
| Helen Varty | .... | senior assistant: Edgar Wright and Nira Park | |
| Lucy Wainwright | .... | legal and business affairs executive: Working Title Films | |
| Morag Webster | .... | unit nurse | |
| Jessica Weetch | .... | development executive: Big Talk Productions (as Jess Weetch) | |
| Andrew White | .... | titles | |
| Laura Windebank | .... | base runner | |
| Oscar Wright | .... | title designer | |
| Sarah Jane Wright | .... | production executive: Working Title Films (as Sarah-Jane Robinson) | |
| Paulette Osorio | .... | publicity executive (uncredited) | |
Thanks | |||
| Russell Allen | .... | with thanks to | |
| Greg Barrett | .... | with thanks to | |
| Chris Bassett | .... | with thanks to | |
| Dave Bassett | .... | with thanks to (as Dave) | |
| David Cartwright | .... | with thanks to (as Sgt David Cartwright) | |
| Philip Cooper | .... | with thanks to | |
| Felix Cornish | .... | with thanks to | |
| Stuart Cundy | .... | with thanks to (as DCI Stuart Cundy) | |
| Simon Davies | .... | with thanks to | |
| Maurice Day | .... | with thanks to | |
| Guillermo del Toro | .... | with thanks to (as Guillermo Del Toro) | |
| Keith Donahue | .... | with thanks to | |
| Matthew Dravitzki | .... | with thanks to (as Matt Dravitzki) | |
| Alex Duxbury | .... | with thanks to | |
| Nick Eckland | .... | with thanks to | |
| Keith Faulkner | .... | with thanks to | |
| Charlotte Hatherley | .... | with thanks to | |
| Colin Hibberd | .... | with thanks to | |
| Phil Hines | .... | with thanks to | |
| Alex Hope | .... | with thanks to | |
| Peter Jackson | .... | with thanks to | |
| Garth Jennings | .... | with thanks to | |
| Andy Leafe | .... | with thanks to (as PC Andy Leafe) | |
| Stuart Lutes | .... | with thanks to (as DS Stuart Lutes) | |
| Paul Machliss | .... | with thanks to | |
| Sinead Moran | .... | with thanks to | |
| Tommy Moran | .... | with thanks to | |
| Andrew Nash | .... | with thanks to | |
| Gregory Nicotero | .... | with thanks to (as Greg Nicotero) | |
| Andy Noble | .... | with thanks to (as Sgt Andy Noble) | |
| Mark Osmater | .... | with thanks to | |
| Debra Pallet | .... | with thanks to | |
| Gill Pegg | .... | with thanks to | |
| Katy Pegg | .... | with thanks to | |
| Maureen Pegg | .... | with thanks to | |
| Andy Pritchard | .... | with thanks to (as Sgt Andy Pritchard) | |
| Martin Roddy | .... | with thanks to (as PC Martin Roddy) | |
| Robert Rodriguez | .... | with thanks to | |
| Scarlett Sheriff | .... | with thanks to | |
| Quentin Tarantino | .... | with thanks to | |
| Ron Taylor | .... | with thanks to | |
| Tommy Traylen | .... | with thanks to | |
| Liz Webb | .... | with thanks to | |
| Peter Wild | .... | with thanks to | |
| James Wilson | .... | with thanks to (as Jim Wilson) | |
| Jason Wingrove | .... | with thanks to | |
| Chris Wright | .... | with thanks to | |
| Lesley Wright | .... | with thanks to | |
| Steve Wyatt | .... | with thanks to (as PC Steve Wyatt) | |
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I will say it out clear and upfront - I love this movie, and without a doubt, a definite contender for my movie of the year. By the filmmakers of Shaun of the Dead, Hot Fuzz has everything that makes great entertainment, laced with wry Brit wit, and while it contains plenty of references from their earlier movie, it never bores, and for cinephiles, you're in for one heck of a time identifying the countless of movie references within. If anything, I can't wait to get my hands on their earlier efforts in order not to shortchange myself in missing out on the gems by director Edgar Wright and collaborating writer Simon Pegg.
Hot Fuzz follows a typical buddy-cop genre, except that these two are so much more diverse from each other than the conventional cop movies of late milking the obvious race and cultural differences, beaten to death by the Lethal Weapon and Rush Hour films. Here we have the city versus country policeman officers buddying up, each with work ethics belonging to opposite ends. Sergeant Nicholas Angel (Simon Pegg) is your no-nonsense, straight laced, focused, top supercop who aces everything in his field of work, apprehending felons who fail to follow the law. And with being the top police officer on the beat, the powers that be deem him to be a threat (in making them look inept), and got him posted from Metropolitan London to the countryside of Sandford.
And Sandford is your typical small lazy town, where nothing much happens, and everyone knows everyone else. If a missing swan is a great deal, then you'll know there's pretty nothing much to sustain our supercop's interest, especially so when the station he's assigned to have officers which are extremely laid back, which makes him get off on the wrong footing with partner PC Danny Butterman (Nick Frost). Danny's the anti-thesis of Nicholas, and spends much of his days daydreaming what a top city cop would be like, and lives out his dreams through his collection of DVD movies like Bad Boys II and Point Break. But the idyllic life of the country gets interrupted with a series of murders (frequently brushed aside as accidents) just as our friends are about to get chummy, and here's where the fun kicks in at top gear.
There are so many things to like about the movie. The violence is one, though I'm unsure if the commercial release here will keep scenes unscathed by the editing scissors. Featuring some of the most gruesome ways to die, it's a blood splattering fest worthy of any serial killer movie. The movie too rewards the attentive viewer, because while the filmmakers load the movie with plenty of easter eggs, minute details, red herrings and the likes, everything will count for something as they come together on the way to the finale, so keep your eyes wide open and your ears peeled. The dialogue is full of wit, with loads of movie references, direct and indirect, and its run up to the end is one of the most adrenaline pumping in recent times, you can't help but to cheer as you lap up the high octane action. Action fans will not be disappointed.
Some may not like its editing style, which is quick, sudden, loud, and at times repetitive, but that's just a minor blip. There are enough positives here to satisfy almost everyone, and one that will definitely bring on a smile by the time the end credits roll. A definite must watch! Don't miss this when it screens commercially!