A poet falls in love with an art student who gravitates to his bohemian lifestyle -- and his love of heroin. Hooked as much on one another as they are on the drug, their relationship alternates between states of oblivion, self-destruction, and despair.

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Cast

Cast overview, first billed only:
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Dan
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Noni Hazlehurst ...
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Craig Moraghan ...
John Lee ...
Noel Herriman ...
Tim McKenzie ...
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Maddi Newling ...
Patricia Lemon ...
Wedding Guest
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Storyline

This story is a narration from an Australian man who falls in love with two kinds of Candy: a woman of the same name and heroin. The narrator changes from a smart-aleck to someone trying to find a vein to inject, while Candy changes from an actress, call girl, streetwalker, and then a madwoman. Starting in Sydney, the two eventually end up in Melbourne to go clean, but they fail. This leads them to turn to finding money and heroin, while other posessions and attachments become unimportant. Written by Godiva4862

Plot Summary | Plot Synopsis

Taglines:

Candy Is Dandy But Sex Won't Rot Your Teeth. See more »

Genres:

Drama | Romance

Motion Picture Rating (MPAA)

Rated R for pervasive depiction of drug addiction, disturbing images, language, sexual content and nudity | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

25 May 2006 (Australia)  »

Also Known As:

Candy - Reise der Engel  »

Box Office

Opening Weekend:

$202,744 (Australia) (26 May 2006)

Gross:

$44,720 (USA) (2 February 2007)
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Company Credits

Show detailed on  »

Technical Specs

Runtime:

(uncut)

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Heath Ledger the main star would later tragically die of an accidental prescription drug overdose. See more »

Goofs

The copyright statement "Ownership of this motion picture is protected by copyright and other applicable laws, and any unauthorized duplication, distribution or exhibition of this motion picture could result in criminal prosecution as well as civil liability" appears to times back-to-back at the end of the end credits. See more »

Quotes

Casper: This is Jorge. Very limited English, but very large penis! Isn't that right Jorge?
Jorge: [shrugs] ... okay.
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Connections

References Kojak (1973) See more »

Soundtracks

White Rabbit's Funeral
Originally composed by Paul Charlier for DV8 Physical Theatre's "Cost of Living" directed by Lloyd Newson
Courtesy of DV8 Physical Theatre
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Frequently Asked Questions

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User Reviews

 
Harsh but great.
22 November 2006 | by (United Kingdom) – See all my reviews

Amazing but harsh Candy is 'Trainspotting' meets 'Romeo and Juliet'. Opening with a haunting melody and the two lovers on a fairground ride it feels very picturesque and idealistic, but that doesn't last very long I'm afraid. Mixing poetic voice-overs and montages of the pair involved in each other as the world orbits around them they are so in love and oblivious and addicted. Told in a triptych the first third of the film is called 'heaven' and deals with the honeymoon period of the relationship, the second third is called 'earth' and deals with the start of the end and it doesn't take a genius to work out that the third is called 'hell' and is just that. Candy and Dan are addicted to each other and addicted to heroin. They steal, lie, cheat and wheel and deal, whatever it takes to get the cash they need for the next fix, but when the fixes are few and far between there becomes no limit to how far they will go. Heath Ledger and Abbie Cornish are brilliant as the arm spiked lovers who both brood with an intensity that shines out when they are acting being on drugs or the brutal scenes when they are trying to come off them. They are mesmerising to watch and at all times you either hate them for how much they are destroying each other or empathise with them for what they are going through. You can't help but go through the experience with them because it is so graphic and not unlike the needles gets right under your skin. Geoffrey Rush who plays a strange semi-gay drugged up Uncle Monty type character, who not only supplies but manufactures some of the drugs for the pair and even shoots up with them, is very unnerving as the father figure Dan always wanted but never had. Even the later part of the last third, despite its nature, still holds elements of beauty and I would be surprised if there was a dry eye in the house as the film reaches its climax. If you ever wanted a way to show children the evils of drugs then show them this film, it never glorifies the use of substances and if anything it is garishly honest all the way through, although not an easy watch it is an amazing portrayal of the power that addictions, good or bad, can hold and just how far humans are capable of going for love. This really is a journey into the heart of darkness.


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