| Damon Abdallah | ... | Homeless Man | |
| Brooke Bailey | ... | London | |
| Sean Cook | ... | Dylan | |
| Jon Fowler | ... | Lefty | |
| Robert Gerl | ... | Featured Extra | |
| David R. Johnson | ... | Dave the Doorman | |
| Jason Mckee | ... | Mike Pritchard | |
| Tom Olson | ... | Nancy Boy | |
| Andrew Parker | ... | Guy Johnson | |
| Sam Prudhomme | ... | Eliot | |
| Wonder Russell | ... | Jonesy | |
| Bee Simonds | ... | Starr | |
| Lila Vlavianos | ... | The Flirt | |
| Jason A. Payne | ... | 'They Rock!' Dude (uncredited) |
Directed by | |||
| Juan A. Mas | |||
Writing credits(in alphabetical order) | ||
| Jessica Dolan | ||
| Susannah Lowber | ||
Produced by | |||
| Rich Cowan | .... | executive producer | |
| Rich Cowan | .... | producer | |
| Marc Dahlstrom | .... | executive producer | |
| Marc Dahlstrom | .... | producer | |
| Dan Heigh | .... | executive producer | |
| Juan A. Mas | .... | producer | |
| Greg Rathvon | .... | executive producer | |
| Dave Tanner | .... | executive producer | |
| Taye Voye | .... | producer | |
Original Music by | |||
| Britton Ortize | |||
Cinematography by | |||
| Douglas Cheney | |||
Film Editing by | |||
| Jason A. Payne | |||
Casting by | |||
| Gretchen Oyster | |||
Production Design by | |||
| Vincent DeFelice | (supervising production designer) | ||
| Susannah Lowber | |||
Costume Design by | |||
| Gretchen Oyster | |||
Makeup Department | |||
| Sam Debree | .... | key makeup artist | |
| Trista Jordan | .... | additional makeup artist | |
| Robyn Renee Kiener | .... | hairdresser | |
Production Management | |||
| Ian Kennedy | .... | post-production supervisor | |
Art Department | |||
| Colby Fredin | .... | web development team artistic director | |
| Dave Johnson | .... | props | |
| Reggie Lauderbach | .... | props | |
| Justin O'Shaughnessy | .... | property master | |
| Mervin Soriano | .... | web development team artistic director | |
| Wesley Bryan Walker | .... | set designer | |
Sound Department | |||
| Aaron Breeden | .... | sound effects editor | |
| Bob Clifford | .... | sound assistant | |
| Chris Clifford | .... | boom operator | |
| Britton Ortize | .... | sound re-recording mixer | |
| Britton Ortize | .... | supervising sound editor | |
| Tom Taylor | .... | sound mixer | |
Visual Effects by | |||
| Jeff Douglas | .... | Avid DS Nitris Artist | |
Camera and Electrical Department | |||
| Andy Barden | .... | electrician | |
| Brianne Cronkhite | .... | loader | |
| Brianne Cronkhite | .... | second assistant camera | |
| Tim Eberly | .... | still photographer | |
| Mike Kjolso | .... | electrician | |
| Wilson Raska | .... | camera intern | |
| Mike Vukas | .... | gaffer | |
Editorial Department | |||
| Tim Maffia | .... | colorist | |
Other crew | |||
| Jessica Dolan | .... | script supervisor | |
| Peter Dolan | .... | production assistant | |
| Maura Feely | .... | production assistant | |
| John Petty | .... | location manager | |
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| 1408 | Slaughter | Freddy vs. Jason | Kill Theory | Nowhere |
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IMDb User Rating: |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Thriller section | IMDb USA section |
At the time of writing this review it would seem that over 50% of IMDb voters had given this film a rating of either a 10 or a 1. I can only surmise then that those giving it a 10 were either cast or crew members.
They say that given enough monkeys and enough time and enough typewriters, those monkeys, just by random proddings at the keyboard, would eventually type out the complete works of Shakespeare. However, I seriously doubt that given the same number of monkeys and time, you could find a single one to give this movie a rating of 10.
I patiently watched the first half, foolishly assuming that the film would, on some level, develop either the plot or the characters, or maybe make some kind of social comment or provoke barely intellectual thought. Failing that, I was quite prepared to accept action, suspense, comedy, horror or even gratuitous sex as a way of holding my attention. Ultimately, I was disappointed and consequently, much of the second half was viewed at double speed as I searched in vain for some small snippet of cinematic redemption. Sadly, there was none.
If "The Choke", was put up against an episode of Scooby Doo then I'm afraid the cartoon would win hands down in terms of mystery, intrigue and unpredictability. And speaking of cartoon characters, the acting abilities of the various cast members varied between acceptable (at best) and embarrassingly poor with Brooke Bailey's portrayal of the freaky, death obsessed pseudo goth, London, being so bad I almost felt sorry for her.
I would have liked to have finished on a positive note but even the soundtrack, a second rate feast of contemporary punk rock, failed even to entertain, let alone serve to enhance a very poor flick.