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This Revolution (2005)

R  |   |  Drama, Romance, Thriller  |  January 2005 (USA)
5.6
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Ratings: 5.6/10 from 446 users   Metascore: 36/100
Reviews: 19 user | 6 critic | 8 from Metacritic.com

In this politically charged homage to Medium Cool, a photographer covers the urban guerrilla war on New York streets during the RNC.

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Cast

Cast overview, first billed only:
...
Nathan Crooker ...
Jake Cassavetes
...
Chloe Harden
...
...
Daniel Symptom
Immortal Technique ...
Himself
...
Bob Kramer
...
BCN News Anchor
Ned Silverman ...
Dexter
Brett Berg ...
Cody
Jermaine Chambers ...
Max
Gavin Bellour ...
Dante
...
Mousy (as Vija Brigita Grosgalvis)
...
Music Producer (as James T. Williams II)
...
Cruz Santiago (as Juan Hernandez)
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Storyline

Jake Cassevetes is a world renowned shooter just back from being embedded during the U.S. invasion of Iraq. As a well-paid stringer for the networks, Jake does not buy into the currently vogue, left-wing conspiracy theory of a corporate-controlled press. But, after discovering much of his best footage in Iraq was censored by the network, Jake is growing disillusioned with his corporate masters. When he gets an assignment to shoot on the streets of the Republican National Convention protests, he meets Seven, one of the young leaders of the masked anarchist Black Bloc. Jake quickly wins the trust of the group and is allowed to shadow them as they move through the demo. Later that night, after shooting Seven with her mask down describing the Bloc's militant objectives, the videotape is mistakenly returned to the network with the rest of his footage. When he goes to retrieve the tape, he is told the network made a deal with Homeland Security to review all footage to look for potential ... Written by Stephen Marshall

Plot Summary | Add Synopsis

Genres:

Drama | Romance | Thriller | War

Motion Picture Rating (MPAA)

Rated R for pervasive language
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Details

Country:

Language:

Release Date:

January 2005 (USA)  »

Also Known As:

A düh forradalma  »

Filming Locations:

 »

Box Office

Budget:

$2,000,000 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Color:

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Did You Know?

Trivia

During filming of a scene August 29, 2004 a block away from the Republican National Convention, Rosario Dawson, Vija Zvers and director Stephen Marshall were arrested. Dawson and Zvers allegedly refused to yield to police and were wearing bandannas as masks, in violation of local law regarding public demonstrations. When Marshall protested the arrests and showed police the film's permits, he also was arrested. The last 15 minutes of the film were changed to incorporate the incident into the movie including using actual footage of the arrests. All charges were dropped in March 2005 after video showed that the filming did not cause any obstruction and that Dawson and company obeyed all police directives. See more »

Connections

References The Year of Living Dangerously (1982) See more »

Soundtracks

Me Tarzan You Jane
Written by Fil Eisler
performed by Fil Eisler
Courtesy of Own Brand Records
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User Reviews

Promising First Fictional Effort
6 March 2005 | by (United States) – See all my reviews

Director Stephen Marshall is best known for his documentaries, including some that are Sundance winners. This is his first foray into fictional mainstream films, and it is a promising effort. I am mystified by some of the negativity I read here; granted, Marshall is no Costa-Gravas (yet), but I doubt even Costa-Gravas was Costa-Gravas in his first movie. Working under extreme deadline pressures with a cast of mostly unknowns and a limited budget, he has exemplified making lemonade out of lemons. Since many of his principals are non-actors, the fact that he gets good performances from them speaks well of his directing skills. He also has a painter's eye: there is one scene with Rosario Dawson and her fictional son, shot at sunset as they pretend to fly like the pigeons soaring around them, that is starkly beautiful. The street scenes pulse with life, no doubt because they are real. There are some amusing vignettes on the street that add piquancy to the mix. The modestly named rapper "Immortal Technique" has some interesting scenes, but for some puzzling reason appears to be identifying himself as black, when he is clearly hispanic. "Technique" also rips off the Brahms third symphony (third movement, trust me on this) for his rap, but no shoutouts to Johannes can be found in the credits to enhance his street-cred. I would like to see more character development, but given Marshall's background in documentaries this is not surprising. The motivation of some of the characters was hazy also, and anyone who has been to Times Square knows the big TV screens there are mute. But so what? These are minor issues, and he will learn. I saw the final cut at Sundance in January, and there was a large and enthusiastic crowd. Marshall spoke to us afterward, and came across very well. I look forward to more from this most interesting young director.


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