A drama centered on the romance between Ernest Hemingway and WWII correspondent Martha Gellhorn, Hemingway's inspiration for For Whom the Bell Tolls and the only woman who ever asked for a divorce from the writer.
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Famous film director Guido Contini struggles to find harmony in his professional and personal lives, as he engages in dramatic relationships with his wife, his mistress, his muse, his agent, and his mother.
It was a romance born out of war...and later torn apart by it. This powerful drama recounts one of the great love stories of the 20th century: the relationship between literary giant Ernest Hemingway and trailblazing war correspondent Martha Gellhorn. Written by
Lars Ulrich who appears in this movie, is in the band Metallica. One of metallica's better songs For Whom The Bell Tolls, is based off the Ernest Hemingway novel of the same name. See more »
Actors are seen smoking filtered cigarettes. These didn't become widely available until the 1960s. See more »
Writing, at its best, is a lonely life.
As a writer grows in public stature, he sheds his loneliness, and often his work deteriorates, for he does his work alone.
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A truly miserable film that trades in posing, overacting and phony' hyperdramatic lines. It is Insipidly researched: a five-minute read of Wikipedia may seem adequate to the badly underdeveloped, but why would they be the audience for a film like this. It is clunkily written, in dialogue and in its scenarios. The film is unfair to Hemingway, reducing him to a loud bully conspicuously and constantly panicked about his manhood and ignoring the balance of his life and personality. It is unfair to dos Passos, portraying one who saw much combat and who was regularly passed over for literary prizes because of his conviction. making him appear to be a weak and feckless hanger-on. It is also unfair to Gellhorn, who was a truly great war correspondent.
The actor Clive Owen is quite an unfortunate choice to play Hemingway. Owen never sounds appropriate.
The film's author seems to have a grudge against Hemingway, too.
This seems aimed at no one past a high school freshman level. In fact, it seems to be written by three or four of them, and directed by the least tasteful of the group.
Is American movie-making deliberately getting dumber or are such movies just negligent.
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