The tragic tale of Maggie Tulliver, the miller's daughter, who defies her embittered brother in standing by the man she loves - shocking the stifling society in which she lives - in an attempt to pursue her blighted dreams.
Lawyer Wakem takes away the mill on the river Floss from Edward Tulliver, whose ancestors owned it for 300 years, and becomes the worst enemy of Tulliver's family. When Edward's daughter, ... See full summary »
When a crusade against the Church of England's practice of self-enrichment misfires, scandal taints the cozy community of Barchester when their local church becomes the object of a scathing, investigative report.
This BBC production, set in the small town of Highbury depicts the often hilarious attempts of Miss Emma Woodhouse to make proper marital matches for all of her friends. Though often ... See full summary »
Jane Eyre is an orphan cast out as a young girl by her aunt, Mrs. Reed, and sent to be raised in a harsh charity school for girls. There she learns to become a teacher and eventually seeks ... See full summary »
An eccentric and dogmatic inventor sells his house and takes his family to Central America to build a utopia in the middle of the jungle. Conflicts with his family, a local preacher and ... See full summary »
An aristocratic English family is shown in the years between the Great War and The Second World War, often at the crumbling family estate, Brideshead Manor, trying to deal with family ... See full summary »
Based on a little known 1848 novel by Anne Bronte, Tara Fitzgerald stars as an enigmatic young woman who moves to 19th Century Yorkshire with a young son. Distancing herself from everyone ... See full summary »
Set in 19th century Lincolnshire, the story centers on Maggie Tulliver (Georgia Slowe). Headstrong and undisciplined, she loves her brother Tom (Jonathan Scott-Taylor), but he has his doubts about her. Frankly, he finds his sister exasperating. An uptight, ambitious young man, Tom can't understand why she won't act like a proper young lady. While he's off at boarding school, for instance, she forgets to feed his rabbits and they die. Well-mannered cousin Lucy Deane (Moira Durbridge) is a mutual friend and peacemaker between the two. Over the years, Phillip Wakem (Anton Lesser), another neighbor, will also enter their orbit. Alas, Mr. Tulliver (Ray Smith) and Lawyer Wakem (Philip Locke) are sworn enemies. More studious than her brother (now played by Christopher Blake), teenaged Maggie (Pippa Guard) is drawn to the bright, if hunchbacked Phillip, but her ardor doesn't run as deep as his. Either way, Tom doesn't approve - nor, as it turns out, does Mr. Wakem. Further, as the fortunes of... Written by
Kathleen C. Fennessy
When I finished reading this book, I felt it is one of the most perfect things I have ever read, and also the most deeply depressing book I have ever read. The bleakness and struggle of this world is relentless. The more recent version of this story with Tara Fitzgerald is glossier than this version, and much shorter. Because this is a miniseries, this length makes it more like the book. Like the strong, steady, slow plodding of the mill wheel, the river runs through this story and makes everything musty and dank. (Ranked a 9 because, like many of these 70s miniseries, it does drag at times.) I think this version suffers from the casting of young Maggie Tulliver and the horrible wig that she wears. This child is more willfully dis-likable than the girl of the story who is always caught in the wrong by trying to do what is right; and when she transitions to a young lady the change is unbelievable, because the basic character changes so much with the change of the actress. This leaden little girl becomes a sprightly, delicate young woman. (Ironically, Tara Fitzgerald's Maggie would be a very good match for this girl her portrayal of Maggie was very bull-headed.) But this type of casting match - child to adult of the same role - is always difficult and can be forgiven. Taken individually, each actress does a wonderful job, and Pippa Guard is nice to end up with; her lightness gives the character a new dimension.
George Eliot presents us with characters who have great internal dissonance with their exterior (appropriate for a woman writing under a man's name). ANTON LESSOR, who plays the "hunchback" friend is creepily odd in the early scenes (because he is simply too old to be playing that age) but that weirdness is just the right way to introduce this character. He has a wonderful extreme contrast about his person and his presentation that create a real discrepancy, and this is precisely what this character needs to have, and it is marvelous casting. We need to feel sorry for him, like who he is, but feel revolted by him as well, and between his performance and the Direction, this is achieved .no easy task! Christopher Blake, as the infuriatingly arrogant brother also hits all the right notes, and in this case the young actor playing the younger version of him matches him tone for tone.
The book has a very problematic section of an elopement (of sorts), problematic, because in the book we spend that time in Maggie's internal emotions and thoughts, and the turmoil of her inner conflict is impossible to flesh out in film. Thankfully, this version does a very good job of establishing her conflicting motivations, without becoming too talky or expository.
Dark and murky, this is an interesting story of complex lives in difficult times, beautifully directed by Ronald Wilson.
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