| Photos (see all 4 | slideshow) | Videos (see all 2) |
| Johnny Depp | ... | Narration (voice) | |
| Kate Winslet | ... | Narration (voice) |
Directed by | |||
| Howard Hall | |||
Produced by | |||
| Brad Ball | .... | executive producer | |
| Graeme Ferguson | .... | executive producer | |
| Michele Hall | .... | co-producer | |
| Toni Myers | .... | producer | |
Original Music by | |||
| Danny Elfman | |||
| Deborah Lurie | |||
Cinematography by | |||
| Howard Hall | |||
Sound Department | |||
| Ed Douglas | .... | sound designer | |
| Ed Douglas | .... | sound re-recording mixer | |
| Goro Koyama | .... | foley artist | |
| Andy Malcolm | .... | foley artist | |
| Anna Malkin | .... | foley recording assistant | |
| Cory Mandel | .... | sound re-recording mixer | |
| Christopher Miller | .... | sound editor | |
| Michael Miller | .... | original dialogue mixer | |
| Stephen Muir | .... | foley recording assistant | |
| Bruce Nyznik | .... | narration recording supervisor | |
| Don White | .... | foley recording mixer | |
| Don White | .... | sound re-recording mixer | |
| Marilee Yorston | .... | foley assistant | |
Visual Effects by | |||
| Robert Bloom | .... | compositor | |
| Peter Pelisek | .... | compositor | |
| Peter Pelisek | .... | rotoscope artist | |
| D. Eric Robinson | .... | compositor | |
| Wendy Whaley | .... | lead compositor | |
Camera and Electrical Department | |||
| Peter Kragh | .... | assistant camera | |
| Stewart MacFarland | .... | assistant camera | |
| Dylan Reade | .... | assistant camera | |
Editorial Department | |||
| Todd Baillere | .... | negative cutter | |
Music Department | |||
| Pete Anthony | .... | conductor | |
| Steve Bartek | .... | orchestrator | |
| Greg Dennen | .... | score recordist | |
| Jon Kull | .... | orchestrator | |
| Tim Lauber | .... | score recordist | |
| T.J. Lindgren | .... | keyboard and synth programming | |
| Jason Lloyd | .... | scoring crew | |
| Jason Lloyd | .... | scoring stage manager | |
| Deborah Lurie | .... | composer: additional music | |
| Kevin McKeever | .... | additional music engineer | |
| Shie Rozow | .... | music editor | |
| Edgardo Simone | .... | orchestrator | |
| Tom Steel | .... | scoring stage manager | |
| Armin Steiner | .... | scoring mixer | |
| Bill Talbott | .... | scoring technician | |
Other crew | |||
| Stanley A. Dellimore | .... | senior technical imaging artist: IMAX 3-D | |
| Recent Posts (updated daily) | User |
|---|---|
| Not playing Anywhere | VivaLaVieBohemeA |
| Where's the soundtrack on CD? | daark_angel |
| Re-release? | islandvideoHI |
| DVD Release Date | sukhoi_64 |
| Deep Sea 3-D | pob9551 |
| the creatures | delavega |
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| Into the Deep | Aliens of the Deep | Sea Monsters: A Prehistoric Adventure | Sharks 3D | Shackleton's Antarctic Adventure |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Documentary section | IMDb Canada section |
| Add this title to MyMovies |
Even the best of undersea documentaries are still viewed on a screen 50' or more away, not to mention the flat, often grainy screen. "Deep Sea" (3D) shrinks that 50' to a few feet, and in some cases, inches, and brings you scuba-diver-close to crystal clear coral, fish and shellfish, sharks, and even whales.
Undersea images are not just presented to you. You are in their element. You are among them . . .literally surrounded by them. The crystal clear images hovering over the seat in front of you beg you to reach out and touch them. I found myself pointing to small details on coral or fish as my wife and we spoke in awed tones at what we were seeing.
I would think that children would find this easy to take, also. There was a little bit of this-eating-that going on, but nothing really stressful. This is a serious, high quality use of the 3D medium to bring you up close and personal to life in the deep in a way you would never imagine is possible. Bravo!