| Photos (See all 31 | slideshow) | Videos (see all 5) |
Directed by | |||
| Christian Carion | |||
Writing credits(in alphabetical order) | ||
| Christian Carion | written by | |
Produced by | |||
| Philippe Boeffard | .... | associate producer | |
| Andrei Boncea | .... | co-producer | |
| Christopher Borgmann | .... | co-producer | |
| Marielle Duigou | .... | assistant producer | |
| Bertrand Faivre | .... | co-producer | |
| Soledad Gatti-Pascual | .... | co-producer | |
| Benjamin Herrmann | .... | co-producer | |
| Genevieve Lemal | .... | associate producer | |
| Alexandre Lippens | .... | associate producer | |
| Daniel Marquet | .... | associate producer | |
| Kate Ogborn | .... | co-producer | |
| Patrick Quinet | .... | co-producer | |
| Christophe Rossignon | .... | producer | |
Original Music by | |||
| Philippe Rombi | |||
Cinematography by | |||
| Walther van den Ende | (director of photography) (as Walther Vanden Ende) | ||
Film Editing by | |||
| Judith Rivière Kawa | |||
| Andrea Sedlácková | |||
Casting by | |||
| Susie Figgis | |||
| Sabine Schroth | |||
Production Design by | |||
| Jean-Michel Simonet | |||
Art Direction by | |||
| Vraciu Eduard Daniel | |||
| Anina Diener | |||
| Ève Machuel | (executive art director) | ||
Set Decoration by | |||
| Patrick Colpaert | |||
Costume Design by | |||
| Alison Forbes-Meyler | |||
Makeup Department | |||
| Emmanuelle Brechet | .... | makeup artist | |
| Gabi Cretan | .... | key makeup artist | |
| Andreea Dardea | .... | makeup artist | |
| Julie David | .... | makeup artist | |
| Brigitte Laurent | .... | hair and wig artist | |
| Tony Rocchetti | .... | hair and wig artist | |
| Josette Roger | .... | hair and wig artist | |
| Amber Sibley | .... | makeup designer | |
| Hovette Stephanie | .... | wig maker | |
| Caitlin Tanner | .... | makeup artist | |
| Andreea Tudose | .... | assistant makeup artist | |
Production Management | |||
| Julien Azoulay | .... | post-production manager | |
| Marc Dalmans | .... | unit manager | |
| Michael Frenschkowski | .... | production supervisor: Germany | |
| Florian Haeger | .... | assistant unit manager: Germany | |
| Norbert Kneissl | .... | unit manager: Germany | |
| Ève Machuel | .... | executive in charge of production | |
| Stéphane Riga | .... | production supervisor | |
| Andreea Stanculeanu | .... | executive in charge of physical production | |
| Adrian Sturges | .... | post-production supervisor: UK | |
| Iuliana Tarnovetchi | .... | unit production manager (as Iuliana Stefan) | |
| Mihai Toderiae | .... | production manager: Scotland | |
| Bernard Vander Donckt | .... | production manager: BE | |
Second Unit Director or Assistant Director | |||
| Alina Alexandrescu | .... | trainee assistant director: Romania | |
| Christoph Brosius | .... | third assistant director: Germany | |
| Tudor Cotovelea | .... | trainee assistant director: Romania | |
| Roger Delattre | .... | second assistant director | |
| Marie Doller | .... | trainee assistant director: France | |
| Daniela Dreyer | .... | trainee assistant director: Germany | |
| Alex Fotea | .... | third assistant director: Romania | |
| Claire Guillabert | .... | trainee assistant director: France | |
| Philippe Larue | .... | first assistant director | |
| Beju Marius | .... | trainee assistant director: Romania (as Marius Beju) | |
| Patrick McGurn | .... | third assistant director: Scotland | |
| Thorne Mutert | .... | second assistant director | |
| Virgil Nicolaescu | .... | second assistant director: Romania | |
| Ana Lisa Persson | .... | trainee assistant director: France | |
| Sînziana Pop | .... | trainee assistant director: Romania | |
| Pascal Salafa | .... | first assistant director | |
| Silvian Voinea | .... | trainee assistant director: Romania | |
Art Department | |||
| Cristian Baluta | .... | assistant property master | |
| Iulian Bostanaru | .... | set designer | |
| Florin Gavrila | .... | scenic painter | |
| Andreas Horstmann | .... | property master: Germany | |
| Liviu Marcu | .... | sculptor | |
| Cristian Mihaila | .... | property buyer | |
| Madalina Mitu | .... | key set decorator | |
| Vlad Panaitescu | .... | set construction manager | |
| Adrian Popa | .... | property master | |
| Geaniloni Sandru | .... | scenic painter | |
| Eusebiu Sirbu | .... | scenic artist | |
| Guillaume Watrinet | .... | property master | |
| Marcus Wellendorf | .... | property master: Germany | |
| Peter Wolf | .... | propmaker | |
Sound Department | |||
| Nicolas Becker | .... | foley artist | |
| Nicolas Becker | .... | sound effects | |
| Nicolae Comarzan | .... | assistant sound | |
| Thomas Desjonquères | .... | supervising sound editor | |
| Marius Emil Stanescu | .... | boom operator | |
| Séverin Favriau | .... | assistant sound editor | |
| Dean Humphreys | .... | sound re-recording mixer | |
| Craig Irving | .... | assistant sound re-recording mixer | |
| Pascal Jasmes | .... | assistant sound | |
| Pascal Jasmes | .... | boom operator | |
| Mark Kenna | .... | consultant: Dolby film sound | |
| Mark Lafbery | .... | foley recordist | |
| Pierre Mertens | .... | sound | |
| Gilles Missir | .... | post-synchronisation sound engineer | |
| Sandy Notarianni | .... | dialogue editor | |
| Sam Southwick | .... | foley editor | |
| Jean-Noël Yven | .... | sound effects editor | |
Special Effects by | |||
| J.C. Burgeois | .... | special effects assistant | |
| Joshua Clement | .... | special effects assistant | |
| Olivier de Laveleye | .... | special effects coordinator | |
| Razvan Pascal | .... | special effects translator | |
| Antoine Vander Winkel | .... | special effects assistant | |
Visual Effects by | |||
| Sebastien Gombeaud-Saintonge | .... | Flame artist: Mac Guff Ligne, Paris | |
| Antonin Seydoux | .... | compositor | |
| David Tomaszewski | .... | digital compositor | |
| Martial Vallanchon | .... | visual effects supervisor | |
Stunts | |||
| Vasile Albinet | .... | stunt performer | |
| Gabi Burlacu | .... | stunts | |
| Madalin Dragan | .... | stunts | |
| Ciprian Dumitrascu | .... | stunt coordinator | |
| Daniel Pisica | .... | stunt performer | |
| Dorin Zaharia | .... | stunts | |
Camera and Electrical Department | |||
| Lupsa Armand | .... | electrician | |
| Radu Cioplea | .... | video operator | |
| Sandu Constantin | .... | electrician | |
| Julien Covens | .... | grip | |
| Adam Dale | .... | aerial director of photography | |
| Dominique Degand | .... | grip | |
| Koen Firlefijn | .... | key grip | |
| Didier Frateur | .... | first assistant camera | |
| Chris Hacken | .... | gaffer | |
| Témoudjine Janssens | .... | grip | |
| Jean-Claude Lother | .... | still photographer | |
| Radu Marinescu | .... | best boy grip | |
| Jean-Paul Meurisse | .... | camera operator | |
| Catalin Nicolae | .... | electrician | |
| Florin Niculae | .... | gaffer (as Florin Nicolae) | |
| Jan Rubens | .... | Steadicam operator | |
| Gunther Schockaert | .... | electrician | |
| Bjoern Susen | .... | gaffer: Germany (as Björn-Yves Susen) | |
| James Swanson | .... | aerial director of photography | |
| Wim Temmerman | .... | electrician | |
| Gideon van Essen | .... | lighting technician | |
| Vincent van Gelder | .... | second assistant camera | |
| Nicolae Vasile | .... | electrician | |
| Bruno Verstraete | .... | co-gaffer | |
Casting Department | |||
| Grégory Caloire | .... | casting trainee: France | |
| Domnica Circiumaru | .... | extras casting: Romania | |
| Laure Cochener | .... | casting: kids, France | |
| Marcel Dykiert | .... | extras casting assistant | |
| Ana Dávila | .... | casting: kids, Germany | |
| Michaela Iacob | .... | extras casting assistant: Romania | |
| Iris Müller | .... | extras casting: Germany | |
| Andreea Tanasescu | .... | casting director: Romania (as Andrea Tanasescu) | |
| Jacqueline Wawrzyniak | .... | extras casting: France | |
Costume and Wardrobe Department | |||
| Anne Le Montagner | .... | wardrobe | |
| Radu Mada | .... | wardrobe supervisor | |
| Bujoi Mariana | .... | costumes | |
| Claudia Sarbu | .... | set costumer | |
| Bunny Stokes | .... | costumer | |
Editorial Department | |||
| Serge Anthony | .... | grader | |
| Céline Cloarec | .... | additional assistant editor | |
| Nicolas Criqui | .... | digital conformation | |
| Matthieu de Braconier | .... | post-production coordinator: UK | |
| Julie Delord | .... | second assistant editor | |
| Mickael Dumontier | .... | digital conformation | |
| Eric Duriez | .... | post production manager | |
| Frederic Jupin | .... | lustre editor | |
| Philippe Reinaudo | .... | digital intermediate technical director | |
| Raymond Terrentin | .... | digital colorist | |
| Clement Zveguintzoff | .... | digital conformation | |
Music Department | |||
| Benjamin Caillaud | .... | music editor | |
| Chorale Scala | .... | musician | |
| Edouard Dubois | .... | music consultant | |
| Mathias Duhayer | .... | chorus singer | |
| Carmine Lauri | .... | musician: violin solo | |
| The London Symphony Orchestra | .... | orchestra | |
| Orchestre Symphonique Bel'Arte | .... | orchestra | |
| Stéphane Reichart | .... | music scoring mixer | |
| Simon Rhodes | .... | music scoring mixer | |
| Géraldine Rombi | .... | music supervisor | |
| Philippe Rombi | .... | conductor | |
| Philippe Rombi | .... | musician: piano solo | |
| Philippe Rombi | .... | orchestrator | |
Transportation Department | |||
| Daniel Huhn | .... | personal driver: Christophe Rossignon, Germany | |
| Andrei Sendrea | .... | transportation captain | |
Thanks | |||
| Michel Serrault | .... | special thanks | |
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| Grand Illusion | Coup de grâce | Miracle at St. Anna | Downfall | Days of Glory |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb France section |
I have always had an interest in WW1 and when I discovered that a film about that conflict was being released, I knew I'd have to see it as soon as possible. This is a very special movie. Telling the story of the extraordinary Christmas truce between waring soldiers in the trenches at Christmas 1914, it demonstrates just how ludicrous war really is and how the human spirit can overcome blind hatred. Performances, cinematography and direction don't really matter in this film. Though all these elements are of a high quality. What's important about this film is its message. It is a "feel good movie" with a difference. The difference is that the plot is based on a true event.
It is sure to become a fixture on Christmas T.V. listings over the coming years. But go and see it now. Particularly if, like me, your beginning to get cynical about this time of the year.