In Majdal Shams, the largest Druze village in Golan Heights on the Israeli-Syrian border, the Druze bride Mona is engaged to get married with Tallel, a television comedian that works in the...
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About a Palestinian girl of 17 who wants to get married to the man of her own choosing. Rana wakes up one morning to an ultimatum delivered by her father: she must either choose a husband ... See full summary »
In the wake of Israel's 2006 bombardment of Lebanon, a determined woman finds her way into the country convincing a taxi cab driver to take a risky journey around the scarred region in search of her sister and her son.
Nada Abou Farhat,
Beirut, 1982: a young Palestinian refugee helps an Israeli fighter pilot escape from PLO captivity because he wants to visit his ancestral family home. En route through war-torn Lebanon their relationship develops into a close bond.
Abdallah El Akal,
In Majdal Shams, the largest Druze village in Golan Heights on the Israeli-Syrian border, the Druze bride Mona is engaged to get married with Tallel, a television comedian that works in the Revolution Studios in Damascus, Syria. They have never met each other because of the occupation of the area by Israel since 1967; when Mona moves to Syria, she will lose her undefined nationality and will never be allowed to return home. Mona's father Hammed is a political activist pro-Syria that is on probation by the Israeli government. His older son Hatten married a Russian woman eight years ago and was banished from Majdal Shams by the religious leaders and his father. His brother Marwan is a wolf trader that lives in Italy. His sister Amal has two teenager daughters and has the intention to join the university, but her marriage with Amin is in crisis. When the family gathers for Mona's wedding, an insane bureaucracy jeopardizes the ceremony. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Filming was done in two different Druze villages, one pro-Syrian and one pro-Israeli, depending on the political tilt of the scenes. Also, since Israeli authorities would not give permission to film at the actual border, a mock-up was built some distance away. See more »
The UN agent says on July 17th 2000 that it's a Thursday. That date was a Monday. See more »
An Insight to the Conflicting Problems in the Middle East
THE SYRIAN BRIDE would probably best be appreciated by those who understand the intricacies of border rules and inter-country regulations that dominate the plot of this well made but a bit obtuse film.
The story takes place on the wedding day of a beautiful bride, a Druze woman in Majd Alshams, a pro-Syrian village located in the conflicted Golan heights (factions pro-Syrian and pro-Israeli live uncomfortably in Druze villages). Our bride is to marry (by arrangement - she has never met him) a Syrian TV soap opera celebrity. The problem arises in that this will be the last time that she sees her family as once she crosses the border into Syria accepting Syrian citizenship, she can never return to the Golan Heights to see her family. The wedding is further complicated by the return visit of her brother who has been away for 8 years having married a Russian by whom he has a son: the brother and the son are in conflict. And to make things worse, the paperwork at the border to allow the bride to join her husband to be in the wedding is held up by political paperwork. How all of these factors impact the bride's future is played out by the families on both sides.
The script tries to make the story seem credible but to those of us who still don't understand the intricacies of the territorial parceling of that area of the world or the traditions of Arab marriage etc, this plot seems ponderous and heavy. The actors are all excellent and there is something in each character with which we can identify. A little background on customs before the film begins would have helped immensely as the movie itself is very well done. Grady Harp
4 of 6 people found this review helpful.
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