A scheming raccoon fools a mismatched family of forest creatures into helping him repay a debt of food, by invading the new suburban sprawl that popped up while they were hibernating...and learns a lesson about family himself.
Barry B. Benson, a bee just graduated from college, is disillusioned at his lone career choice: making honey. On a special trip outside the hive, Barry's life is saved by Vanessa, a florist in New York City. As their relationship blossoms, he discovers humans actually eat honey, and subsequently decides to sue them.
Simon J. Smith
Boog, a domesticated 900lb. Grizzly bear finds himself stranded in the woods 3 days before Open Season. Forced to rely on Elliot, a fast-talking mule deer, the two form an unlikely friendship and must quickly rally other forest animals if they are to form a rag-tag army against the hunters.
Spoiled by their upbringing with no idea what wild life is really like, four animals from New York Central Zoo escape, unwittingly assisted by four absconding penguins, and find themselves in Madagascar, among a bunch of merry lemurs
Alex, Marty, Gloria and Melman are still fighting to get home to their beloved Big Apple. Their journey takes them through Europe where they find the perfect cover: a traveling circus, which they reinvent - Madagascar style.
Roddy is a decidedly upper-crust "society mouse" who lives the life of a beloved pet in a posh Kensington flat. When a sewer rat named Sid comes spewing out of the sink and decides he's hit the jackpot, Roddy schemes to rid himself of the pest by luring him into the "whirlpool." Sid may be an ignorant slob, but he's no fool, so it is Roddy who winds up being flushed away into the bustling sewer world of Ratropolis. There Roddy meets Rita, an enterprising scavenger who works the sewers in her faithful boat, the Jammy Dodger. Roddy immediately wants out, or rather, up; Rita wants to be paid for her trouble; and, speaking of trouble, the villainous Toad - who royally despises all rodents equally, making no distinction between mice and rats--wants them iced... literally. The Toad dispatches his two hapless hench-rats, Spike and Whitey, to get the job done. When they fail, the Toad has no choice but to send to France for his cousin - that dreaded mercenary, Le Frog. Written by
At the beginning of the film, when Roddy is going through his wardrobe, the outfit he forgoes for the Elvis Presley-style rhinestone jumpsuit is a replica of the original Wolverine outfit from the comic books. Wolverine is another role that Hugh Jackman made famous. See more »
When Rita and Roddy are escaping from The Toad at the beginning, Rita jumps down repeatedly and ends on the handle of a hammer. When Roddy jumps/falls down the same path Rita went, the hammer has changed, and he ends on the head of the hammer. See more »
It's nine o' clock already, we're going to miss our flight.
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The last line of the credits is: "No slugs were a-salted in the making of this film." See more »
Like a lot of film reviewers, I had a lot of reservations about this film when I first saw the trailer. At first I thought it was going to be just another hastily made CGI cartoon about edgy cartoon animals, filled with top 40 or dance songs and full of topical jokes. The fact that as I waited for the movie to start, half the trailers were for more CGI cartoons about edgy cartoon animals and the other half was for films about trash talking fairy tale characters.
Thankfully this movie was a blessed reprieve from all of that. In Flushed Away, Aardman studios has made yet another family classic that will still be as entertaining ten years from now as it is today. Granted, it's loaded with a lot of pop songs and oldies, but most of them are sung by a chorus of slugs (which makes for one of the best running gags I've seen in a while).
The story actually felt pretty fresh for a family movie, or any movie for that matter. While it's by no means unpredictable, it doesn't feel too much like it's treading over the same ground most family films seem to go over these days. The jokes were surprisingly clever too. While there's the usual slapstick humor, there's also plenty of highbrow jokes thrown in the mix. (How often do you find references to Kafka in an animated feature, after all?) What I liked best about this movie was that Aardman stayed true to its roots of making stop-motion films. My initial worry was that they had sold out and were going to just make CGI films from here on out like everybody else, but when you watch this film, you'll see that they do as much as possible to maintain the look of their other animated films like Chiken Run and Wallace & Gromit. Overall this is a great selection to take your family to see, and worth seeing even if you're a grown up too.
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