A woman leaves an abusive relationship to begin a new life in a new city, where she forms an unlikely and ironic relationship with a suicidal hit man (unbeknownst to her). Enter a worn, ... See full summary »
Friends for ten years, a group of twenty-somethings head for the ski slopes as guests of Ian's father. (Ian and dad are estranged because dad worked too many hours when Ian was a lad.) Dad ... See full summary »
Turning her back on her wealthy, established family, Diane Arbus falls in love with Lionel Sweeney, an enigmatic mentor who introduces Arbus to the marginalized people who help her become one of the most revered photographers of the twentieth century.
Robert Downey Jr.,
The movie is a coming-of-age drama about a boy growing up in Astoria, N.Y., during the 1980s. As his friends end up dead, on drugs or in prison, he comes to believe he has been saved from their fate by various so-called saints.
Robert Downey Jr.,
San Francisco police officer Frank Connor is in a frantic search for a compatible bone marrow donor for his gravely ill son. There's only one catch: the potential donor is convicted ... See full summary »
Nicky Rogan's new play is opening on Broadway and many agree, he has written the best play his career. Or has he? Critic Steven Schwimmer is slated to review and he's ruined many a playwright with his scathing words. Nicky is becoming concerned, but instead chooses to obsess over his Red Sox and their chances again the Mets in Game 6 of the 1986 World Series. Will the Sox and his play come crashing down on the same night? Written by
Martin Lewison <firstname.lastname@example.org>
Nicky's journey through the film is from the East side of New York City along 47th Street to the West side of the city, while Steven Schwimmer moves from the West Side to the encounter at the theater, which Nicky is trying to avoid. See more »
When the camera pans the Red Sox locker room, showing the hung up jerseys, the jerseys have Mitchell and Ness tags on the collar. Mitchell and Ness is a producer of historic and vintage jerseys. In 1986 the MLB uniform manufacturer was Rawlings. See more »
[Nicky Rogan, in a taxi cab, sees his daughter in an adjacent taxi, exits his, and joins her in hers]
How come I don't see you any more? Where are you, all day?
I'm at college. Thought you knew.
You wanna get a coffee?
I don't drink coffee, Daddy. This is not what we should be talking about.
What do you want to talk about? I'll talk about anything you want to talk about. What's this?
[He picks up her radio]
Senior Play tonight, remember?
Why do you need a radio?
So I can ...
[...] See more »
It is wonderful when a film that may not be the most publicized or promoted proves to be so stellar. Such is the case with this film. The topics of superstition, faith, and hope are not addressed adequately in movies, and by integrating the famous failure of the Boston Red Sox in 1986, this movie is a natural candidate to examine faith and hope. The movie is the story of Nicky Rogan (Michael Keaton in a wonderful quirky performance) whose life is typically complicated. He has a mistress (Bebe Neuwirth in fine form) and his wife (Catherine O'Hara, typically proficient) is dissatisfied with her husband's disinterest in their marriage and he is scared of the poison pen of a scabrous new critic (Robert Downey Jr. typically accomplished as Stephen Schwimmer) who has so haunted a playwright friend that the man (Griffin Dunne, exceptional as Elliott Litvak) has become something of a hermit who looks, for all intents and purposes, like a hobo. Excellent performances really distinguish this film. Keaton is fantastic and chooses his roles (or maybe they're chosen the infrequency of opportunities he has?) so carefully that he is not seen enough. However, his tics and very expressive face add depth and layers to the movie. Dunne is fantastic in portraying an unnerved playwright, and Robert Downey Jr. is typically creative and inspired.
Director Michael Hoffmann elicits fine performances from his performers. He has directed quite competently and somewhat below the radar, directing movies as varied as "Restoration", "Soapdish", and "One Fine Day." He captures Rogan's personal doubts and captures some intangible feelings and ideas very well. Great credit should also go to writer Dom DeLillo who has written a screenplay which considers some very interesting topics.
It is difficult to capture the doubts and insecurities of a playwright in many aspects of his life-personally, professionally, and in the rather murky world of superstitions that often accompany support of sports teams but the combined talents of many have united to make this a very good film.
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