Jae-Young is an amateur prostitute who sleeps with men while her best friend Yeo-Jin "manages" her, fixing dates, taking care of the money and making sure the coast is clear. When Jae-Young... See full summary »
On a fishing boat at sea, a 60-year old man has been raising a girl since she was a baby. It is agreed that they will get married on her 17th birthday, and she is 16 now. They live a quiet and secluded life, renting the boat to day fishermen and practicing strange divination rites. Their life changes when a teenage student comes aboard...
Based on a series of true stories posted by Ho-sik Kim on the Internet describing his relationship with his girlfriend. These were later transformed into a best-selling book and the movie ... See full summary »
The lonely and silent rider Tae-suk breaks in empty houses and lives a normal life while the owners are traveling. He does not steal anything and moves from house to house without any loss other than food, and he cleans the houses, provides small repairs or washes some clothes to pay for the hospitality. When he enters in the house of Sun-hwa, he does not see the woman that is wounded in her room after being beaten up on by her abusive husband Min-gyu Lee. Tae-suk helps the hurt woman and when Min-gyu returns, he hits the husband with golf balls and Sun-hwa leaves her husband with Tae-suk on his motorcycle. When they break in the house of an old man, they find that the man is dead and Tae-suk provides funeral service for him. However, his son returns and Tae-suk and Sun-hwa are arrested by two abusive police detectives. He is sent to prison and Sun-hwa is forced to return home. But she never forgets him. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Watched it two times the past week. In a nutshell - I dare anyone to find a film that is more sober and so light and that at the same time fills you with a deep warmth an and all encompassing feeling of great tenderness. Really.
Its story is of such unbelievable simplicity that at the first sight of such a script you'd wonder how on earth it would be possible to make it into a film - or tell anything with it that goes beyond the script. Add to this the fact that any dialogue almost entirely fails to manifest itself...
But then you forget about Kim Ki-duk! If anyone was born with the eye of the cinematographic magician, it must be him. Despite the fact that I did not like The Isle at all, the photography was utterly unbelievable. Same for Spring, Summer... But then I still thought "well, anyone with reasonable skill can get a good image out of such landscapes/spaces". But none of that here - mainly indoors or in the city - just a guy spending his nights at other unknown people's places while they're away, and in turn repairs stuff and cleans/does the laundry. And STILL the images are nothing less than breathtaking. The light is superb, the framing, everything... Also the storytelling... pacing is perfect - he tells the story with images more than with events. The film actually becomes light as feather, and then lighter. Sublimation. And besides that, he manages to squeeze in some real drama and the occasional laugh. Go figure.
I'm gonna quit here, there's really nothing much more I can add. Do yourself a favour and see this inconspicuous little film that is so profoundly simple and beautiful that you'll be wanting to send me a thank you note afterwards for telling you this.
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