| Jeridan Frye | ... | Katie | |
| rest of cast listed alphabetically: | |||
| Marilyn Alex | ... | Grammie | |
| T.J. Amato | ... | Danny | |
| Jordan Belfi | ... | Gregg | |
| Amy Christine | ... | Robin | |
| Richard Cline Cunningham | ... | Sean | |
| Kim Delgado | ... | Larry Ola | |
| Femi Emiola | ... | Eliza | |
| Bo Foxworth | ... | Cal | |
| Wendy Foxworth | ... | Katie's Mom (as Wendy Kaplan) | |
| Lily Goff | ... | Younger Robin (Age 6) | |
| K.K. Goodrich | ... | Nurse | |
| Tyler Goucher | ... | Ronnie | |
| Fred Griffith | ... | Victor Westen | |
| Brandon Haas | ... | Young Cal | |
| Gerald Hopkins | ... | Will | |
| Bailey Hughes | ... | Young Sean | |
| Tristan Jarred | ... | Young Jacob | |
| Nina Kaczorowski | ... | Joan Weston | |
| Kelci B. Lowry | ... | Young Katie | |
| Stephen Lunsford | ... | Young Will | |
| Ben L. McCain | ... | Ben | |
| Kelli Nordhus | ... | Allison | |
| Peter Onorati | ... | Repairman | |
| Bob Rusch | ... | Cop | |
| Bobby Sharpe | ... | Young Gregg | |
| Ethan Sharrett | ... | Teddy | |
| Jessica Steinbaum | ... | Young Robin | |
| Julian Wells | ... | Neighbor Woman (as Suzy McCoppin) | |
| Cameron Zeidler | ... | Jacob | |
Directed by | |||
| Todd S. Kniss | |||
Writing credits(in alphabetical order) | ||
| Todd S. Kniss | ||
Original Music by | |||
| Matt Reid Cohn | |||
Cinematography by | |||
| Seamus Tierney | |||
Film Editing by | |||
| Vikash Patel | |||
Casting by | |||
| Bill Marinella | |||
Production Design by | |||
| Anthony Morassutti | |||
Art Direction by | |||
| Jennifer Furfaro | |||
Set Decoration by | |||
| Arlynn Gonzalez | |||
Costume Design by | |||
| Jessica Elliott | |||
Makeup Department | |||
| Keith Beck | .... | special makeup effects assistant | |
| Tracey Moeller | .... | assistant makeup artist | |
| Sheila Moore | .... | assistant hair stylist | |
| Sheila Moore | .... | assistant makeup artist | |
| Elissa Prager | .... | assistant makeup artist | |
| Michele Dawn Sweeney | .... | makeup department head | |
Art Department | |||
| Teri Bolke | .... | art department coordinator | |
| David Carbert | .... | carpenter | |
| Erik Diener | .... | art department | |
| Erik Diener | .... | set dresser | |
| Brian Flach | .... | property master | |
| Frank Meroney | .... | carpenter | |
| Nikki Rudloff | .... | set designer | |
Sound Department | |||
| Erik Diener | .... | boom operator | |
| Andy Hay | .... | sound designer | |
| Andy Hay | .... | sound re-recording mixer | |
| Andy Hay | .... | sound supervisor | |
| Brett Hinton | .... | sound effects editor | |
| Tim D. Lloyd | .... | sound mixer | |
| Mariel Lohninger | .... | sound mixer | |
| Geordy Sincavage | .... | foley mixer | |
Special Effects by | |||
| Richard Miranda | .... | special effects director | |
| Trey Sanford | .... | special effects coordinator | |
Stunts | |||
| Bryan Becker | .... | stunt double | |
| Erica Grace | .... | stunt double: Femi Emiola | |
| Mark Riccardi | .... | stunt coordinator | |
| Marc Schaffer | .... | stunt rigger | |
Casting Department | |||
| Bill Marinella | .... | additional casting | |
| S. Ann Ng | .... | casting associate | |
Editorial Department | |||
| Tim Carras | .... | colorist | |
| Teague Cowley | .... | on-line editor | |
| Tim L. Cunningham | .... | assistant editor | |
Music Department | |||
| Ben L. McCain | .... | composer: song "Faith, Family and Friends" | |
| Hal Oppenheim | .... | composer: stock music | |
Other crew | |||
| Le'Rue Delashay | .... | additional score by | |
| Javier Gonzalez | .... | production assistant | |
| Tom Goodrich | .... | studio teacher | |
| Kathy Miller Kniss | .... | publicist | |
| Ignatius Lin | .... | script supervisor | |
| Ruben Marquez | .... | key set production assistant | |
| John Mazza | .... | co-script supervisor | |
| Danielle McKee | .... | stand in: Jeridan Frye | |
| Frank Mullis | .... | production assistant | |
| S. Ann Ng | .... | assistant to producers | |
| Jaime 'Bubba' Rovero | .... | production assistant | |
| Danielle Snowdon | .... | script supervisor | |
| Anthony Steinhart | .... | additional set production assistant | |
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| All Good Things | Gone with the Wind | Disturbing Behavior | Stir of Echoes | Like Minds |
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IMDb User Rating: |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Mystery section | IMDb USA section |
I had really hoped to come here with the announcement that the slasher sub-genre is NOT dead That there still are enthusiast young directors with bright ideas and a passion for vicious gore or insane plot twists. "Blood Deep" surely looked like such a promising new horror project but, alas, it disappoints. The story revolves on a gang of childhood friends that come together for a reunion at the parental house of pivot character Kate. During a random hypnosis game, one of them suddenly confesses to a murder that was committed in the area over 20 years ago. The synopsis really appealed to me as it reminded me of classic films like "Stand By Me" or Stephen King's "It", only with a genuine slasher-twist! Unfortunately, Todd S. Kniss (cool name, though) makes the mistake of introducing too many characters and dedicates too much of his time on detailed but unnecessary character drawings. Creating a background or building up atmosphere is good, but "Blood Deep" eventually features too many pointless flashbacks and dead-end story lines. Then, when the long-awaited killing spree breaks loose, the story regretfully reverts to old clichés and predictable situations. Every character has his/her own repressed trauma or hidden teenage crush that comes to the surface during the reunion. The murder sequences are tame (sometimes even off-screen, God forbid!) and the whole film remains politically correct at all times, which was quite a letdown. Perhaps in order to attain wider audiences, Kniss put a lot of effort in stylish cinematography and a creative use of light. He definitely isn't a bad director, also since the entire cast deliver above-average performances and the choice of music is effectively creepy. Maybe "Blood Deep" was just wrongly promoted? With a slightly less gruesome sounding title and a more coherent plot, this could have been an acceptable psychological thriller.
On a totally unimportant side note: I saw this film at the Belgian horror festival and supportive actress Kelci B. Lowry came along to introduce it. Let me assure you she's one gorgeous looking angel with a smile that nearly makes you melt in your seat.