6.8/10
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Copying Beethoven (2006)

A fictionalized account of the last year of Beethoven's life.

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2 wins & 5 nominations. See more awards »

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Cast

Credited cast:
...
Anna Holtz
Ralph Riach ...
Wenzel Schlemmer
Matyelok Gibbs ...
Old Woman
...
Bill Stewart ...
Rudy
Angus Barnett ...
Krenski
Viktoria Dihen ...
Magda
...
Mother Canisius
...
Martin Bauer
Gábor Bohus ...
...
...
Neighbor
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Archduke Rudolph
László Áron ...
Judge
Rest of cast listed alphabetically:
Márta Hainfart ...
Soloist (Soprano)
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Storyline

Vienna, 1824. In the days before the first performance of the Ninth Symphony, Beethoven needs help with copying out the charts, so a promising student of composition, Anna Holtz, 23, is sent to assist him. She not only aids the transcription of the notes, she provides guidance from the orchestra pit as Beethoven conducts the work's debut. During the next two years, the final ones of Beethoven's life, Anna provides assistance to the deaf, temperamental, ailing man. In return, he tutors her in composition and explains to her the ideas and principles of Romanticism. He tries to speak for God. Written by <jhailey@hotmail.com>

Plot Summary | Plot Synopsis

Taglines:

He was the greatest composer of his time. One last performance would define his genius. See more »

Genres:

Biography | Drama | Music

Motion Picture Rating (MPAA)

Rated PG-13 for some sexual elements | See all certifications »

Parents Guide:

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Details

Official Sites:

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Release Date:

8 March 2007 (Hungary)  »

Also Known As:

Antigrafontas ton Beethoven  »

Filming Locations:

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Box Office

Budget:

$11,000,000 (estimated)

Opening Weekend:

$70,460 (USA) (10 November 2006)

Gross:

$352,786 (USA) (29 December 2006)
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Company Credits

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Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

In an interview with The Guardian on August 11, 2007, Ed Harris stated that his biggest disappointment has been "The distribution of Copying Beethoven in the US." He also claimed the most important lesson life has taught him is "Don't let MGM distribute a film you care about." See more »

Goofs

The film depicts Beethoven conducting the premier of his Ninth Symphony with Anna's help and at the end her turning him around at the podium to see the thunderous applause. In reality, Michael Umlauf conducted and although Beethoven was on stage keeping tempo, the orchestra had been told to ignore him. At the end of the performance it was one of the soloists, Caroline Unger, who turned him around to see the enthusiastic applause of the audience. See more »

Quotes

Ludwig van Beethoven: And now this woman is sent to me at this very moment. What if she was sent by HIM?
Rudy: Women are usually sent by the other one.
Ludwig van Beethoven: Well, suppose it's a sign?
Rudy: A sign for what, Louis?
Ludwig van Beethoven: That it's time.
Rudy: A time for what?
Ludwig van Beethoven: A time for me to join with HIM.
Rudy: Well, if it's true and she was sent by HIM, and she's waiting in your apartment, you shouldn't be sitting here drinking, should you?
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Soundtracks

String Quartet No. 15 in A minor Op. 132
Written by Ludwig van Beethoven
Performed by The Takács Quartet
Courtesy of Decca Music Group Limited, part of Universal Music Group International
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User Reviews

 
I loved the film -- Read Maynard Solomon if you want historical accuracy
11 November 2006 | by (United States) – See all my reviews

I enjoyed "Copying Beethoven" for different reasons than I enjoyed "Eroica" (the Ninth was the focus of practically every moment) and "Immortal Beloved" (the conflict between the composer's passion for creating music and his human need to be connected to others). For me, the focus of "Copying Beethoven" combined these two themes into a much more personal one, and dramatized the Maestro's need to communicate a comprehensive knowledge -- intellectual, emotional, spiritual -- of his art to this young copyist who was so intimate with his work. For if not her, than who?

While the musical performances were truncated out of necessity -- the success of the film, "Eroica", is due primarily to the performance of the Third Symphony in its entirety -- the actors' performances in "Copying Beethoven" reveal aspects of Beethoven not explored in the other two films. Beethoven is always portrayed as a "cranky genius", but Harris' Beethoven is so human -- impulsive and brutish, then reflective and apologetic, then insensitive and crude, then regretful and humble -- someone trying not to make the same mistakes over again. The relation he develops with the copyist realistically (and thankfully) does not influence his music, but it does cause his character to focus on his humanity, and I so enjoyed hearing this Beethoven talk about things like music, musicians, family, and God.

A word about the other performances. Kruger was radiant. The conflict between her respect for the artist and repulsion at his cruelty was wonderfully mixed with her character's own strengths, ambitions, and needs. The supporting characters were also splendid with hilarious and touching moments. The film is full of delightful words and gestures. Whether you have read volumes of history on Beethoven or are only passingly familiar with the Fifth, I recommend you see this lovely film about the humanity that lived within the genius who infused music with life.


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