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Copying Beethoven (2006)

PG-13  |   |  Biography, Drama, Music  |  8 March 2007 (Hungary)
6.8
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Ratings: 6.8/10 from 10,535 users   Metascore: 59/100
Reviews: 85 user | 78 critic | 20 from Metacritic.com

A fictionalized account of the last year of Beethoven's life.

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Title: Copying Beethoven (2006)

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Cast

Credited cast:
...
Anna Holtz
Ralph Riach ...
Wenzel Schlemmer
Matyelok Gibbs ...
Old Woman
...
Bill Stewart ...
Rudy
Angus Barnett ...
Krenski
Viktoria Dihen ...
Magda
...
Mother Canisius
...
Martin Bauer
Gábor Bohus ...
...
...
Neighbor
...
Archduke Rudolph
László Áron ...
Judge
Rest of cast listed alphabetically:
...
Stefan Holtz
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Storyline

Vienna, 1824. In the days before the first performance of the Ninth Symphony, Beethoven needs help with copying out the charts, so a promising student of composition, Anna Holtz, 23, is sent to assist him. She not only aids the transcription of the notes, she provides guidance from the orchestra pit as Beethoven conducts the work's debut. During the next two years, the final ones of Beethoven's life, Anna provides assistance to the deaf, temperamental, ailing man. In return, he tutors her in composition and explains to her the ideas and principles of Romanticism. He tries to speak for God. Written by <jhailey@hotmail.com>

Plot Summary | Plot Synopsis

Taglines:

He was the greatest composer of his time. One last performance would define his genius. See more »

Genres:

Biography | Drama | Music

Motion Picture Rating (MPAA)

Rated PG-13 for some sexual elements | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

Country:

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Language:

Release Date:

8 March 2007 (Hungary)  »

Also Known As:

Antigrafontas ton Beethoven  »

Filming Locations:

 »

Box Office

Budget:

$11,000,000 (estimated)

Opening Weekend:

$70,460 (USA) (10 November 2006)

Gross:

$352,786 (USA) (29 December 2006)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

In an interview with The Guardian on August 11, 2007, Ed Harris stated that his biggest disappointment has been "The distribution of Copying Beethoven in the US." He also claimed the most important lesson life has taught him is "Don't let MGM distribute a film you care about." See more »

Goofs

Early on, in her scene with Schlemmer, Anna informs us that the premier will be on Sunday. May 7, 1824, was in fact a Friday. See more »

Quotes

Ludwig van Beethoven: [conclusion--Beethoven is describing his "Song of Thanks to the Deity"] No key. It's common time, molto adagio, sotto voce. First violin, quarter notes. Middle C up to A. Measure. G up to C, tied, F. Second violin, bar two. Middle C up to A. Double note E, G, C. Viola clef, 2B pressed. It's a hymn of thanksgiving to God, for sparing me to finish my work. After the pianissimo, the canon resumes. First violin takes the theme. Viola, C to A. It's growing, gaining strength. Second violin, C to A, an...
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Soundtracks

Symphony No. 7 in A major Op. 92
Written by Ludwig van Beethoven
Performed by Gewandhausorchester Leipzig (as The Gewandhausorchester Leipzig)
Conducted by Kurt Masur
Courtesy of Decca Music Group Limited, part of Universal Music Group International
See more »

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User Reviews

 
The Silence Between the Notes
15 November 2006 | by (Dallas, Texas) – See all my reviews

Greetings again from the darkness. Films on icons and historical figures are always risky. Either the greatness (or evil) is exaggerated or the dramatization leaves us feeling empty. Director Agnieszka Holland ("Europa, Europa") attempts to capture the ego and genius of "the monster" Ludwig Von Beethoven in a dramatized version of his last year.

The beautiful Diane Kruger (wonderful in "Joyeux Noel", and also in "National Treasure") plays Anna Holtz, the copier/transcriber for Beethoven's famous 9th symphony as well as his final quartets. It does have similarities to Beauty and the Beast, but the film falls short in capturing his genius. All we get for an explanation is Beethoven's shouts of "God speaks to everyone, but he screams in my ear".

Ed Harris, continuing his knack for playing the crazed artist ("Pollack" "Winter Passing") does an admirable job in heavy make-up and wig attempting to show us the constant torture of the musical genius, who is so clueless on how to deal with the little people.

Harris and Kruger do fine work in their many scenes together, but the film never truly captures the greatness or genius of the artist. The closest it comes is the wonderful version of the 9th as we see Beethoven and Anna working closely (very sensually) to pull off the first public performance. Instead Ms. Holland keep it in the form of a small film, which is not altogether a bad thing.


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