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Directed by | |||
| Kevin Smith | |||
Writing credits(WGA) | ||
| Kevin Smith | (written by) | |
Produced by | |||
| Tim Cruz | .... | development producer | |
| Carla Gardini | .... | executive producer | |
| Laura Greenlee | .... | co-producer | |
| Scott Mosier | .... | producer | |
| Bob Weinstein | .... | executive producer | |
| Harvey Weinstein | .... | executive producer | |
Original Music by | |||
| James L. Venable | |||
Cinematography by | |||
| David Klein | (director of photography) | ||
Film Editing by | |||
| Kevin Smith | |||
Production Design by | |||
| Robert Holtzman | |||
Art Direction by | |||
| Marc Fisichella | |||
Set Decoration by | |||
| Susan Lynch | |||
Costume Design by | |||
| Roseanne Fiedler | |||
Makeup Department | |||
| Sarah Ault | .... | assistant hair stylist | |
| Brooke Bell | .... | assistant makeup artist | |
| Amy Harmon | .... | key makeup artist | |
| Janine Rath | .... | key hair stylist (as Janine Rath-Thompson) | |
| Tricia Sawyer | .... | key makeup artist | |
| Nicole Venables | .... | key hair stylist | |
Production Management | |||
| Marjorie Ergas | .... | unit production manager | |
| Michael Jackman | .... | executive in charge of post-production | |
| Alyson Latz | .... | production supervisor: New Jersey | |
| Leslie Rodier | .... | post-production supervisor | |
Art Department | |||
| Nina Alexander | .... | on-set dresser | |
| Noreen Coyne | .... | art department coordinator | |
| Lisa De Alva | .... | property mistress | |
| Justin Fisher | .... | lead set dresser | |
| Heather Hazelwood | .... | set dresser | |
| Brendan Maze | .... | set dresser | |
| Scott Purcell | .... | graphics | |
| Billy Stearne | .... | assistant property master: Red Bank, New Jersey | |
Sound Department | |||
| David Acord | .... | sound effects editor | |
| Chris Barron | .... | digital sound transferer (as Christopher Barron) | |
| C. Douglas Cameron | .... | boom operator | |
| John Countryman | .... | digital sound transferer | |
| Kat Craig | .... | utility sound | |
| Luke Dunn Gielmuda | .... | foley editor | |
| Coya Elliott | .... | assistant supervising sound editor | |
| Sean England | .... | foley recordist | |
| Christopher Fondulas | .... | additional utility sound | |
| Jonathan Greber | .... | digital sound transferer | |
| Ellen Heuer | .... | foley artist | |
| David Hunter | .... | digital editorial services | |
| Brian Magerkurth | .... | machine room operator | |
| Alan Mays | .... | engineering services | |
| Steve Morris | .... | engineering services | |
| Tom Myers | .... | sound designer | |
| Tom Myers | .... | sound re-recording mixer | |
| Chris Navarro | .... | adr recordist | |
| Whit Norris | .... | sound mixer | |
| Juan Peralta | .... | sound mix technician | |
| Brandon Proctor | .... | sound mix technician | |
| Richard Quinn | .... | foley editor | |
| Todd D. Reynolds | .... | stage engineer | |
| Frank Rinella | .... | foley mixer (as Frank Aglieri-Rinella) | |
| Gary Rizzo | .... | sound re-recording mixer | |
| Ronald G. Roumas | .... | machine room operator (as Ron Roumas) | |
| Michael Silvers | .... | dialogue editor | |
| Michael Silvers | .... | supervising sound editor | |
| Mac Smith | .... | sound effects editor | |
| Mac Smith | .... | supervising assistant editor | |
| Eric Thompson | .... | adr mixer | |
| Dennie Thorpe | .... | foley artist | |
| Jana Vance | .... | foley artist | |
| Dustin Cawood | .... | assistant sound editor (uncredited) | |
Visual Effects by | |||
| David Cole | .... | digital colourist | |
| Joseph Grossberg | .... | visual effects supervisor | |
| Kelvin McIlwain | .... | matte painting supervisor | |
| Diane Wright | .... | digital asset manager: Laser Pacific | |
Costume and Wardrobe Department | |||
| Amy Fegely | .... | key costumer | |
| Christine Hawes | .... | set costumer | |
| Kia Tyrrell | .... | costume supervisor | |
Editorial Department | |||
| Elliot Greenberg | .... | first assistant editor | |
| Chris DeLaGuardia | .... | color timer (uncredited) | |
Music Department | |||
| Nathaniel T. Cartier | .... | assistant music editor | |
| Angela Leus | .... | music clearances | |
| Larry Mah | .... | digital score recordist | |
| Ryan McClure | .... | music pre-mix | |
| Joe Rangel | .... | music consultant | |
| Ralph Sall | .... | soundtrack album producer | |
| Erich Stratmann | .... | music editor | |
Transportation Department | |||
| John Embry | .... | driver | |
| David Joseph | .... | driver: production van | |
| Derek Raser | .... | transportation coordinator | |
Thanks | |||
| James Baker | .... | special thanks | |
| Bobby Bates | .... | thanks | |
| Justin Brown | .... | additional thanks | |
| Brad Butler | .... | thanks | |
| Shaun Paul Costello | .... | additional thanks | |
| Joe Gariffo | .... | additional thanks | |
| Elizabeth Hammon | .... | special thanks | |
| Graham Hart | .... | special thanks | |
| Eric Jaffe | .... | additional thanks | |
| Aine Leicht | .... | acknowledgment | |
| Ken Leicht | .... | acknowledgment | |
| Jason Mewes | .... | special thanks | |
| Dylan Sachse | .... | special thanks | |
| Josh Shanks | .... | thanks | |
| Addison Wylie | .... | additional thanks | |
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| Clerks. | Go | Mallrats | American Wedding | Jay and Silent Bob Strike Back |
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You don't see the words excellent sequel together very often but this film lives up to them. I have not laughed out loud in a movie in a very long time. I almost couldn't catch my breath from laughing so hard. This movie is just awesome. Kudos Mr. Smith and crew. Every part of this movie is worth watching from the opening credits to the very last frame of the film. Kevin Smith plays to the fans of his films and we appreciate every last bit of it. We are rabid and loyal and this film does not disappoint. At the theatre I watched it in the entire audience cheered when it began and were clapping and cheering at the end. I could have watched it again immediately.