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Sandrine, a woman in her thirties gets tired of life in Paris and decides to leave her work in computers and become a farmer. She takes the required practice for two years, and after that ... See full summary »
A French boarding school run by priests seems to be a haven from World War II until a new student arrives. He becomes the roommate of top student in his class. Rivals at first, the roommates form a bond and share a secret.
A French public servant from Provence is banished to the far North. Strongly prejudiced against this cold and inhospitable place, he leaves his family behind to relocate temporarily there, with the firm intent to quickly come back.
In 1914, World War I, the bloodiest war ever at that time in human history, was well under way. However on Christmas Eve, numerous sections of the Western Front called an informal, and unauthorized, truce where the various front-line soldiers of the conflict peacefully met each other in No Man's Land to share a precious pause in the carnage with a fleeting brotherhood. This film dramatizes one such section as the French, Scottish and German sides partake in the unique event, even though they are aware that their superiors will not tolerate its occurrence. Written by
Kenneth Chisholm (firstname.lastname@example.org)
Towards the end of the film Major General Audebert says "i've been ordered to arrest a cat for treason", A cat portrayed in the film as Felix/Nestor, was actually arrested and shot for espionage after it arrived in French lines wearing a new collar and bearing a note (in french) which read "which regiment are you from?". The general in charge decided just to follow the letter of the law, the cat was shot for spying. See more »
In the film the musical exchange is prompted by the Scottish troops: in reality, most incidents began with the German troops singing carols from their trenches (but not exposing themselves to the enemy - both sides remained in their trenches) with the opposing troops countering with carols of their own. The film was advertised as "based on a true story", but neither the marketing nor anything in the film claims it to be a historically accurate account of the events. At the end of the closing credits it states, the story is based on a compilation of various documented events which took place along the front during WW1. Director Christian Carion said in the DVD commentary that he included Scots, rather than English, in the story because he wanted bagpipe music. See more »
Child, upon these maps do heed This black stain to be effaced Omitting it, you would proceed Yet better it in red to trace Later, whatever may come to pass Promise there to go you must To fetch the children of Alsace Reaching out their arms to us May in our fondest France Hope's green saplings to branch And in you, dear child, flower Grow, grow, France awaits its hour.
To rid the map of every trace Of Germany and of the Hun We must exterminate that race We must not leave a single ...
[...] See more »
Thanks to a special showing as one of the events to mark the centenary of the Alliance Française in Canada's capital, I had the privilege of attending a North American premiere of this remarkable film just two days before today Remembrance Day (Veterans Day in the U.S.) Both an appropriate theme and a cinematic Christmas gift come early. I think it may become my top film among several hundred seen this year, just as A Very Long Engagement - also set in the trenches of the First World War
captured my heart and critic's choice last December. Writer-director
Christian Carion and all the actors do an amazing job in this multi-country Euro co-production. It should appeal not only to audiences across that continent but to film goers around the world. In addition to presenting a parable from real life relevant for any war-torn age, including our own I might add, Carion works wonders with front-line incidents great and small while drawing compelling individual character portraits from a top notch Scots, French and German cast, each speaking in their native language and accents. That goes for even relatively smaller roles: for example, that of the junior German officer at the front, Lieutenant Horstmayer (ironically a Jew who recalls a Paris honeymoon with his French-speaking wife), as played by the superb young actor Daniel Brühl (Goodbye Lenin, The Edukators). There is so much more that could be said about this remarkable and timely movie with a timeless message. Even had France not chosen Joyeux Nöel as its selection for the 2006 Oscar best foreign-language film category, I would herald it and rejoice in the advent of a new classic that is in another class altogether from the general run of "holiday movies". A story of harsh truths as well as transcendent art, it finds humanity and hope in the midst of battlefield horrors. Seasonal glad tidings indeed!
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