Lifelong platonic friends Zack and Miri look to solve their respective cash-flow problems by making an adult film together. As the cameras roll, however, the duo begin to sense that they may have more feelings for each other than they previously thought.
A comedy about a veteran NYPD cop whose rare baseball card is stolen. Since it's his only hope to pay for his daughter's upcoming wedding, he recruits his partner to track down the thief, a memorabilia-obsessed gangster.
Juan Carlos Hernández
A calamity at Dante and Randall's shops sends them looking for new horizons - but they ultimately settle at Mooby's, a fictional fast-food restaurant. Free from his dead-end job (and lodged in a new one), Dante begins to break free of his rut, planning to move away with his clingy fiancé. Dante is ready to leave the horrors of minimum-wage New Jersey behind, but Randal - always the more hostile of the two - starts to become overwhelmed by his own rancor. Written by
In the scene where Becky decides to teach Dante how to dance in the roof of the restaurant, she calls Jay and Silent Bob from the roof to tell them to play some music. Jay and Silent Bob can't figure out where the voice is coming from, so Jay replies: "God?" This is a reference to Kevin Smith's previous film, Dogma, in which God is revealed to be a woman in the end of the film. See more »
Several times Dante is supposed to be driving his car but you can clearly see the shift lever is in park. See more »
[on his cellphone]
Yeah, I got a fire at the Quick Stop. Yeah.
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One of Jay's lines has been repeated over the tag end of the closing credits of all the previous "Askewniverse" films. With this film, instead, a line from the Sexy Stud gets repeated, where he says, "Oh, shit, not again. Gotta finish. Hey!" See more »
Wow, the return of the clerks, indeed! I went to a pre-screening last night of Clerks II and let me say that it was actually really good. The title, as Mr. Smith explained, has been simplified to undersell the movie so fans and moviegoers in general will be pleasantly surprised when they see it. So here is my contribution to word-of-mouth advertising: if you liked ANYTHING about Clerks I, go see Clerks II. More of the same and then some; and then some more. I have always been hit-or-miss with Kevin Smith and, sadly, the original Clerks was still my favorite of the group. And this movie is his best yet.(In fact, the only way I can appreciate "Mallrats" is to watch it with the audio commentary on.) To me, Mr. Smith is a lot funnier when he's just add-libbing. He said during his Q & A, last night, that they spent more time on this movie in pre-production than all the other movies combined and it shows. I am sure he was kidding but this movie is actually well written, very well acted (Rosario especially; she is the topping that is going to make this movie sell), and just well thought out in general. Good pacing (especially with the sight gags, one after another) and the Decalogue that I've come to appreciate is priceless. Like the argument over which franchise has the better "Return" movie; "Lord of the Rings" or "Star Wars". Clerks II has become my favorite movie of the summer and I hope it becomes the sleeper hit of the summer because it is just that good. Oh, and Kevin, if you're reading this, sorry about the title, I am sure you pondered it. Maybe if you hadn't already used "Jay and Silent Bob Strike Back"?
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