Copying Beethoven (2006)

A fictionalized account of the last year of Beethoven's life.

Director:

Agnieszka Holland

Writers:

Stephen J. Rivele, Christopher Wilkinson

Stars:

Diane Kruger, Ralph Riach, Ed Harris

2 wins & 4 nominations.

Cast

Credited cast:
Diane Kruger	...	Anna Holtz
Ralph Riach	...	Wenzel Schlemmer
Matyelok Gibbs	...	Old Woman
Ed Harris	...	Ludwig van Beethoven
Bill Stewart	...	Rudy
Angus Barnett	...	Krenski
Viktoria Dihen	...	Magda
Phyllida Law	...	Mother Canisius
Matthew Goode	...	Martin Bauer
Gábor Bohus	...	Schuppanzigh
Joe Anderson	...	Karl van Beethoven
David Kennedy	...	Neighbor
Nicholas Jones	...	Archduke Rudolph
László Áron	...	Judge
Rest of cast listed alphabetically:
Karl Johnson	...	Stefan Holtz

Storyline

Vienna, 1824. In the days before the first performance of the Ninth Symphony, Beethoven needs help with copying out the charts, so a promising student of composition, Anna Holtz, 23, is sent to assist him. She not only aids the transcription of the notes, she provides guidance from the orchestra pit as Beethoven conducts the work's debut. During the next two years, the final ones of Beethoven's life, Anna provides assistance to the deaf, temperamental, ailing man. In return, he tutors her in composition and explains to her the ideas and principles of Romanticism. He tries to speak for God.

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Plot Keywords:

pit | romanticism | symphony | orchestra | performance | 

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Taglines:

The passion behind the genius

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Genres:

Biography | Drama | Music

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Motion Picture Rating (MPAA)

Rated PG-13 for some sexual elements

Details

Official Sites:

Myriad Pictures

Country:

USA Germany Hungary

Language:

English

Release Date:

8 March 2007 (Hungary)

Also Known As:

Antigrafontas ton Beethoven

Filming Locations:

Budapest, Hungary

Box Office

Budget:

$11,000,000 (estimated)

Opening Weekend:

$70,460 (USA) (10 November 2006)

Gross:

$352,786 (USA) (29 December 2006)

Company Credits

Production Co:

Sidney Kimmel Entertainment, Myriad Pictures, VIP 2 Medienfonds

Technical Specs

Runtime:

104 min

Sound Mix:

Dolby Digital

Color:

Color

Aspect Ratio:

2.35 : 1

Did You Know?

Trivia

In an interview with The Guardian on August 11, 2007, Ed Harris stated that his biggest disappointment has been "The distribution of Copying Beethoven in the US." He also claimed the most important lesson life has taught him is "Don't let MGM distribute a film you care about."

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Goofs

The film depicts Beethoven conducting the premier of his Ninth Symphony with Anna's help and at the end her turning him around at the podium to see the thunderous applause. In reality, Michael Umlauf conducted and although Beethoven was on stage keeping tempo, the orchestra had been told to ignore him. At the end of the performance it was one of the soloists, Caroline Unger, who turned him around to see the enthusiastic applause of the audience.

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Quotes

Ludwig van Beethoven: An artist is someone who has learnt to trust in himself!

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Soundtracks

"Symphony No. 9 in D minor Op. 125 'Choral'"
Written by Ludwig van Beethoven
Performed by Lucia Popp, Carolyn Watkinson, Peter Schreier, Robert Holl,
Netherlands Radio Chorus and the Royal Concertgebow Orchestrta of Amsterdam
Conducted by Bernard Haitink
Courtesy of Decca Music Group Limited, part of Universal Music Group International

User Reviews

Fine film about music, with a superb Ed Harris performance

As a professional musician I'm tired of seeing movies that claim to depict the lives of musicians, but just don't "get" it. This one, with all its poetic excesses and liberties taken with the "real" story, does "get" it, and more. The writing has some good scenes, the acting for the most part is good. The scenes of music being written and made are quite true to the reality of the doing. In certain ways adding a fictional character to heighten the story weakens the integrity of the film, especially as the film clearly depicts Beethoven's unrequited love for his nephew Karl. Beethoven's real copyists at this point in his life were men. So what was the point of turning them into a young woman, except to sell the picture and make a political statement?

But no matter. The picture has its moments of real beauty visually and emotionally. It captures the look and sound of a world lit only by daylight, candles and firelight, and in which the loudest sounds heard are those of church bells, added by the sound designer at very telling points in the story.

But the strongest thing about the film is the performance of Ed Harris. This is an amazing theater artist. He totally inhabits the character as written, with no tricks, no Method-izing, no self-conscious showing off, as do his contemporaries, DeNiro and Pacino. He totally disappears into the character, and unlike the actors I mentioned, is totally different in each role, in appearance and in voice. It's done so simply, too, without any extra attention-grabbing flourishes. As I've said elsewhere, his work reminds me most of classic film actors like Tracy, Fonda and Stewart in that respect.

I was astounded by the way he acted the role of a musician, which was incredibly accurate, in ways I would expect from this actor, but still it surprised me. The only other performance on film that I've seen which equals it in this respect is that of Claude Rains in the 1946 melodrama "Deception". But then, Harris' father was a musician, singing in the most famous small chorus of his time, Fred Waring's "Pennsylvanians". So Ed Harris grew up around musicians, accounting for his accurate portrayal and his singing voice.

So do see this film, for the music of course, but also for Ed Harris' riveting performance.