A drama centered on the romance between Ernest Hemingway and WWII correspondent Martha Gellhorn, Hemingway's inspiration for For Whom the Bell Tolls and the only woman who ever asked for a divorce from the writer.
The story of former Hollywood star Grace Kelly's crisis of marriage and identity, during a political dispute between Monaco's Prince Rainier III and France's Charles De Gaulle, and a looming French invasion of Monaco in the early 1960s.
Turning her back on her wealthy, established family, Diane Arbus falls in love with Lionel Sweeney, an enigmatic mentor who introduces Arbus to the marginalized people who help her become one of the most revered photographers of the twentieth century.
Robert Downey Jr.,
Set in northern Australia before World War II, an English aristocrat who inherits a sprawling ranch reluctantly pacts with a stock-man in order to protect her new property from a takeover plot. As the pair drive 2,000 head of cattle over unforgiving landscape, they experience the bombing of Darwin, Australia, by Japanese forces firsthand.
Famous film director Guido Contini struggles to find harmony in his professional and personal lives, as he engages in dramatic relationships with his wife, his mistress, his muse, his agent, and his mother.
Two ex-government agents turned rival industrial spies have to be at the top of their game when one of their companies prepares to launch a major product. However, they distract each other in more ways than one.
A former British Army officer, who was tormented as a prisoner of war at a Japanese labor camp during World War II, discovers that the man responsible for much of his treatment is still alive and sets out to confront him.
It was a romance born out of war...and later torn apart by it. This powerful drama recounts one of the great love stories of the 20th century: the relationship between literary giant Ernest Hemingway and trailblazing war correspondent Martha Gellhorn. Written by
I don't understand the praise for Kidman in this role. I couldn't get past her overly botoxed expressionless face (she only showed two emotions with facial gestures throughout the entire movie - a deer in headlights and disgust). Owen doesn't look anything like Hemingway and certainly didn't capture his essence - not even slightly. The sex scenes were nauseating and far too explicit in many ways. Everything about the movie came off as phony, fake, contrived. The sepia effect flashing in and out in certain scenes looked odd. The interaction between the two characters looked forced and unnatural. I kept thinking how much I loved that movie "Julia" (1977) and how wonderful Jane Fonda and Jason Robards were as Lillian Hellman and Dashiel Hammett. Kidman and Owen should have watched that movie before making this one - they could've learned a thing or two about two writers in an intimate relationship and how it should be acted.
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