A scheming raccoon fools a mismatched family of forest creatures into helping him repay a debt of food, by invading the new suburban sprawl that popped up while they were hibernating...and learns a lesson about family himself.
Spoiled by their upbringing with no idea what wild life is really like, four animals from New York Central Zoo escape, unwittingly assisted by four absconding penguins, and find themselves in Madagascar, among a bunch of merry lemurs
Barry B. Benson, a bee just graduated from college, is disillusioned at his lone career choice: making honey. On a special trip outside the hive, Barry's life is saved by Vanessa, a florist in New York City. As their relationship blossoms, he discovers humans actually eat honey, and subsequently decides to sue them.
Simon J. Smith
Roddy is a decidedly upper-crust "society mouse" who lives the life of a beloved pet in a posh Kensington flat. When a sewer rat named Sid comes spewing out of the sink and decides he's hit the jackpot, Roddy schemes to rid himself of the pest by luring him into the "whirlpool." Sid may be an ignorant slob, but he's no fool, so it is Roddy who winds up being flushed away into the bustling sewer world of Ratropolis. There Roddy meets Rita, an enterprising scavenger who works the sewers in her faithful boat, the Jammy Dodger. Roddy immediately wants out, or rather, up; Rita wants to be paid for her trouble; and, speaking of trouble, the villainous Toad - who royally despises all rodents equally, making no distinction between mice and rats--wants them iced... literally. The Toad dispatches his two hapless hench-rats, Spike and Whitey, to get the job done. When they fail, the Toad has no choice but to send to France for his cousin - that dreaded mercenary, Le Frog. Written by
The frog dressed as a mime is named Marcel. This is a reference/homage to famed French mime artist Marcel Marceau. The frog in question is dressed as Marceau's famed character named Bip. See more »
During the chase scene with Rita and Roddy vs. the other rats, the view towards the bow of the boat shows hanging signs. The reverse view shows the exact same signs in the exact same positions as if the boat were headed in the opposite direction. See more »
It's nine o' clock already, we're going to miss our flight.
See more »
The last line of the credits is: "No slugs were a-salted in the making of this film." See more »
I have to admit that I went into this movie with the mixed expectations. I'm haven't been especially impressed with Dreamworks animations, minus "Over the Hedge" which I think is their first film that stands on its own two feet without relying on the popularity of previous animations or pop-culture references.
But enough on that, Flush Away was an enjoyable romp of animation. My only real complaint, is the pacing. The entire thing feels a roller coaster that you ride upside down -- with rotating seats. (Perhaps a contraption Aardman would come up with). The gags are amusing and some are very funny, but I need some breathing/laughing time between them.
Yet if your brain can handle the onslaught of information, you will be able to appreciate the extraordinary amount of creativity in terms of visuals and attention to detail. There's also plenty of adult innuendo and witty jabs at Europeans and Americans alike. Katzenburg's philosophy of making movies "for adults, and the adult in every child." is very evident here. The kids were rolling in the theater with all the slapstick, and the savvy adults had their own laugh track.
In this sense, the film is a success minus the ridiculous pacing. It's worth a look, just leave the Ritalin at home.
43 of 59 people found this review helpful.
Was this review helpful to you?