Exceptional London cop Nicholas Angel is involuntarily transferred to a quaint English village and paired with a witless new partner. While on the beat, Nicholas suspects a sinister conspiracy is afoot with the residents.
A man decides to turn his moribund life around by winning back his ex-girlfriend, reconciling his relationship with his mother, and dealing with an entire community that has returned from the dead to eat the living.
A shy student trying to reach his family in Ohio, a gun-toting tough guy trying to find the last Twinkie, and a pair of sisters trying to get to an amusement park join forces to travel across a zombie-filled America.
The costumed high-school hero Kick-Ass joins with a group of normal citizens who have been inspired to fight crime in costume. Meanwhile, the Red Mist plots an act of revenge that will affect everyone Kick-Ass knows.
Chloë Grace Moretz,
Top London cop, PC Nicholas Angel is good. Too good. And to stop the rest of his team looking bad, he is reassigned to the quiet town of Sandford. He is paired with Danny Butterman, who endlessly questions him on the action lifestyle. Everything seems quiet for Angel, until two actors are found decapitated. It is called an accident, but Angel isn't going to accept that, especially when more and more people turn up dead. Angel and Danny clash with everyone, whilst trying to uncover the truth behind the mystery of the apparent "accidents". Written by
Nick Frost got so attached to his Winchester shotgun during filming he named it "Emma". See more »
During the introduction whilst Sergeant Angel's life in the police is summarised, he says that he was stabbed by "a man dressed as Father Christmas," and when he knocks on the door, you see a scar on his right hand, with which he is knocking, but the flashback of him being stabbed shows "Father Christmas" stabbing him in the left hand. See more »
Police Constable Nicholas Angel: born and schooled in London, graduated Canterbury University in 1993 with a double first in Politics and Sociology. Attended Hendon College of Police Training. Displayed great aptitude in field exercises, notably Urban Pacification and Riot Control. Academically excelled in theoretical course work and final year examinations. Received a Baton of Honour, graduated with distinction into the Metropolitan Police Service and quickly established an ...
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In the UK version, which is released by Universal Pictures, sound effects of police whistles, bells and sirens are perfectly timed to accentuate the graphics of both the Universal Pictures and Working Title logos. The US version, released by Rogue Pictures, misses out on this little bit of a joke. See more »
"Shaun of the Dead" was probably one of the funniest (if not the best) British black comedy that had been released in 2004. With gritty violence that made you squirm, innocent humour (Nick Frost) with blaspheming insults that just made you laugh out loud, and the quick wit of Simon Pegg with some great fun and horror mixed together, "Hot Fuzz" had a huge task of competing with the sheer greatness, of which was "Shaun of the Dead".
After much keen excitement upon seeing the teaser trailers of Hot Fuzz last year, my stomach churned as if to say "At god damn last, a film I can look forward to in the new year!" I felt as though it was best however, to go in with an open-neutral-mind, as I didn't want to spoil the film with high expectations.
I actually was starting to get worried into the first segments of the film, the humour wasn't as sharp as SOTD's first 20 minutes, and there were so many characters to remember, most of whom didn't make sense for a while. It wasn't till Nick Frost was introduced - that the film started picking up its pace and then decided to grab me by the throat. The film from then, was so funny, action packed, gruesome and dark! You just do not expect anything which was what made SOTD so great. The spontaneous actions and humour just kept the film's pace fantastically back on track.
The great thing about Hot Fuzz was just how original it was, and the ending (no spoilers here) just gave itself the stamp of "Most Exciting & Fun Ending In British Comedy".
The mystery and murder factor was well done as well, leaving me guessing "who did it" all the way through the film, but as with SOTD, the dark and grotesque violence kept its mature rating of 15, very enjoyable, yet very squirming to watch.
I highly recommend this film for anyone who just wants a good laugh and likes simple great black comedies. If you loved Shaun of the Dead, you will love this film. Just go in with an open-mind and have fun. Definitely worth the £6.50 (and the £15 when it comes out on DVD)!
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