After Marc dumps him, Kyle unites with Gwen and Tiffani to land sexually confused art model Troy by pretending to be straight. However, Marc wants Troy, too, and members from a notorious "ex-gay" group are slipping for the both of them.
Phillip J. Bartell
Emily Brooke Hands,
"All Over The Guy" is a contemporary romantic comedy about the quest to find the "one" when "the one" doesn't know he's the "one." It explores the unlikely pairing of two 20-somethings ... See full summary »
A "coming out" story that avoids all the tired cliches and stays committed to telling the stories of these characters, "East Side Story" examines bias of all kinds and features stirring performances by incredibly attractive actors.
In high school, Matt and Ryan were best friends. More than friends, actually. But in the ensuing ten years, they've lost contact. So when Matt receives an invitation to Ryan's wedding he's ... See full summary »
C. Jay Cox
Conrad is a gay man living in NYC. He's also CEO of an ad agency and by nature a control freak. Although Conrad is still in love with Martin (his ex), he hires a young Aussie hustler named ... See full summary »
In this provocative teen comedy, Luke, a young man insecure about his masculinity discovers he's a Zerophiliac, with the ability to change sex at will. Join Luke as he journeys into the ... See full summary »
The self-defeatist title is a warning...bitchy retorts substituting for an unfabulous screenplay
26-year-old gay man fears he will never find true happiness after a series of romantic dumps and cast-offs have led him back into the arms of his ex-boyfriend, who is currently preparing for a commitment ceremony to his lover, a stuffy gay Republican. With both a bombastic sense of satire and an unbroken string of snotty quips, "Ethan Green" never even approaches becoming a fabulous same-sex romantic comedy. Openly gay cartoonist Eric Orner surely didn't mean for his popular comic strip series to become yet another angst-in-the-boudoir farce, formulated around a carousel of failed gay relationships. None of the immature central characters are willing to think outside the box; they are picky, petulant, and boring (even with their shirts off). At one point, the protagonist (rather incredibly) doles out some seasoned dating advice in a scene scored with a plaintive piano. It is the height of ridiculousness that such a bald-faced attempt to tickle a gay audience with the usual shallow conceits like flashes of skin and bitchy banter should suddenly turn introspective. The fickle nature of gay love is addressed continually--which is predictable considering the filmmakers are not interested in seeing a relationship through. To the people who made this movie, commitment is viewed as the end of the line; the comedic thrust of the material is all in the early coupling. I think they got it backwards. *1/2 from ****
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