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| Diane Kruger | ... | Anna Holtz | |
| Ralph Riach | ... | Wenzel Schlemmer | |
| Matyelok Gibbs | ... | Old Woman | |
| Ed Harris | ... | Ludwig van Beethoven | |
| Bill Stewart | ... | Rudy | |
| Angus Barnett | ... | Krenski | |
| Viktoria Dihen | ... | Magda | |
| Phyllida Law | ... | Mother Canisius | |
| Matthew Goode | ... | Martin Bauer | |
| Gábor Bohus | ... | Schuppanzigh | |
| Joe Anderson | ... | Karl van Beethoven | |
| David Kennedy | ... | Neighbor | |
| Nicholas Jones | ... | Archduke Rudolph | |
| László Áron | ... | Judge | |
| rest of cast listed alphabetically: | |||
| Karl Johnson | ... | Stefan Holtz | |
| George Mendel | ... | Doctor (as Gyorgy Mendel) | |
Directed by | |||
| Agnieszka Holland | |||
Writing credits(WGA) | ||
| Stephen J. Rivele | (written by) & | |
| Christopher Wilkinson | (written by) | |
Produced by | |||
| Ernst Goldschmidt | .... | executive producer | |
| Marina Grasic | .... | executive producer | |
| Andreas Grosch | .... | executive producer | |
| Sidney Kimmel | .... | producer | |
| Jan Körbelin | .... | executive producer | |
| Alex Lewis | .... | co-producer: Copying Beethoven Limited | |
| Péter Miskolczi | .... | co-producer: Eurofilm Studio KFT (as Peter Miskolczi) | |
| Stephen J. Rivele | .... | producer | |
| Andreas Schmid | .... | executive producer | |
| Michael Taylor | .... | producer | |
| Gábor Váradi | .... | co-producer: Eurofilm Studio KFT (as Gabor Varadi) | |
| Ronaldo Vasconcellos | .... | executive producer | |
| Bruce Webb | .... | co-producer | |
| Christopher Wilkinson | .... | producer | |
Cinematography by | |||
| Ashley Rowe | (director of photography) | ||
Film Editing by | |||
| Alex Mackie | |||
Casting by | |||
| Priscilla John | |||
Production Design by | |||
| Caroline Amies | |||
Art Direction by | |||
| Paul Ghirardani | (supervising art director) | ||
| Lóránt Jávor | |||
Set Decoration by | |||
| Zoltán Horváth | (as Zoltan Horvath) | ||
Costume Design by | |||
| Jany Temime | |||
Makeup Department | |||
| John Henry Gordon | .... | key hair stylist (as Jonhenry Gordon) | |
| Katalin Jakots | .... | makeup artist | |
| Gabi Nemeth | .... | hair stylist (as Gabriella Nemeth) | |
| Balázs Novák | .... | makeup artist | |
| Trefor Proud | .... | hair designer | |
| Trefor Proud | .... | makeup designer | |
Art Department | |||
| Kasia Adamik | .... | storyboard artist | |
| János Czakó | .... | stand-by propman (as Janos Czako) | |
| István Galambos | .... | construction manager (as Istvan Galambos) | |
| Fred Gray | .... | scenic artist | |
| David Haberfield | .... | scenic painter | |
| Attila Kiss | .... | stand-by propman | |
| Emily Lutyens | .... | graphic artist | |
| Palma Melis | .... | art department coordinator | |
| Mihály Molnár | .... | assistant art director (as Mihaly Molnar) | |
| László Nagyidai Jr. | .... | assistant construction manager | |
| Raymond Perry | .... | property master (as Ray Perry) | |
| Peter Rutherford | .... | production buyer | |
| Judit Sági | .... | art department interpreter (as Judit Sagi) | |
| Tamás Simon | .... | leadman (as Tamas Simon) | |
| Mike Sotheran | .... | scenic painter (as Mick Sotheran) | |
| Andrea Tóth | .... | assistant construction manager (as Andrea Toth) | |
Sound Department | |||
| Courtney Bishop | .... | adr recordist | |
| Arthur Fenn | .... | boom operator | |
| Peter Gleaves | .... | adr recordist: London | |
| Peter Gleaves | .... | foley recordist: London | |
| Andrew Glen | .... | playback operator (as Andy Glen) | |
| Tim Hands | .... | supervising sound editor | |
| Simon Hayes | .... | sound mixer | |
| Philip Jenkins | .... | assistant sound editor (as Phil Jenkins) | |
| Philip Jenkins | .... | sound mix technician | |
| Robin Johnson | .... | playback operator | |
| Robin Johnson | .... | second boom operator | |
| Rob Killick | .... | assistant sound editor | |
| Adrian Rhodes | .... | sound effects editor | |
| Adrian Rhodes | .... | sound re-recording mixer | |
| Gavin Rose | .... | assistant sound editor | |
| Jack Stew | .... | foley artist | |
| Ruth Sullivan | .... | foley artist | |
| Sven Taits | .... | sound re-recording mixer | |
| Hilary Wyatt | .... | dialogue editor | |
| Mark DeSimone | .... | adr mixer: New York (uncredited) | |
| Michael Miller | .... | adr mixer: New York (uncredited) | |
Special Effects by | |||
| Attila Erczkovi | .... | stand-by pyrotechnician | |
| István Gittinger | .... | stand-by pyrotechnician (as Istvan Gittinger) | |
| Gyula Krasnyánszky | .... | chief pyrotechnician (as Gyula Krasnyanszky) | |
| Ferenc Ormos | .... | special effects supervisor | |
Visual Effects by | |||
| Lee Clappison | .... | colorist: Lipsync Post | |
| James Clarke | .... | digital lab supervisor: Lipsync Post | |
| Anya Dillon | .... | assistant visual effects editor | |
| Guy Ducker | .... | visual effects editor | |
| William Foxwell | .... | digital lab operator: Lipsync Post (as Will Foxwell) | |
| Katja Hollmann | .... | associate producer: Lipsync Post (as Katja Lazare) | |
| Alasdair MacCuish | .... | senior producer: Lipsync Post | |
| Adrian Oostergetel | .... | visual effects artist: Lipsync Post | |
| Howard Watkins | .... | visual effects supervisor: Lipsync Post | |
| Rus Wetherell | .... | digital artist: CFX | |
| Angela Rose | .... | visual effects (uncredited) | |
Stunts | |||
| Sándor Boros | .... | stunts | |
| György Kivés | .... | stunt coordinator | |
| József Kovalik | .... | stunts | |
Casting Department | |||
| Faith Allbeson | .... | casting associate | |
| Vanessa Baker | .... | voice casting | |
| Tamás Kertész | .... | extras casting | |
| Mari Makó | .... | casting: Hungary (as Mari Mako) | |
| Brendan Donnison | .... | voice casting (uncredited) | |
Costume and Wardrobe Department | |||
| Chloe Aubry | .... | dresser: Diane Kruger | |
| István Bagin | .... | dresser (as Istvan Bagin) | |
| Richard Davies | .... | assistant costume designer | |
| Anikó Fazekas | .... | dresser (as Aniko Fazekas) | |
| Michelle Gisonda | .... | wardrobe assistant | |
| Laurent Guinci | .... | costume master | |
| Laurent Guinci | .... | wardrobe master | |
| Gabriella Hógye | .... | extras wardrobe supervisor (as Gabriella Hogye) | |
| Bob Van Hellenberg Hubar Jr. | .... | wardrobe assistant (as Bob van Hellenberg Hubar) | |
| Yvonne Otzen | .... | assistant costume designer | |
| Zsuzsa Stenger | .... | wardrobe supervisor | |
| Katalin Ujvari | .... | seamstress | |
Editorial Department | |||
| Kasia Adamik | .... | additional editor | |
| Michael Nollet | .... | first assistant editor | |
| Phil Ashton | .... | color grader (uncredited) | |
Music Department | |||
| Peter Erdei | .... | conductor: Kecskeméti Chorus | |
| Lucy Evans | .... | assistant music supervisor | |
| Geoff Foster | .... | music engineer: orchestra | |
| Laszlo Gerhat | .... | conductor: Kecskeméti Orchestra | |
| Andrew Glen | .... | music editor (as Andy Glen) | |
| Jake Jackson | .... | assistant music engineer: orchestra | |
| Piotr Kaminski | .... | music consultant | |
| Wlademar Lalleci | .... | musician: Pre-recording pianist | |
| Carmine Lauri | .... | orchestra leader | |
| Antoni Lazarkiewicz | .... | composer: Anna's theme | |
| Antoni Lazarkiewicz | .... | composer: additional music | |
| Waldemar Malicki | .... | musician: piano | |
| Lev Oborin | .... | musician | |
| Jaroslaw Regulski | .... | pre-recording music producer | |
| Maggie Rodford | .... | music supervisor | |
| Emily Rogers | .... | assistant music editor | |
| Bill Silcock | .... | music copyist | |
| Nick Taylor | .... | assistant music engineer: orchestra | |
| Benjamin Wallfisch | .... | additional music conductor | |
| Marek Wronski | .... | musician: Pre-recording violinist | |
Transportation Department | |||
| Zoltán Bai | .... | driver (as Zoltan Bai) | |
| István Becságh | .... | driver (as Istvan Becsagh) | |
| István Bognár | .... | driver (as Istvan Bognar) | |
| Pál Boroznaki | .... | driver (as Pal Boroznaki) | |
| Andras Filo | .... | driver | |
| Zoltán Fohn | .... | driver: cast (as Zoltan Fohn) | |
| László Kiss | .... | transportation captain (as Laszlo Kiss) | |
| Sándor Molnár | .... | driver: catering (as Sandor Molnar) | |
| Imre Solti | .... | driver | |
| Zsolt Spitzer | .... | driver: director | |
| István Varga | .... | driver (as Istvan Varga) | |
| Sándor Vercz | .... | driver (as Sandor Vercz) | |
| Zsolt Zászló | .... | driver | |
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I enjoyed "Copying Beethoven" for different reasons than I enjoyed "Eroica" (the Ninth was the focus of practically every moment) and "Immortal Beloved" (the conflict between the composer's passion for creating music and his human need to be connected to others). For me, the focus of "Copying Beethoven" combined these two themes into a much more personal one, and dramatized the Maestro's need to communicate a comprehensive knowledge -- intellectual, emotional, spiritual -- of his art to this young copyist who was so intimate with his work. For if not her, than who?
While the musical performances were truncated out of necessity -- the success of the film, "Eroica", is due primarily to the performance of the Third Symphony in its entirety -- the actors' performances in "Copying Beethoven" reveal aspects of Beethoven not explored in the other two films. Beethoven is always portrayed as a "cranky genius", but Harris' Beethoven is so human -- impulsive and brutish, then reflective and apologetic, then insensitive and crude, then regretful and humble -- someone trying not to make the same mistakes over again. The relation he develops with the copyist realistically (and thankfully) does not influence his music, but it does cause his character to focus on his humanity, and I so enjoyed hearing this Beethoven talk about things like music, musicians, family, and God.
A word about the other performances. Kruger was radiant. The conflict between her respect for the artist and repulsion at his cruelty was wonderfully mixed with her character's own strengths, ambitions, and needs. The supporting characters were also splendid with hilarious and touching moments. The film is full of delightful words and gestures. Whether you have read volumes of history on Beethoven or are only passingly familiar with the Fifth, I recommend you see this lovely film about the humanity that lived within the genius who infused music with life.