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Touch the Sound: A Sound Journey with Evelyn Glennie (2004)

7.3
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Ratings: 7.3/10 from 503 users   Metascore: 75/100
Reviews: 10 user | 31 critic | 18 from Metacritic.com

A documentary which explores the connections among sound, rhythm, time, and the body by following percussionist Evelyn Glennie, who is nearly deaf.

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Title: Touch the Sound: A Sound Journey with Evelyn Glennie (2004)

Touch the Sound: A Sound Journey with Evelyn Glennie (2004) on IMDb 7.3/10

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Cast

Credited cast:
Evelyn Glennie ...
Herself
Fred Frith ...
Himself
Jason the Fogmaster ...
Performer
Rest of cast listed alphabetically:
Roger Glennie
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Storyline

While still a student, Evelyn Glennie learned that she was going deaf. Rather than abandon her study of music, in which she had shown such talent, she instead turned her focus toward percussion instruments and developed her ability to feel the sound through her body. This documentary follows her as she performs in New York, Germany and Tokyo, sharing her insights into the nature of music and the ways in which we experience it. Written by Jean-Marc Rocher <rocher@fiberbit.net>

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Documentary

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Release Date:

4 November 2004 (Germany)  »

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Touch the Sound: A Sound Journey with Evelyn Glennie  »

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Box Office

Opening Weekend:

$8,435 (USA) (9 September 2005)

Gross:

$176,051 (USA) (26 May 2006)
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1.85 : 1
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User Reviews

 
A Brilliant Follow Up To 'Rivers & Tides'
8 January 2009 | by (United States) – See all my reviews

After Thomas Riedelsheimer turned the film going public on it's ear with his portrait of Andy Goldsworthy in 'Rivers & Tides:Andy Goldsworthy Working With Time',he next turned his camera lens on Evelyn Glennie, a classically trained pianist,who lost something like 80% of her hearing at an early age. This would have swayed most "would be" musicians away from music,but not Glennie. She managed to switch from piano studies to percussion,as percussion instruments are louder than the piano. As a result,Evelyn Glennie has become one of the most respected (and busy) musicians around. There is a bounty of footage of her rehearsing for various performances,as well as film footage of her recording a CD with Fred Frith (who also contributed original music for 'Rivers & Tides'). The end results is a well crafted documentary that like Rivers & Tides is breath taking to look at,as well as to listen to. This film opened to both praise,as well as scorn (mostly from the hearing impaired community,who's main complaint was that the film had no subtitles to translate the spoken text). Still,a film to seek out. I eagerly await any & all future offerings by Thomas Riedelsheimer (and would also love to see any of his older films,as well). As is with 'Rivers & Tides',no MPAA rating,but nothing to offend anybody (unless one is adverse to new & experimental musics)


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