Mongryong marries the beautiful Chunhyang without telling his father, the Governor of Namwon. When his father is transferred to Seoul, Mongryong has to leave Chunhyang and finish his exams.... See full summary »
Two girls, Carla and Lou meet on the street outside a loft waiting for their boyfriends. In a short time, they find out that they're waiting for the same guy - young actor Blake, who said ... See full summary »
Robert Downey Jr.,
Natasha Gregson Wagner
A young man returns home on the threshold of the Lunar New Year and finds himself a stranger within his own family. The cold silence surrounding the disappearance of his younger sister forces him on a quest for answers.
A New York attorney is sent to Shanghai on business, where he finds himself in a legal mess that threatens his career. With the help of a relocation specialist and her contacts, he soon learns to appreciate the wonders of Shanghai.
Nicky Rogan's new play is opening on Broadway and many agree, he has written the best play his career. Or has he? Critic Steven Schwimmer is slated to review and he's ruined many a playwright with his scathing words. Nicky is becoming concerned, but instead chooses to obsess over his Red Sox and their chances again the Mets in Game 6 of the 1986 World Series. Will the Sox and his play come crashing down on the same night? Written by
Martin Lewison <firstname.lastname@example.org>
In one of the taxi/traffic scenes, a passenger in the car behind Michael Keaton's character is out of the car looking to see the cause of traffic. The passenger is an Orthodox Jew. However, this movie takes place on a Saturday (10/25/86), the Jewish Sabbath. An orthodox Jew would not be allowed in a car on Sabbath. See more »
I don't get it. What's the fuss?
He reviewed that one-act I did at the Fulton Fish Market. We did this play at four in the morning. Outdoors. In the rain. One performance. For fish handlers.
And he was there?
Steven Schwimmer. I memorized every line of this review.
I recite it to myself with masochistic relish.
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Any good baseball fan will tell you exactly where he was during the sixth game of the 1986 World Series when Mookie Wilson's ground ball rolled through Red Sox first baseman Bill Buckner's legs. The infamous error gave the Mets a dramatic come-from-behind victory in the game and ultimately the Series. Director Michael Hoffman and producer Amy Chamberlain made a movie around the event, which loses little of its luster after the Red Sox improbable World Series win this past October.
Michael Keaton stars as a successful playwright and lifelong Red Sox fan whose opening night of his latest Broadway play coincides with the fateful Game 6. These events serve as a catalyst for the exploration of love, marriage, sex, parenthood, friendship, hope, despair, values and much more. Of note, Keaton was one of the most entertaining stars I have ever seen at a Sundance Q&A.
Although it drags in parts, the movie has a lot of heart. Keaton, along with Griffin Dunne and Robert Downey Jr., provide fine performances that bring the script to life. This will be a must-see for everyone in Beantown, as well as all those perennially cursed Sox fans nationwide who found meaning in their collective suffering for so many years. My wife couldn't see what all the fuss was about; but I understood it perfectly.
I wasn't at any of the 1986 World Series games. But I vividly remember listening to Game 6 on the radio, and having to stop and collect myself after the Buckner error. (I've always liked underdogs, so the Sox are a perfect match for my affections.) I did, however, attend the nearly as legendary Game 5 of the American League Champion Series that year. The Red Sox were down 3-1 in the series, but battled back to beat the Angels at Anaheim with a dramatic ninth-inning two-out home run by Dave Henderson, who had been brought in as a defensive replacement. The Sox went on to win the AL Championship and meet the Mets in the Series.
Gene Mauch, the Angel's manager, was widely regarded as one of the best in baseball. But he'd never been to a World Series. He was one out away in 1986, but fate called the score. He retired in 1987 and went to his grave having managed 26 years and 3942 games without ever reaching the October Classic. The pitcher who gave up Henderson's homer was Donnie Moore, a 20-save reliever that year. Moore was never the same after that fateful at-bat. He retired shortly afterward, drifted into alcoholism and committed suicide in 1989.
Nearly 20 years later, I can recite these details with clarity and emotion. For those of us that grew up on baseball, it was never just a game. These events hold special meaning in our lives. When you understand that, you know that Game 6 is more than a movie. It is a homage to seasons that end in despair, but never fail to start again with hope. Such is life.
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