| Ulrich Thomsen | ... | Zetterstrøm | |
| Helena Christensen | ... | Andrea | |
| Henning Moritzen | ... | Tom | |
| Niels Skousen | ... | The Cook | |
| Ellen Hillingsø | ... | Clara | |
| Nicolas Bro | ... | Terence Sander | |
| Ida Dwinger | ... | Simone | |
| Benedikte Hansen | ... | Piano teacher | |
| Svetoslav Korolev | ... | Young Zetterstrøm | |
| Tommy Kenter | ... | Professor Fromberg | |
| Peder Pedersen | ... | Guard 1 | |
| Simon Bonde | ... | Guard 2 | |
| Nikolaj Lie Kaas | ... | Alex in the Zone | |
| Tom Jensen | ... | Tjener | |
| Kristian Halken | ... | Klaverstemmer | |
| Susanne Storm | ... | Mor Til Dreng (as Susanne Storme) | |
| William Hagedorn-Rasmussen | ... | Dreng | |
| Knud Romer Jørgensen | ... | Man in shorts | |
| Marie Høst | ... | Kvinder i Zonen | |
| Signe Vaupel | ... | Kvinder i Zonen | |
| Jon Lange | ... | Maend i Zonen | |
| Casper Steffensen | ... | Maend i Zonen | |
| Christian M. Greisen | ... | Bartender | |
| rest of cast listed alphabetically: | |||
| Per Fly | ... | Spectator | |
| Claus Viberg | ... | Brooding male midwife (uncredited) | |
Directed by | |||
| Christoffer Boe | |||
Writing credits(in alphabetical order) | ||
| Christoffer Boe | ||
| Mikael Wulff | ||
Produced by | |||
| Tine Grew Pfeiffer | .... | producer | |
Original Music by | |||
| Thomas Knak | |||
Cinematography by | |||
| Manuel Alberto Claro | |||
Film Editing by | |||
| Peter Brandt | |||
Casting by | |||
| Anja Philip | |||
Production Design by | |||
| Nikolaj Danielsen | |||
Costume Design by | |||
| Gabi Humnicki | |||
Production Management | |||
| Kristina Kornum | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Martin Hem | .... | first assistant director | |
Art Department | |||
| Beatrice von Schwerin | .... | set dresser | |
Sound Department | |||
| Peter Albrechtsen | .... | sound effects editor | |
| Morten Green | .... | sound | |
| Allan Holmberg | .... | boom operator | |
| Nino Jacobsen | .... | sound re-recording mixer | |
| Julien Naudin | .... | foley artist | |
| Peter Schou | .... | boom operator | |
Visual Effects by | |||
| Martin de Thurah | .... | visual effects | |
| Peter Hartwig | .... | digital effects artist | |
Camera and Electrical Department | |||
| Morten Boserup | .... | electrician | |
| Stine Hein | .... | electrician | |
| Sune Lolk | .... | gaffer | |
| Niels Kjær Olsen | .... | lighting assistant | |
| Uffe Truust | .... | electrician | |
Animation Department | |||
| Mads Juul | .... | animator | |
Editorial Department | |||
| Bjarke de Koning | .... | assistant editor | |
| Jan Degn | .... | colorist | |
| Jonas Drehn | .... | colorist | |
Music Department | |||
| Cyprien Katsaris | .... | musician: piano | |
Other crew | |||
| Caroline Blanco | .... | assistant to producer | |
| Karen Foxdal | .... | production assistant | |
| Anna-Liisa Putkinen | .... | continuity | |
| Julie Solomon | .... | location manager: New York | |
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| Italian for Beginners | As It Is in Heaven | Last Night | A Song for Martin | The Celebration |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb Denmark section |
I just had the chance to check out this excellent Danish film from 2005 that is just now being screened in our area, after a two year wait (better late than never). Allegro is a dreamy allegory about a (somewhat) eccentric concert pianist who left his home country after a failed romance, only to return there after receiving word via post card that his memories have been kidnapped and are being held in a metaphorical area called "the zone" in Copenhagen. What results is the pianist trying to come to terms with his past. The bravura cast is made up of Danish actors,who I had never heard of before,as was their director/co-writer,Christopher Boe. Without revealing too much more, I would have to say that Boe's style of directing reminded me if Jean Cocteau returned from the dead, and had the chance of directing one more film, and opted to make that film for DOGME productions, it would look a whole lot like Allegro (it has that DOGME look, i.e. a grainy, kitchen sink,almost home movie kind of look,which is what I always admire about DOGME---what ever happened to DOGME productions,anyway?). This film will entrance some, while others will scratch their heads and say "what the hell is this all about?". What I also admired was the fact that the film is not just all seriousness. It has a sense of humour,too. You may have to do a bit of searching around to find this little understated gem (it's probably best seen on a theatrical screen, proper--but DVD will work, too), but will be well worth seeking out.