Idealist Nazim returns home to his family in Istanbul after a 15-year gap away teaching in a remote Kurdish village in eastern Turkey. Becoming a taxi driver he meets a single mother who ...
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The landowner (Agha) of the Haraptar village marries off his old father with the young and beautiful Kiraz. But on the nuptial night, his father dies and everthing starts to go bad for the ... See full summary »
The epic adventures of the legendary Baran the Bandit following his release from prison. After serving 35 years, it is no surprise that the world has changed dramatically. Still, Baran ... See full summary »
This is the tragicomic story of two lovers who cannot ever get together. Sener is the son of a simple family in the village and he is in love with the village headman's daughter Mujde. Kaya... See full summary »
Bilo is a goodhearted man who wants to marry the cutest girl in the village but needs money to take the consent from her father. His best friend Mahmut (Sener Sen) offers him a way to go to Germany and work in a factory to save up the money he needs.
In the years of pulse, Turkey was unable to produce its own cars. But Pasha believed that Turkish people can produce their own cars so he ordered 2 cars. Gunduz and engineers with him must produce 2 cars in only 130 days!
Idealist Nazim returns home to his family in Istanbul after a 15-year gap away teaching in a remote Kurdish village in eastern Turkey. Becoming a taxi driver he meets a single mother who works in a sleazy club and becomes embroiled in her plight - a troublesome ex-husband who won't leave her alone - and starts to fall in love with her. Written by
The plot seems simple. A woman with her child who is unable to speak due to some psychological conditions, leaves the obsessive husband. She goes to the city and tries to stand on her own feet through singing in once popular traditional night clubs. Her husband comes after of course. Meanwhile an idealist teacher retires from the very east rural side of Turkey and returns home. He had a strong connection with his students and local people but interestingly not with his own kids, who were now grownups. As he's back, his old friends welcome him more sincerely. Consequently, teacher (the leading actor) takes the night shift of his close friend's taxi to make some money. One night he meets the runaway woman...
Script is astonishing. I would compare some of the monologues to Shakespeare at best. There is no reduction in the harmony. Consistency is seamless. The storyline captivates the viewer in such a soft way. All of a sudden you find yourself in between the lives of five characters; retired teacher, his son, his daughter, runaway woman and her husband. You can easily sympathize with all of them.
This movie depicts many conflicts innate to human nature. The characters are so well developed you might come across one of them anytime. If you are living in a sterile world, you might find it melodramatic. If you are searching for realism in symbolic elements, an emphasized full moon will ring your bell. The truth is, even an overly melodramatic and unrealistic story telling could be OK, cause the cinema is art, not necessarily documentary.
In the case of Gonul Yarasi, the movie has an intense texture, yet there is also a hopeful outlook. Just like hope and despair, fun and tears, fear and courage, idealism and realism and many other humanly concepts are balanced. The ending is an extraordinary summary of this manifestation in that sense.
Gonul Yarasi (Lovelorn) demonstrates all the qualities of cinema as an art. It is the best Turkish movie I have ever seen and one of the best among all. Awards are well earned... I would give 9-10 out of 10. And guess what, I did :)
I'd like to assume that the commentator who compared this movie to Mexican soap operas has never viewed anything from Hollywood
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