Real-life individuals discuss topics on society, happiness in the working class among others and with those testimonies the filmmakers create fictional moments based on their interviews. ... See full summary »
At 17 LeighAnne Williams has a six month old baby to look after, with only the help of three teenage squatters who flog stolen gear to make ends meet. A neighbour (actually from Turkey) ... See full summary »
A European family who plan on escaping to Australia, seem caught up in their daily routine, only troubled by minor incidents. However, behind their apparent calm and repetitive existence, they are actually planning something sinister.
John Grant, a bonded teacher, arrives in a rough outback mining town planning to stay overnight before starting his holiday. But one night stretches to several and with the aid of alcohol he plunges headlong toward his own destruction.
The twin sisters Helena and Irene are born in Helsinki during World War II. A few months later their mother, Sirkka, leaves the girls in the care of their grandmother, an old communist, and... See full summary »
Why label the already once disgraced as the hopelessly pitiful?
As a volunteer working with homeless children and youth in St Petersburg I had high expectations of the film 3 Rooms of Melancholia, since the film was said to reflect emotional and mental states related to children rejected from dysfunctional families and in general to the homeless.
However after seeing the film, I want to address that I am utterly shocked by the selfish and insensitive way the director Honkasalo dealt with the subjects of her documentary. Instead of giving the child interviewees a voice and a chance to talk about their lives before and during their military boarding school, this director serves us a series of narrated pathos-embedded statements depicting their awful backgrounds. As the homeless boys in the film are clearly working on restoring their crushed egos by trying to function progressively as group members in an institution accepted and respected by the society they live in, this immature, socio-pornographic primadonna comes with her pathological need to throw Gothic sensations out of her poetic dirt-bag. How little can a person understand the ashamed mind of the homeless and rejected and still be allowed to direct documentaries about this subject? The people awarding this documentary with human rights film prizes have little sense of the actual need the rejected and homeless have to be accepted as strong, progressive, dynamic characters who despite their socially disgraceful backgrounds can have their say in life without being publicly Kain-marked as the hopelessly pitiful.
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