Rosie and Vincent know each other for ten years, and are married for five. She doesn't like her job, he isn't too pleased working with her dad. They're trying to have a baby. One morning ... See full summary »
Steve Coogan has been asked by The Observer to tour the country's finest restaurants, but after his girlfriend backs out on him he must take his best friend and source of eternal aggravation, Rob Brydon.
There's little wonder in the working-class lives of Bill, Eileen, and their three grown daughters. They're lonely Londoners. Nadia, a cafe waitress, places personal ads, looking for love; ... See full summary »
In February 2002 in the Shamshatoo Refugee Camp in the North West Frontier Province in Pakistan, there are 53,000 refugees living in sub-human conditions since 1979 with the Soviet Union ... See full summary »
Eunice is walking along the highways of northern England from one filling station to another. She is searching for Judith, the woman, she says to be in love with. It's bad luck for the ... See full summary »
Donal is a 14-year old who develops a passion for greyhound racing. He works in a kennel, which is owned by Good Joe. Good Joe promises Donal ownership of Donal's favorite greyhound, The ... See full summary »
Two actors, as their make up is applied, talk about the size of their parts. Then into the film: Laurence Sterne's unfilmable novel, Tristram Shandy, a fictive autobiography wherein the narrator, interrupted constantly, takes the entire story to be born. The film tracks between "Shandy" and behind the scenes. Size matters: parts, egos, shoes, noses. The lead's girlfriend, with their infant son, is up from London for the night, wanting sex; interruptions are constant. Scenes are shot, re-shot, and discarded. The purpose of the project is elusive. Fathers and sons; men and women; cocks and bulls. Life is amorphous, too full and too rich to be captured in one narrative. Written by
Given that the story's about Walter's love for his son, I really think that Walter should be there at the birth.
It's the 18th Century. Men just didn't do that. You're a 21st Century man, but Walter can't be.
He talks to the fucking camera. He can be emotional. If you saw Walter for an instant holding the baby in his arms, then you would forgive him all his flaws.
Yeah, but it would look terrible. It'd be like the scene in Robin Hood where Kevin Costner delivers a baby.
Because he's got a ...
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Throughout the closing credits, Rob and Steve talk about how they use techniques of various other actors. See more »
Forget anything pedagogical that this film's title might unfortunately imply and as a result keep butts out of seats. it is wildly entertaining, ribald, and simply fun, fun, fun. all of which Sterne intended. the addition of the play within the play within the play is really brilliant.
I loved the behind the scenes bits of story that had to do with the failure of the film's execution-particularly the whole shoe business. By far the greatest bit was the piece about acting techniques. Steve Coogan at first imagines what hot (as in temperature) walnuts- or some type of nut-would feel like dropped down his trousers and caught next to his genitals. He tries many interpretations but the one that slayed the audience was when he actually dropped the "hot nuts" into his trousers in order to see how close his interpretation came to the actual reaction. it was uproariously entertaining.
i was wondering if winterbottom and gilliam have ever thought to produce something together? please sir may we have some more?
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