7 items from 2017
ThelmaA selection of films from the 2017 edition of the Toronto International Film Festival has been unveiled, with new films by Sebastián Lelio, Deniz Gamze Ergüven, Darren Aronofsky, Greta Gerwig, Guillermo Del Toro, Joachim Trier, Wim Wenders, and many more.Special PRESENTATIONSOpening Night: Ladybird (Greta Gerwig)Closing Night: Sheikh Jackson (Amr Salama)Battle of the Sexes (Valerie Faris & Jonathan Dayton)Bpm (Beats Per Minute) (Robin Campillo)The Brawler (Anurag Kashyap)The Breadwinner (Nora Twomey)Call Me By Your Name (Luca Guadagnino)Catch the Wind (Gaël Morel)The Children Act (Richard Eyre)The Current War (Alfonso Gomez-Rejon)Disobedience (Sebastián Lelio)Downsizing (Alexander Payne)A Fantastic Woman (Sebastián Lelio)First They Killed My Father (Angelina Jolie)The Guardians (Xavier Beauvois)Hostiles (Scott Cooper)The Hungry (Bornila Chatterjee)I, Tonya (Craig Gillespie)Mother! (Darren Aronofsky)Novitiate (Maggie Betts)Omerta (Hansal Mehta)Plonger (Mélanie Laurent)The Price of Success (Teddy Lussi-Modeste)Professor Marston & the Wonder Women »
Read More: The 2017 IndieWire Cannes Bible: Every Review, Interview and News Item Posted During the Festival
The 2017 Cannes Film Festival is underway, and IndieWire is partnering with Festival Scope for a second year in a row to give readers the chance to bring a part of the event straight to their own homes. This year, our Critics’ Week sweepstakes features 9 short films and one feature in competition. If you aren’t in Cannes, this is your only chance to watch them all.
Now through Thursday, May 25, IndieWire readers have an exclusive opportunity to register for a chance to win an online Festival Pass to screen the 9 short films and one feature in competition. Click Here for the registration form — all you need to enter is your first and last name and a valid email address — and make sure to enter by May 25 for a chance to win. Festival Scope has »
- Zack Sharf
The lineup for the 2017 Cannes Critics’ Week (La Semaine de la Critique) has been announced.Opening FILMSicilian Ghost Story (Fabio Grassadonia & Antonio Piazza)COMPETITIONLa familia (Gustavo Rondón Córdova)Los perros (Marcela Said)Oh Lucy! (Atsuko Hirayagani)Gabriel e a montanha (Felipe Gamarano Barbosa)Ava (Léa Mysius)Tehran Taboo (Ali Soozandeh)Makala (Emmanuel Gras)Special Feature SCREENINGSBloody Milk (Hubert Charuel)Une vie violente (Thierry de Peretti)Special Short SCREENINGSAfter School Knife Fight (Caroline Poggi & Jonathan Vinel)Coelho Mau (Carlos Conceição)Les îles (Yann Gonzales)Short & Medium-LENGTHSelva (Sofía Quirós Ubeda)Möbius (Sam Khun)Real Gods Require Blood (Moin Hussain)Jodilerks dela Cruz, Employee of the Month (Carlo Francisco Manatad)Los desheredados (Laura Ferrés)Ela - szkice na pożegnanie (Oliver Adam Kusio)Najpiękniejsze fajerwerki ever (Aleksandra Terpinska)Tesla: Lumière mondiale (Matthew Rankin)Les enfants partent à l'aube (Manon Coubia)Le visage (Salvatore Lista)Closing FILMBrigsby Bear (Dave McCary) »
The 56th edition of the Cannes Critics’ Week sidebar has announced its main program, including seven films screening in competition. The sidebar is dedicated to films coming from first- and second-time filmmakers, and always promises a fertile ground for discovering new and emerging talent. Last year’s breakout title was Julia Ducournau’s horror film “Raw,” which sold to Focus World.
The section will open with Fabio Grassadonia and Antonio Piazza’s latest feature, “Sicilian Ghost Story,” which combines the myths of Romeo and Juliet with the present day Sicilian mafia. Dave McCary’s debut “Brigsby Bear,” the Sundance comedy that sold to Sony Pictures Classics, will close out the section.
For the first time in its history, both a documentary and an animated film will screen in competition. Ali Soozandeh’s animated »
- Graham Winfrey
Cannes Critics’ Week, devoted to first and second features as well as shorts, has unveiled the line-up of its 56th edition, running May 18-26.
Italian directors Fabio Grassadonia and Antonio Piazza will open the selection with their second feature Sicilian Ghost Story, a genre-mixing work following a teenage girl as she searches for the boy she loves after he is kidnapped by the Mafia.
It is inspired by the real-life tale of Giuseppe Di Matteo, the son of a former Mafia hitman-turned-informant, who was abducted in 1993.
Critics’ Week artistic director Charles Tesson described it as a “staggering crossover between cinema genres, combining politics, fantasy and terrible teen love.”
The directorial duo premiered their debut feature Salvo in competition in Critics’ Week in 2013, winning the €15,000 Nespresso Grand Prize.
The screenplay for Sicilian Ghost Story was developed at the Sundance Screenwriting Lab and went »
After featuring such discoveries as Raw, Mimosas, It Follows, The Tribe, and more in recent years, the Cannes sidebar Critics’ Week have now unveiled their 2017 line-up. Now in their 56th year, the Jury President is Kleber Mendonça Filho, who came to Cannes last year with Aquarius, and he’ll be joined by Niels Schneider, Diana Bustamante Escobar, Hania Mroué and Eric Kohn.
After receiving 1,700 short films and 1,250 feature films, 11 features have been selected, with 6 being first films and 5 being second features, including the closing night film Brigsby Bear, which we reviewed at Sundance. Running from May 18-26, check out the line-up below with a hat tip to Mubi and see more about the films here.
La familia (Gustavo Rondon)
Los perros (Marcela Said)
Oh Lucy! (Atsuko Hirayagani)
Gabriel e a montanha (Felipe Gamarano Barbosa)
Ava (Lea Mysius)
- Jordan Raup
Mortality. A constant unknown that plagues the human condition. We try to delay its effects, but no matter what – someday – the Grim Reaper will coming knocking. Sorry to start off on such a dark note, but these thoughts directly provoke Gore Verbinski’s cold-open for A Cure For Wellness. The director urges viewers towards personal fulfillment, breaking the shackles of our work-until-death mentalities. Do you want to be the guy who croaks at his desk just to earn one more Employee Of The Month award? Thus is the introduction of Verbinski’s cult-noir mystery with Lovecraftian appeal, wholly committed to resurrecting a cinematic weirdness that has escaped mainstream cinema for far too long.
On a serious note – who greenlit this picture, and how did Verbinski pitch such a strange big-budget puzzler? You just don’t see ambitious mindf&#kery like this being given studio priority anymore. Everything starts with a very Shutter Island vibe, »
- Matt Donato
7 items from 2017
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