Idealist Nazim returns home to his family in Istanbul after a 15-year gap away teaching in a remote Kurdish village in eastern Turkey. Becoming a taxi driver he meets a single mother who ...
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Idealist Nazim returns home to his family in Istanbul after a 15-year gap away teaching in a remote Kurdish village in eastern Turkey. Becoming a taxi driver he meets a single mother who works in a sleazy club and becomes embroiled in her plight - a troublesome ex-husband who won't leave her alone - and starts to fall in love with her. Written by
Gonul Yarasi is an above average movie in the tradition of classical Turkish drama. Idealist elementary school teacher Nazim (named after the great communist poet Nazim Hikmet) retires and returns home, Istanbul, after a 15 year term in the poor, forgotten Kurdish-Alevite village in Eastern Turkey. Politely ignored by his children who secretly despise him since he chose his ideal over his family long ago, he begins a new (night)life as a taxi driver. There he meets a fallen single mother who works as a "singer" in a sleazy night club. He takes the mother and her daugther in to protect them from the stalker ex-husband, falls in love with her, and the drama unfolds.
Yavuz Turgul, a master of storytelling, is not at his best, and the film cannot surpass his former masterpieces such as 'Eskiya' or 'Golge Oyunu' - though the movie is among the best of the season. Sener Sen, Meltem Cumbul and Guven Kirac give solid performances, but Timucin Esen proves outstanding with his portrayal of the multi-faceted, psychologically unstable ex-husband. The film, in the Yavuz Turgul tradition, inevitably ends with the tragedy-redemption-hope sequence.
Turgul likes to give subliminal social and political messages in his movies, but he is less subtle in this one.
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